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Metaphor and History

Metaphor and History
Author: Robert Nisbet
Publisher: Routledge
Total Pages: 413
Release: 2017-09-08
Genre: History
ISBN: 1351505629

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The primary purpose of Metaphor and History is to explain the sources and contexts of the Western idea of social development. Nisbet explores the concept of social change across the whole range of Western culture, from ancient Greece to the present day. He does not see the idea of social development as a nineteenth-century phenomenon or a by-product of the idea of biological evolution.


Social Change and History

Social Change and History
Author: Robert A. Nisbet
Publisher: Oxford University Press, USA
Total Pages: 0
Release: 1985-07
Genre:
ISBN: 9780195000429

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Key Metaphors for History

Key Metaphors for History
Author: Javier Fernández-Sebastián
Publisher: Taylor & Francis
Total Pages: 356
Release: 2024-04-03
Genre: History
ISBN: 0429756097

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This book casts a fresh look at what to date has been a relatively unexplored question: the enormous value and usefulness of the metaphor in the understanding and writing of history (and at the historical culture reflected by these metaphors). Mapping a wide range of tropes present in historiography and public discourse, the book identifies some of the key metaphorical resources employed by historians, politicians, and journalists to represent time, history, memory, the past, the present, and the future and examines a selection of analytical concepts of a temporal nature, built upon unmistakeably metaphorical foundations, such as modernity, event, process, revolution, crisis, progress, decline, or transition. The analysis of these and other pillars on which modern history has been built, whether as a philosophy of history, as an academic discipline, or as a set of events, will interest graduates and scholars dealing with the historical and social sciences and the humanities in general. Key Metaphors for History offers a broad overview of historiography and historiosophy, from an unfrequented point of view, halfway between conceptual history, theory of history and metaphorology. Moreover, it constitutes a form of self-reflection of the historian on his or her own positionality when researching and writing history.


Ghosts, Metaphor, and History in Toni Morrison's Beloved and Gabriel GarcIa MArquez's One Hundred Years of Solitude

Ghosts, Metaphor, and History in Toni Morrison's Beloved and Gabriel GarcIa MArquez's One Hundred Years of Solitude
Author: D. Erickson
Publisher: Springer
Total Pages: 257
Release: 2009-03-16
Genre: Literary Criticism
ISBN: 0230619754

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This study examines the complex relations between the figure of the ghost, the textual figure of metaphor and history, in Toni Morrison's Beloved and Gabriel García Márquez's One Hundred Years of Solitude.


Emerson's English Traits and the Natural History of Metaphor

Emerson's English Traits and the Natural History of Metaphor
Author: David LaRocca
Publisher: Bloomsbury Publishing USA
Total Pages: 408
Release: 2013-09-26
Genre: Literary Criticism
ISBN: 144117561X

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Metaphors are ubiquitous and yet-or, for that very reason-go largely unseen. We are all variously susceptible to a blindness or blurry vision of metaphors; yet even when they are seen clearly, we are left to situate the ambiguities, conflations and contradictions they regularly present-logically, aesthetically and morally. David LaRocca's book serves as a set of 'reminders' of certain features of the natural history of our language-especially the tropes that permeate and define it. As part of his investigation, LaRocca turns to Ralph Waldo Emerson's only book on a single topic, English Traits (1856), which teems with genealogical and generative metaphors-blood, birth, plants, parents, family, names and race. In the first book-length study of English Traits in over half a century, LaRocca considers the presence of metaphors in Emerson's fertile text-a unique work in his expansive corpus, and one that is regularly overlooked. As metaphors are encountered in Emerson's book, and drawn from a long history of usage in work by others, a reader may realize (or remember) what is inherent and encoded in our language, but rarely seen: how metaphors circulate in speech and through texts to become the lifeblood of thought.


The Lay of the Land

The Lay of the Land
Author: Annette Kolodny
Publisher: UNC Press Books
Total Pages: 204
Release: 2017-11-01
Genre: History
ISBN: 1469619563

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An original and highly unusual psycholinguistic study of American literature and culture from 1584 to 1860, this volume focuses on the metaphor of 'land-as-woman.' It is the first systematic documentation of the recurrent responses to the American continent as a feminine entity (as Mother, as Virgin, as Temptress, as the Ravished), and it is also the first systematic inquiry into the metaphor's implications for the current ecological crisis.


Metaphors of Memory

Metaphors of Memory
Author: D. Draaisma
Publisher: Cambridge University Press
Total Pages: 268
Release: 2000-12-07
Genre: History
ISBN: 9780521650243

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First published in 2000, this book explores the metaphors used by philosophers and psychologists to understand memory over the centuries.


History, Metaphors, Fables

History, Metaphors, Fables
Author: Hans Blumenberg
Publisher: Cornell University Press
Total Pages: 338
Release: 2020-06-15
Genre: Philosophy
ISBN: 1501747991

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History, Metaphors, and Fables collects the central writings by Hans Blumenberg and covers topics such as on the philosophy of language, metaphor theory, non-conceptuality, aesthetics, politics, and literary studies. This landmark volume demonstrates Blumenberg's intellectual breadth and gives an overview of his thematic and stylistic range over four decades. Blumenberg's early philosophy of technology becomes tangible, as does his critique of linguistic perfectibility and conceptual thought, his theory of history as successive concepts of reality", his anthropology, or his studies of literature. History, Metaphors, Fables allows readers to discover a master thinker whose role in the German intellectual post-war scene can hardly be overestimated.


Metaphor and Musical Thought

Metaphor and Musical Thought
Author: Michael Spitzer
Publisher: University of Chicago Press
Total Pages: 393
Release: 2015-12-21
Genre: Music
ISBN: 022627943X

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"The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.


The Third Lens

The Third Lens
Author: Andrew S. Reynolds
Publisher: University of Chicago Press
Total Pages: 278
Release: 2018-06-21
Genre: Science
ISBN: 022656343X

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Does science aim at providing an account of the world that is literally true or objectively true? Understanding the difference requires paying close attention to metaphor and its role in science. In The Third Lens, Andrew S. Reynolds argues that metaphors, like microscopes and other instruments, are a vital tool in the construction of scientific knowledge and explanations of how the world works. More than just rhetorical devices for conveying difficult ideas, metaphors provide the conceptual means with which scientists interpret and intervene in the world. Reynolds here investigates the role of metaphors in the creation of scientific concepts, theories, and explanations, using cell theory as his primary case study. He explores the history of key metaphors that have informed the field and the experimental, philosophical, and social circumstances under which they have emerged, risen in popularity, and in some cases faded from view. How we think of cells—as chambers, organisms, or even machines—makes a difference to scientific practice. Consequently, an accurate picture of how scientific knowledge is made requires us to understand how the metaphors scientists use—and the social values that often surreptitiously accompany them—influence our understanding of the world, and, ultimately, of ourselves. The influence of metaphor isn’t limited to how we think about cells or proteins: in some cases they can even lead to real material change in the very nature of the thing in question, as scientists use technology to alter the reality to fit the metaphor. Drawing out the implications of science’s reliance upon metaphor, The Third Lens will be of interest to anyone working in the areas of history and philosophy of science, science studies, cell and molecular biology, science education and communication, and metaphor in general.