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| Author | : Anne Allison |
| Publisher | : Univ of California Press |
| Total Pages | : 710 |
| Release | : 2006 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0520221486 |
Millennial Monsters explores the global popularity of Japanese consumer culture--including manga (comic books), anime (animation), video games, and toys--and questions the make-up of fantasies nand capitalism that have spurred the industry's growth.
| Author | : Sharla Hutchison |
| Publisher | : McFarland |
| Total Pages | : 261 |
| Release | : 2015-10-09 |
| Genre | : Social Science |
| ISBN | : 0786495065 |
Zombies, vampires and ghosts feature prominently in nearly all forms of entertainment in the 21st century, including popular fiction, film, comics, television and computer games. But these creatures have been vital to the entertainment industry since the best-seller books of a century and half ago. Monsters don't just invade popular culture, they help sell popular culture. This collection of new essays covers 150 years of enduringly popular Gothic monsters who have shocked and horrified audiences in literature, film and comics. The contributors unearth forgotten monsters and reconsider familiar ones, examining the audience taboos and fears they embody.
| Author | : Sean Rhoads |
| Publisher | : McFarland |
| Total Pages | : 227 |
| Release | : 2018-01-29 |
| Genre | : Performing Arts |
| ISBN | : 1476663904 |
In 1954, a massive irradiated dinosaur emerged from Tokyo Bay and rained death and destruction on the Japanese capital. Since then Godzilla and other monsters, such as Mothra and Gamera, have gained cult status around the world. This book provides a new interpretation of these monsters, or kaiju-ū, and their respective movies. Analyzing Japanese history, society and film, the authors show the ways in which this monster cinema take on environmental and ecological issues--from nuclear power and industrial pollution to biodiversity and climate change.
| Author | : Jaroslav Svelch |
| Publisher | : MIT Press |
| Total Pages | : 235 |
| Release | : 2023-02-07 |
| Genre | : Games & Activities |
| ISBN | : 0262373238 |
A study of the gruesome game characters we love to beat—and what they tell us about ourselves. Since the early days of video games, monsters have played pivotal roles as dangers to be avoided, level bosses to be defeated, or targets to be destroyed for extra points. But why is the figure of the monster so important in gaming, and how have video games come to shape our culture’s conceptions of monstrosity? To answer these questions, Player vs. Monster explores the past half-century of monsters in games, from the dragons of early tabletop role-playing games and the pixelated aliens of Space Invaders to the malformed mutants of The Last of Us and the bizarre beasts of Bloodborne, and reveals the common threads among them. Covering examples from aliens to zombies, Jaroslav Švelch explores the art of monster design and traces its influences from mythology, visual arts, popular culture, and tabletop role-playing games. At the same time, he shows that video games follow the Cold War–era notion of clearly defined, calculable enemies, portraying monsters as figures that are irredeemably evil yet invariably vulnerable to defeat. He explains the appeal of such simplistic video game monsters, but also explores how the medium could evolve to present more nuanced depictions of monstrosity.
| Author | : Jeffrey Andrew Weinstock |
| Publisher | : Routledge |
| Total Pages | : 558 |
| Release | : 2016-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1317044258 |
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
| Author | : Asa Simon Mittman |
| Publisher | : Routledge |
| Total Pages | : 626 |
| Release | : 2017-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 1351894315 |
The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art history, religious studies, history, classics, and cultural and media studies. The companion will offer scholars and graduate students the first comprehensive and authoritative review of this emergent field.
| Author | : Talmadge J. Wright |
| Publisher | : Lexington Books |
| Total Pages | : 288 |
| Release | : 2010-09-25 |
| Genre | : Social Science |
| ISBN | : 0739147021 |
Few books have attempted to contextualize the importance of video game play with a critical social, cultural and political perspective that raises the question of the significance of work, pleasure, fantasy and play in the modern world. The study of why video game play is 'fun' has often been relegated to psychology, or the disciplines of cultural anthropology, literary and media studies, communications and other assorted humanistic and social science disciplines. In Utopic Dreams and Apocalyptic Fantasies, Talmadge Wright, David Embrick and Andras Lukacs invites us to move further and consider questions on appropriate methods of researching games, understanding the carnival quality of modern life, the role of marketing in altering game narratives, and the role of fantasy and desire in modern video game play. Embracing an approach that combines a cultural and/or critical studies approach with a sociological understanding of this new media moves the debate beyond simple media effects, moral panics, and industry boosterism to one of asking critical questions, what does modern video game play 'mean,' what questions should we be asking, and what can sociological research contribute to answering these questions. This collection includes works which use textual analysis, audience based research, symbolic interactionism, as well as political economic and psychoanalytic perspectives to illuminate areas of inquiry that preserves the pleasure of modern play while asking tough questions about what such pleasure means in a world divided by political, economic, cultural and social inequalities.
| Author | : |
| Publisher | : |
| Total Pages | : 862 |
| Release | : 1869 |
| Genre | : Mormon Church |
| ISBN | : |
| Author | : Glennis Byron |
| Publisher | : Routledge |
| Total Pages | : 752 |
| Release | : 2013-10-08 |
| Genre | : Literary Criticism |
| ISBN | : 1135053057 |
The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.
| Author | : E.J. White |
| Publisher | : Stanford University Press |
| Total Pages | : 114 |
| Release | : 2020-07-21 |
| Genre | : Social Science |
| ISBN | : 1503614034 |
This cultural history reveals how cats became the undisputed mascot of the internet—“an essential look at life online” (Ryan Milner, author of The World Made Meme). Journalists and their readers seem to need no explanation for the line, “The internet is made of cats.” Everyone understands the joke, but few know how it started. A Unified Theory of Cats on the Internet is the first book to explore the history of how the cat became the internet’s best friend. Internet cats can differ in dramatic ways, from the goth cats of Twitter to the glamourpusses of Instagram to the giddy, nonsensical silliness of Nyan Cat. But they all share common traits and values. Bringing together fun anecdotes, thoughtful analyses, and hidden histories of the communities that built the internet, Elyse White shows how japonisme, punk culture, cute culture, and the battle among different communities for the soul of the internet informed the sensibility of online felines. Internet cats offer a playful and useful way to understand how culture shapes—and is shaped by—technology. Western culture has used cats for centuries as symbols of darkness, pathos, and alienation. The communities that helped build the internet represented themselves as outsiders, with snark and alienation at the core of their identity. Thus cats became the sine qua non of cultural literacy for the Extremely Online, as well as an everyday medium of expression for the rest of us. Whatever direction the internet takes next, the “series of tubes” is likely to remain cat-shaped.
