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Memory in German Romanticism

Memory in German Romanticism
Author: Christopher R. Clason
Publisher:
Total Pages: 0
Release: 2023
Genre: German literature
ISBN: 9781032319865
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"Memory in German Romanticism treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cerebral functions, seek to assemble the elements of one's own experience, either directed toward the past (memory) or toward the future (imagination), coherently into a narrative. And like memories, images hold the potential to elicit charged emotional responses; those responses live on through time, becoming part of the spatial and temporal reception of the artist and their work. While imagination creates and images trigger and capture memories, reception creates a temporal-spatial context for art, organizing it and rendering it "memorable," both for good and for bad. Thus, through the categories of imagination, images, and reception, this volume explores the phenomenon of German Romantic memory from different perspectives and in new contexts"--

Memory in German Romanticism

Memory in German Romanticism
Author: Christopher R. Clason
Publisher: Taylor & Francis
Total Pages: 310
Release: 2023-03-31
Genre: Literary Criticism
ISBN: 1000839060
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Memory in German Romanticism treats memory as a core element in the production and reception of German art and literature of the Romantic era. The contributors explore the artistic expression of memory under the categories of imagination, image, and reception. Romantic literary aesthetics raises the subjective imagination to a level of primary importance for the creation of art. It goes beyond challenging reason and objectivity, two leading intellectual faculties of eighteenth-century Enlightenment, and instead elevates subjective invention to form and sustain memory and imagination. Indeed, memory and imagination, both cognitive functions, seek to assemble the elements of one’s own experience, either directed toward the past (memory) or toward the future (imagination), coherently into a narrative. And like memories, images hold the potential to elicit charged emotional responses; those responses live on through time, becoming part of the spatial and temporal reception of the artist and their work. While imagination generates and images trigger and capture memories, reception creates a temporal-spatial context for art, organizing it and rendering it "memorable," both for good and for bad. Thus, through the categories of imagination, image, and reception, this volume explores the phenomenon of German Romantic memory from different perspectives and in new contexts.

The Art of Recollection in Jena Romanticism

The Art of Recollection in Jena Romanticism
Author: Laurie Ruth Johnson
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 204
Release: 2015-02-06
Genre: Literary Criticism
ISBN: 3110910543
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This study examines the ways in which memory is understood and aestheticized in Romantic texts, and argues that these works reveal serious doubt about the explanatory ability of the philosophical, psychological and aesthetic discourses against which modern thought is constructed. The Jena Romantics represent the experience and presentation of memory as privileged and creative, but also as not always capable of giving reliable information about the actual past. But rather than depicting signifiers with no stable referents, their portrayal of memory and remembering as creative displays a belief that meaning is accessible through its representations. This belief results in an emphasis on originality over imitation, but also blurs distinctions between memory and historiography. The form of the fragment embodies the dilemmas and possibilities that the Romantics associate with memory. The book includes a survey of theories of memory and how they contribute to a specifically Romantic model for memory that can lead to new interpretations of Romantic fragments; chapters on eighteenth-century aesthetic and psychological theories of memory that precede and influence Romantic texts, and on understandings of memory in critical and idealist philosophy; interpretations of the poetic and philosophical production of Novalis and Friedrich Schlegel; and a conclusion that demonstrates the persistence of the Romantic model for memory in contemporary memory theory and cultural production.

Imagination in German Romanticism

Imagination in German Romanticism
Author: Jeanne Riou
Publisher: Peter Lang Publishing
Total Pages: 268
Release: 2004
Genre: Literary Criticism
ISBN: 9780820471983
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In German Romanticism, the imagination is the site of the encounter between the subject and its environment; this book examines that encounter. Dealing with both literary and philosophical texts, it argues that the Romantic imagination performs a critique of rationalism. In reflecting on the fragmentary, the Romantics require the reader to both imagine and to question this as a hermeneutic process. As such, they understand writing to be an experiment in memory, both individual and cultural. This book is a study of the writings of E.T.A. Hoffmann, Novalis, Tieck and also of the utopian project of Romanticism itself. Methodologically, it is informed by what Foucault termed the archaeological approach to discourse as well as by psychoanalysis and literary theory. Examining points of contact as well of divergence between Kantian epistemology and Romantic nature philosophy, it also highlights the correspondences between literature, philosophy and science. Above all, it treats Romanticism as an experiment in the portrayal of ambivalent modern identity.

