Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Milton And The Drama Of History Historical Vision Iconoclasm And The Literary Imagination Mit Bild 1 Publ PDF full book. Access full book title Milton And The Drama Of History Historical Vision Iconoclasm And The Literary Imagination Mit Bild 1 Publ.
| Author | : David Loewenstein |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1990 |
| Genre | : Great Britain |
| ISBN | : |
| Author | : David Loewenstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 216 |
| Release | : 1990-07-27 |
| Genre | : History |
| ISBN | : 9780521372534 |
This book explores the role of history in Milton's literary works. It focuses on the writer's imaginative responses to the historical process - his interpretations of the past, visions of the future, and sense of the contemporary historical moment.
| Author | : Stephen B. Dobranski |
| Publisher | : Cambridge University Press |
| Total Pages | : 235 |
| Release | : 2015-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 1316368696 |
Critics have traditionally found fault with the descriptions and images in John Milton's poetry and thought of him as an author who wrote for the ear more than the eye. In Milton's Visual Imagination, Stephen B. Dobranski proposes that, on the contrary, Milton enriches his biblical source text with acute and sometimes astonishing visual details. He contends that Milton's imagery - traditionally disparaged by critics - advances the epic's narrative while expressing the author's heterodox beliefs. In particular, Milton exploits the meaning of objects and gestures to overcome the inherent difficulty of his subject and to accommodate seventeenth-century readers. Bringing together Milton's material philosophy with an analysis of both his poetic tradition and cultural circumstances, this book is a major contribution to our understanding of early modern visual culture as well as of Milton's epic.
| Author | : Tania Demetriou |
| Publisher | : Routledge |
| Total Pages | : 317 |
| Release | : 2018-12-07 |
| Genre | : Literary Criticism |
| ISBN | : 1351341316 |
This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.
| Author | : |
| Publisher | : |
| Total Pages | : 1332 |
| Release | : 1992 |
| Genre | : Arts |
| ISBN | : |
| Author | : Laura L. Knoppers |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2013-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 9780820704708 |
Published annually by Duquesne University Press as an important forum for Milton scholarship and criticism, Milton Studies focuses on various aspects of John Milton's life and writing, including biography; literary history; Milton's work in its literary, intellectual, political, or cultural contexts; Milton's influence on or relationship to other writers; and the history of critical response to his work. The eleven essays in Milton Studies 54 offer new and groundbreaking perspectives on topics of current scholarly interest. Contributors examine Milton's angelic narrators, Adam's nativity and vitalism, Miltonic authorship, gender, and music in Comus, satanic self-fashioning, Areopagitica and religion in the public sphere, Edenic worship and iconoclasm, the process of theology in De doctrina Christiana, Milton's reworking of epic hospitality, Limbo and the Lucretian swerve, and early black women writers' uses of Milton. Hardcover is un-jacketed.
| Author | : G. S. Sahota |
| Publisher | : Northwestern University Press |
| Total Pages | : 384 |
| Release | : 2018-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810136503 |
Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime reconstellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization. By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.
| Author | : Thomas F. X. Noble |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 497 |
| Release | : 2012-02-25 |
| Genre | : History |
| ISBN | : 0812202961 |
In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.
| Author | : Marko Juvan |
| Publisher | : Purdue University Press |
| Total Pages | : 226 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 1557535035 |
The poetics of intertextuality proposed in this book, based mainly on semiotics, elucidates factors determining the socio-historically elusive border between general intertextuality and citationality, and explores modes of intertextual representation.
| Author | : Theo Hermans |
| Publisher | : UCL Press |
| Total Pages | : 316 |
| Release | : 2017-03-28 |
| Genre | : History |
| ISBN | : 1910634875 |
This collection investigates the culture and history of the Low Countries in the sixteenth and seventeenth centuries from both international and interdisciplinary perspectives. The period was one of extraordinary upheaval and change, as the combined impact of Renaissance, Reformation and Revolt resulted in the radically new conditions – political, economic and intellectual – of the Dutch Republic in its Golden Age. While many aspects of this rich and nuanced era have been studied before, the emphasis of this volume is on a series of interactions and interrelations: between communities and their varying but often cognate languages; between different but overlapping spheres of human activity; between culture and history. The chapters are written by historians, linguists, bibliographers, art historians and literary scholars based in the Netherlands, Belgium, Great Britain and the United States. In continually crossing disciplinary, linguistic and national boundaries, while keeping the culture and history of the Low Countries in the Renaissance and Golden Age in focus, this book opens up new and often surprising perspectives on a region all the more intriguing for the very complexity of its entanglements.
