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| Author | : Michael Chekhov |
| Publisher | : |
| Total Pages | : 76 |
| Release | : 2000-01-01 |
| Genre | : Acting |
| ISBN | : 9781895537642 |
| Author | : Michael Chekhov |
| Publisher | : MICHA |
| Total Pages | : 286 |
| Release | : 2018-06-18 |
| Genre | : |
| ISBN | : 9780982866658 |
This book features 27 lessons Michael Chekhov delivered to acting students between 1936-1939. More than a book of exercises, Chekhov addresses what it means to be a teacher. In addition to offering a series of lessons in concentration and atmosphere, he discusses how to prepare the body and spirit to enter the studio. He speaks candidly of challenges that face (student) actors and sheds light on the many influences that shape his psycho-physical technique. Constantine Stanislavsky, Eyvgeny Vakhtangov, Uday Shankar and Rudolf Steiner are discussed, among others.
| Author | : Michael Chekhov |
| Publisher | : New York : Performing Arts Journal Publications |
| Total Pages | : 0 |
| Release | : 1985 |
| Genre | : Drama |
| ISBN | : 9780933826809 |
Extraordinary lectures, including exercises.--Call Board
| Author | : Michael Chekhov |
| Publisher | : Ravenio Books |
| Total Pages | : 226 |
| Release | : |
| Genre | : Performing Arts |
| ISBN | : |
In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.
| Author | : Mark Monday |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2017-09-07 |
| Genre | : Drama |
| ISBN | : 1474279643 |
Directing with the Michael Chekhov Technique explores the collaborative process between a play's director and the entire production team, making the journey of a production process cohesive using the Michael Chekhov Technique. No other technique provides the tools for both actor and director to communicate as clearly as does Michael Chekhov. Directing with the Michael Chekhov Technique is the first book to apply the insights of this celebrated technique to the realities of directing a theatrical production. The book chronicles the journey of a play, from conception through production, through the eyes of the director. Drawn from the author's rehearsal journals, logs and notes from each performance, the reader is shown how to arrive at a concept, create a concept statement and manage the realization of the play, utilizing specific techniques from Michael Chekhov to solve problems of acting and design. As with all books in the Theatre Arts Workbook series, Directing with the Michael Chekhov Technique will include online video exercises, “Teaching Tip” boxes which streamline the book for teachers, and a useful Further Reading section. Directing with the Michael Chekhov Technique is the perfect guide to the production process for any director.
| Author | : Lenard Petit |
| Publisher | : Routledge |
| Total Pages | : 137 |
| Release | : 2019-06-14 |
| Genre | : Performing Arts |
| ISBN | : 0429620055 |
The Michael Chekhov Handbook is a practical guide to Chekhov’s supportive techniques for actors, fully updated with new exercises that examine the relationship between the sensations of the physical body and the imagination. Lenard Petit draws on 25 years of teaching experience to unlock and illuminate Michael Chekhov’s philosophy, and offers guiding principles and effective tools that actors can apply in rehearsal and performance. The second edition focuses on the building blocks of drama and an exploration of the five senses as an expressive springboard, with a new section on the function of the Archetype in the Chekhov method. Theory and practice are treated here with clarity and simplicity. Dedicated to students and teachers of acting, The Michael Chekhov Handbook provides readers with the essential tools they need to put the rewarding principles of this technique into use.
| Author | : Lenard Petit |
| Publisher | : Routledge |
| Total Pages | : 193 |
| Release | : 2009-09-10 |
| Genre | : Performing Arts |
| ISBN | : 1135277362 |
'Petit's words go right to the heart of Chekhov's technique ... Anyone looking for a key to understanding more about Michael Chekhov's technique will devour it.' – Jessica Cerullo, Michael Chekhov Association, NYC The Michael Chekhov technique is today seen as one of the most influential and inspiring methods of actor training in existence. In The Michael Chekhov Handbook, Lenard Petit draws on twenty years of teaching experience to unlock and illuminate this often complex technique. Petit uses four sections to guide those studying, working with or encountering Chekhov's approach for the first time: the aims of the technique – outlining the real aims of the actor the principles – acting with energy, imagination and creative power the tools – the actor’s use of the body and sensation the application – bringing the technique into practice The Michael Chekhov Handbook’s explanations and exercises will provide readers with the essential tools they need to put the rewarding principles of this technique into use. Lenard Petit is the Artistic Director of The Michael Chekhov Acting Studio in New York City. He teaches Chekhov Technique in the MFA and BFA Acting programs at Rutgers University. He was a contributor and co-creator of the DVD, Master Classes in The Michael Chekhov Technique, published by Routledge.
| Author | : Marie Christine Autant Mathieu |
| Publisher | : Routledge |
| Total Pages | : 457 |
| Release | : 2015-05-15 |
| Genre | : Performing Arts |
| ISBN | : 1317506863 |
The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world - theatre practitioners, theorists, historians and archivists – to provide an astonishingly comprehensive assessment of his life, work and legacy. This volume aims to connect East and West; theatre theory and practice. It reconsiders the history of Chekhov’s acting method, directing and pedagogy, using the archival documents found across the globe: in Russia, England, America, Germany, Lithuania and Switzerland. It presents Chekhov’s legacy and ideas in the framework of interdisciplinary theatre practices and theories, as well as at the crossroads of cultures, in the context of his forays into such areas as Western mime and Asian cosmology. This remarkable Companion, thoughtfully edited by two leading Chekhov scholars, will prove invaluable to students and scholars of theatre, theatre practitioners and theoreticians, and specialists in Slavic and transcultural studies. Marie-Christine Autant-Mathieu is Director of Research at the National Center For Scientific Research, and Assistant-Director of Sorbonne-CNRS Institute EUR’ORBEM. She is an historian of theatre and specialist in Russian and Soviet theatre. Yana Meerzon is Associate Professor in the Department of Theatre, University of Ottawa. Her book publications include Adapting Chekhov: The Text and Its Mutations, co-edited with Professor J. Douglas Clayton, University of Ottawa (Routlegde, 2012).
| Author | : Sinéad Rushe |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 360 |
| Release | : 2019-01-24 |
| Genre | : Performing Arts |
| ISBN | : 1472503473 |
Intended for actors, directors, teachers and researchers, this book offers an exceptionally clear and thorough introduction to the renowned acting technique developed by Michael Chekhov. Sinéad Rushe's book provides a complete overview of the whole method, and includes illuminating explanations of its principles, as well as a wide range of practical exercises that illustrate, step by step, how they can be applied to dramatic texts. Part One provides an outline of the ideas that underpin the work, which help to prepare practitioners to become responsive and receptive, and to awaken their imagination. Part Two charts a journey through the foundational psychophysical exercises that can both orient an actor's training routine and be applied directly to the development of a role. Part Three focuses on more specific and elaborate methods of scene work, characterisation and the art of transformation. Drawing on the full range of Chekhov's writing in English and French, this book also examines unpublished material from the Dartington Hall archives and features interviews with actors who have worked with the technique, including Simon Callow and Joanna Merlin. It illustrates Chekhov's approach by referring to Rushe's own productions of Nikolai Gogol's short story Diary of a Madman and Shakespeare's Othello, as well as characters and scenes in Sarah Kane's Blasted and the contemporary American television series Breaking Bad. Michael Chekhov's Acting Technique is an accessible, comprehensive and contemporary point of reference for those already trained in the method, as well as an initiation and toolkit for practitioners who are just beginning to discover it.
| Author | : Michael Chekhov |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 68 |
| Release | : 2004-11-01 |
| Genre | : Performing Arts |
| ISBN | : 9781557836489 |
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