Melodious Etudes For Trombone Selected From The Vocalises Of Marco Bordogni PDF Download

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Melodious etudes for trombone

Melodious etudes for trombone
Author: Marco Bordogni
Publisher: Carl Fischer, L.L.C.
Total Pages: 92
Release: 1928
Genre: Trombone
ISBN: 0825801494

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These etudes transcribed from the vocalises of Bordogini have been specially prepared for use by the trombonists, to perfect their technic generally and in particular to develop style in the interpretation of melody in all its varied forms of expression.


Melodious etudes for trombone

Melodious etudes for trombone
Author: Marco Bordogni
Publisher:
Total Pages: 92
Release: 1928
Genre: Trombone
ISBN:

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These etudes transcribed from the vocalises of Bordogini have been specially prepared for use by the trombonists, to perfect their technic generally and in particular to develop style in the interpretation of melody in all its varied forms of expression.


Melodious Etudes for Trombone

Melodious Etudes for Trombone
Author: Joannes Rochut
Publisher: Ravenio Books
Total Pages:
Release: 19??
Genre: Music
ISBN:

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120 Melodious Etudes for Trombone, Book 1. From the vocalises of Marco Bordogni. Selected and transcribed by Joannes Rochut.


Melodious etudes for trombone

Melodious etudes for trombone
Author: Alan Raph
Publisher:
Total Pages: 96
Release: 2011
Genre: Recorded accompaniments (Trombone)
ISBN: 9780825884337

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Complete Vocalises for Tuba

Complete Vocalises for Tuba
Author: Giulio Bordogni
Publisher:
Total Pages: 200
Release: 2015-06-01
Genre:
ISBN: 9781514170977

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This Encore edition, by Wesley Jacobs, is the only comprehensive version ever published for tuba and is carefully engraved to the highest quality standards. The many errors that exist in the old trombone edition are now corrected in this new book.The Bordogni Vocalises (or Melodious Études) are essential for all tubists. For many years tubists were required to transpose the Bordogni Vocalises (Melodious Études) down one octave from the trombone edition. Ideally-and especially when playing the high tuba-the music should be played "at pitch" as it appears on the page. Many younger tubists did not know how to transpose, and many advanced players did not use the Vocalises on instruments in higher keys. Therefore, much of the benefit of Bordogni's works remained untapped.


Technical Studies for the Cornet

Technical Studies for the Cornet
Author: Herbert L. Clarke
Publisher: Colchis Books
Total Pages: 55
Release:
Genre: Music
ISBN:

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There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.


Music Lovers' Encyclopedia

Music Lovers' Encyclopedia
Author: Rupert Hughes
Publisher:
Total Pages: 1016
Release: 1919
Genre: Music
ISBN:

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The Art of French Horn Playing

The Art of French Horn Playing
Author: Philip Farkas
Publisher: Alfred Music
Total Pages: 100
Release: 1999-10-19
Genre: Music
ISBN: 9781457400094

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First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.


66 Etudes In All Major And Minor Keys For Trombone, Tuba, Bassoon, String Bass

66 Etudes In All Major And Minor Keys For Trombone, Tuba, Bassoon, String Bass
Author: Slama Anton
Publisher: Legare Street Press
Total Pages: 0
Release: 2022-10-26
Genre: History
ISBN: 9781015435407

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.