Memories

Memories
Author: F Max Muller
Publisher:
Total Pages: 0
Release: 2024-04-19
Genre: Fiction
ISBN: 9781835916780
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"Memories: A Story of German Love" is a novel written by Friedrich Max Müller, a German-born philologist, orientalist, and scholar of religion, who lived in Britain. First published in 1862, it is a work of fiction that delves into themes of love, memory, and identity against the backdrop of German society. The novel follows the protagonist, Walter, a young German man who embarks on a journey of self-discovery and romantic pursuit. As Walter navigates the complexities of love and relationships, the narrative explores the inner workings of the human heart and mind. Here are some key aspects of the book: Romantic Themes: "Memories" revolves around themes of love, romance, and emotional longing. Walter's experiences with love and heartbreak drive the narrative forward, as he grapples with the joys and sorrows of romantic entanglements. Exploration of Memory: The title "Memories" suggests a focus on memory as a central theme. The novel delves into the ways in which memory shapes our perceptions of the past, influences our present actions, and informs our sense of self. Cultural and Social Context: Set against the backdrop of 19th-century Germany, the novel provides insights into the cultural and social milieu of the time. Müller captures the nuances of German society, including its traditions, values, and social conventions. Character Development: Through the experiences of Walter and other characters, Müller explores themes of personal growth and self-discovery. The novel follows Walter's journey as he matures emotionally and gains a deeper understanding of himself and his relationships. Philosophical Reflections: "Memories" incorporates philosophical reflections on love, memory, and the human condition. Müller's prose invites readers to contemplate timeless questions about the nature of love, the passage of time, and the complexities of human emotion. "Memories: A Story of German Love" is a work of fiction that combines elements of romance, psychology, and philosophy. Müller's exploration of love and memory resonates with readers seeking to understand the complexities of the human experience and the mysteries of the heart.

Memories

Memories
Author: Friedrich Max Müller
Publisher:
Total Pages: 200
Release: 1897
Genre:
ISBN:
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Memories

Memories
Author: F. Max Müller
Publisher: Good Press
Total Pages: 64
Release: 2019-12-04
Genre: Religion
ISBN:
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In 'Memories: A Story of German Love', author F. Max Müller shares his personal story of love, loss, and growth. This autobiography takes us through the life of the German-born philologist and Orientalist who lived and worked in Britain for most of his life. Müller, one of the pioneers in the field of Indian studies and the science of religion, opens up about his life and experiences, including the relationships that shaped him. Through his words, we gain insight into the mind of this talented individual and the passions that drove him.

Romantic Memory

Romantic Memory
Author: Krzysztof Trybuś
Publisher: Cross-Roads
Total Pages: 0
Release: 2019
Genre: Polish literature
ISBN: 9783631788080
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The book focuses on cultural memory preserved in the Polish Romantic literature, and still present in Polish public life. It depicts the Romantic project of transforming history into memory in the poetic texts of Mickiewicz, Slowacki and Norwid (as well as Byron and other European Romantics).

The Thirty Years' War and German Memory in the Nineteenth Century

The Thirty Years' War and German Memory in the Nineteenth Century
Author: Kevin Cramer
Publisher: U of Nebraska Press
Total Pages: 406
Release: 2007-12-01
Genre: History
ISBN: 9780803206946
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The nineteenth century witnessed the birth of German nationalism and the unification of Germany as a powerful nation-state. In this era the reading public?s obsession with the most destructive and divisive war in its history?the Thirty Years? War?resurrected old animosities and sparked a violent, century-long debate over the origins and aftermath of the war. The core of this bitter argument was a clash between Protestant and Catholic historians over the cultural criteria determining authentic German identity and the territorial and political form of the future German nation. ø This groundbreaking study of modern Germany?s morbid fascination with the war explores the ideological uses of history writing, commemoration, and collective remembrance to show how the passionate argument over the ?meaning? of the Thirty Years? War shaped Germans' conception of their nation. The first book in the extensive literature on German history writing to examine how modern German historians reinterpreted a specific event to define national identity and legitimate political and ideological agendas, The Thirty Years? War and German Memory in the Nineteenth Century is a bold intellectual history of the confluence of history writing, religion, culture, and politics in nineteenth-century Germany.