The Musical Microcomputer
| Author | : Craig Lister |
| Publisher | : Garland Publishing |
| Total Pages | : 200 |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : |
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Microcomputers And Music PDF Download
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Microcomputers and Music
| Author | : Gary E. Wittlich |
| Publisher | : Prentice Hall |
| Total Pages | : 344 |
| Release | : 1986 |
| Genre | : Computers |
| ISBN | : |
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Introduction to using BASIC for music-related programming, including graphics and sound. Special section with tips for the Apple II.
Making Music on Micros
| Author | : Fred Thomas Hofstetter |
| Publisher | : |
| Total Pages | : 242 |
| Release | : 1985 |
| Genre | : BASIC (Computer program language) |
| ISBN | : |
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Musical Applications of Microprocessors
| Author | : Hal Chamberlin |
| Publisher | : Hayden Books |
| Total Pages | : 680 |
| Release | : 1980 |
| Genre | : Computers |
| ISBN | : |
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Music and the Personal Computer
| Author | : |
| Publisher | : Greenwood |
| Total Pages | : 0 |
| Release | : 1989-10-25 |
| Genre | : Music |
| ISBN | : 0313267901 |
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Over the past six years personal computers have carved a deep niche in the music world. This widespread popularity is largely due to the establishment of the MIDI (Musical Instrument Digital Interface) standard in 1983. This communications protocol allows computers to send, receive, and store digital information generated by various electronic musical instruments. In addition to numerous writings exploring the possibilities of present and future technology, this annotated bibliography offers educators many introductory sources, articles on how to evaluate and purchase equipment, and directories of available software. Specifically, it provides a collection of source material, an overview of significant publications in the field, and serves as a point of departure for further inquiry. Part I of the bibliography is divided into seven sections, each devoted to information regarding a specific computer. Articles written about two or more popular computers or models not covered elsewhere are detailed in part II. Music education is the subject of Part III and Part IV lists and annotates significant books. The appendix contains information on associations involved with the musical applications of personal computers and brief descriptions of several popular online services. Author and subject indexes are also included. Music and the Personal Computer covers a variety of topics that will be of interest to practicing musicians, music educators, and computer enthusiasts with interests in music.
Music and Human-Computer Interaction
| Author | : Simon Holland |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 296 |
| Release | : 2013-03-12 |
| Genre | : Computers |
| ISBN | : 1447129903 |
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This agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as ‘Music Interaction’). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
The Computer Music Tutorial, second edition
| Author | : Curtis Roads |
| Publisher | : MIT Press |
| Total Pages | : 1287 |
| Release | : 2023-06-06 |
| Genre | : Computers |
| ISBN | : 0262044919 |
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Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students. Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music. The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psychoacoustics, but the second edition also reflects the enormous growth of the field since the book’s original publication in 1996. New chapters cover up-to-date topics like virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, and instrument and patch editors. Exhaustively referenced and cross-referenced, the second edition adds hundreds of new figures and references to the original charts, diagrams, screen images, and photographs in order to explain basic concepts and terms. Features New chapters: virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, instrument and patch editors, and an appendix on machine learning Two thousand references support the book’s descriptions and point readers to further study Mathematical notation and program code examples used only when necessary Twenty-five years of classroom, seminar, and workshop use inform the pace and level of the material
Digital Da Vinci
| Author | : Newton Lee |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 277 |
| Release | : 2014-04-11 |
| Genre | : Computers |
| ISBN | : 1493905368 |
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The Digital Da Vinci book series opens with the interviews of music mogul Quincy Jones, MP3 inventor Karlheinz Brandenburg, Tommy Boy founder Tom Silverman and entertainment attorney Jay L. Cooper. A strong supporter of science, technology, engineering and mathematics programs in schools, The Black Eyed Peas founding member will.i.am announced in July 2013 his plan to study computer science. Leonardo da Vinci, the epitome of a Renaissance man, was an Italian polymath at the turn of the 16th century. Since the Industrial Revolution in the 18th century, the division of labor has brought forth specialization in the workforce and university curriculums. The endangered species of polymaths is facing extinction. Computer science has come to the rescue by enabling practitioners to accomplish more than ever in the field of music. In this book, Newton Lee recounts his journey in executive producing a Billboard-charting song like managing agile software development; M. Nyssim Lefford expounds producing and its effect on vocal recordings; Dennis Reidsma, Mustafa Radha and Anton Nijholt survey the field of mediated musical interaction and musical expression; Isaac Schankler, Elaine Chew and Alexandre François describe improvising with digital auto-scaffolding; Shlomo Dubnov and Greg Surges explain the use of musical algorithms in machine listening and composition; Juan Pablo Bello discusses machine listening of music; Stephen and Tim Barrass make smart things growl, purr and sing; Raffaella Folgieri, Mattia Bergomi and Simone Castellani examine EEG-based brain-computer interface for emotional involvement in games through music and last but not least, Kai Ton Chau concludes the book with computer and music pedagogy. Digital Da Vinci: Computers in Music is dedicated to polymathic education and interdisciplinary studies in the digital age empowered by computer science. Educators and researchers ought to encourage the new generation of scholars to become as well rounded as a Renaissance man or woman.
Guide to Unconventional Computing for Music
| Author | : Eduardo Reck Miranda |
| Publisher | : Springer |
| Total Pages | : 290 |
| Release | : 2017-02-20 |
| Genre | : Computers |
| ISBN | : 3319498819 |
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This pioneering text/reference explores how innovative new modes of computation may provide exciting new directions for future developments in the music industry, guiding the reader through the latest research in this emerging, interdisciplinary field. This work includes coverage of electronic music compositions and performances that incorporate unconventional interfacing, hacking and circuit bending. Features: presents an introduction to unconventional computing in music; discusses initiatives involving biophysical electronic music, the work of self-styled silicon luthiers, and the intersection of music and quantum computing; introduces the memristor, a new electronic component with the potential to revolutionize how computers are built; reviews experiments and practical applications of biological memristors in music; describes IMUSIC, an unconventional tone-based programming language, which enables the programming of computers using musical phrases; includes review questions at the end of each chapter.
Computers and Music
| Author | : R. A. Penfold |
| Publisher | : Cimino Publishing Group |
| Total Pages | : 200 |
| Release | : 1992 |
| Genre | : Computers |
| ISBN | : |
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This new and expanded second edition will bring any beginner right up to date to learn the basics of computing, running application programs, writing up a MIDI system and just about everything else you need to know about hardware and programs. This book will help you choose the right components for a system to suit your needs.
