Millicent and Rosalind
Author | : Julian Hawthorne |
Publisher | : |
Total Pages | : 76 |
Release | : 1890 |
Genre | : |
ISBN | : |
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Author | : Julian Hawthorne |
Publisher | : |
Total Pages | : 76 |
Release | : 1890 |
Genre | : |
ISBN | : |
Author | : Julian Hawthorne |
Publisher | : |
Total Pages | : 178 |
Release | : 1889 |
Genre | : |
ISBN | : |
Author | : Julian Hawthorne |
Publisher | : |
Total Pages | : 234 |
Release | : 1889 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1016 |
Release | : 1890 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 492 |
Release | : 1889 |
Genre | : |
ISBN | : |
Author | : George Flavel Danforth |
Publisher | : |
Total Pages | : 1208 |
Release | : 1900 |
Genre | : American literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 404 |
Release | : 1908 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 730 |
Release | : 1850 |
Genre | : Cattle |
ISBN | : |
Vols. - include the Shorthorn Society's Grading register for beef Shorthorn cattle; v. - include the society's Herd book of poll shorthorns.
Author | : Karen Linn |
Publisher | : University of Illinois Press |
Total Pages | : 212 |
Release | : 1994 |
Genre | : Music |
ISBN | : 9780252064333 |
Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo's use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.
Author | : James Scott Bell |
Publisher | : HarperChristian + ORM |
Total Pages | : 410 |
Release | : 2009-05-18 |
Genre | : Fiction |
ISBN | : 031056574X |
Deadlock is a novel about the impact of the Supreme Court today . . . and about imminent, real-life choices that will shape both its future and that of our nation.She is a Supreme Court Justice. She is an atheist.And she is about to encounter the God of the truth and justice she has sworn to uphold.For years, Millicent Hollander has been the consistent swing vote on abortion and other hot-button issues. Now she’s poised to make history as the first female Chief Justice of the United States Supreme Court. But something is about to happen that no one has counted on, least of all Hollander: a near-death experience that will thrust her on a journey toward God.Skeptically, fighting every inch of the way, Hollander finds herself dragged toward belief in something she has never believed in—while others in Washington are watching her every step. Too much is at stake to let a Christian occupy the country’s highest judicial office. Even as Hollander grapples with the interplay between faith and the demands of her position, and as she finds answers through her growing friendship with Pastor Jack Holden, a hidden web of lies, manipulation, and underworld connections is being woven around her. It could control her. It could destroy her reputation. Unless God intervenes, it could take her out of the picture permanently.