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| Author | : Anne Compton |
| Publisher | : Markham, Ont. : Fitzhenry & Whiteside |
| Total Pages | : 456 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Meetings With Maritime Poets is published by Fitzhenry and Whiteside.
| Author | : Shane Neilson |
| Publisher | : The Porcupine's Quill |
| Total Pages | : 300 |
| Release | : 2019-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 0889844208 |
As Shane Neilson writes in Margin of Interest, ‘Maritime poetry is the sum of what’s come before, a unique history, and yes, a unique place.’ In Margin of Interest Neilson examines representation, identity, power, and the politics of literary history, from the creative traditions of the Mi’kmaq to the work of young poets today. He pays due homage to iconic Maritime writers (Milton Acorn, Alden Nowlan, George Elliott Clarke), shines a critical spotlight on lesser-known masters from the region (Travis Lane, Wayne Clifford) and provides a glimpse inside the ‘diverse ecosystem’ of poets under 40 writing in or about the Maritimes (Rebecca Thomas, Lucas Crawford, El Jones). He also combats the prejudices so often applied to writers from Atlantic Canada—stigma associated with mental illness, rigid gendering, vernacular language and even poetic form—and advocates for a long-overdue reappropriation of the regionalist stance, as well as a proper recognition of the region’s writers and their contribution to the Canadian literary landscape. For as Neilson wisely asks, ‘What’s the matter with taking pride in any kind of regional identity that we articulate?’
| Author | : Robert Lecker |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 334 |
| Release | : 2015-11-02 |
| Genre | : Literary Criticism |
| ISBN | : 1771121106 |
The first collection of critical essays devoted to the study of English-Canadian literary anthologies brings together the work of thirteen prominent critics to investigate anthology formation in Canada and answer these key questions: Why are there so many literary anthologies in Canada, and how can we trace their history? What role have anthologies played in the formation of Canadian literary taste? How have anthologies influenced the training of students from generation to generation? What literary values do the editors of various anthologies tend to support, and how do these values affect canon formation in Canada? How have different genres fared in the creation of literary anthologies? How do Canadian anthologies transmit ideas about gender, region, ideology, and nation? Specific essays focus on anthologies as national metaphors, the controversies surrounding early literary collections, representations of First Nations peoples in anthologies, and the ways in which various editors have understood exploration narratives. In addition, the collection examines the representation of women in Canadian anthologies, the use of anthologies as teaching tools, and the creation of some very odd Canadian anthologies along the way.
| Author | : Brian W. Shaffer |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1581 |
| Release | : 2011-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 1405192445 |
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
| Author | : Bart Vautour |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 375 |
| Release | : 2015-06-08 |
| Genre | : Literary Criticism |
| ISBN | : 1771120487 |
Public Poetics is a collection of essays and poems that address some of the most pressing issues of the discipline in the twenty-first century. The collection brings together fifteen original essays addressing “publics,” “poetry,” and “poetics” from the situated space of Canada while simultaneously troubling the notion of the nation as a stable term. It asks hard questions about who and what count as “publics” in Canada. Critical essays stand alongside poetry as visual and editorial reminders of the cross-pollination required in thinking through both poetry and poetics. Public Poetics is divided into three thematic sections. The first contains essays surveying poetics in the present moment through the lens of the public/private divide, systematic racism in Canada, the counterpublic, feminist poetics, and Canadian innovations on postmodern poetics. The second section contains author-specific studies of public poets. The final section contains essays that use innovative renderings of “poetics” as a means of articulating alternative communities and practices. Each section is paired with a collection of original poetry by ten contemporary Canadian poets. This collection attends to the changing landscape of critical discourse around poetry and poetics in Canada, and will be of use to teachers and students of poetry and poetics.
| Author | : Samuel Taylor Coleridge |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 1875 |
| Genre | : Albatrosses |
| ISBN | : |
| Author | : Walt Whitman |
| Publisher | : University Press of New England |
| Total Pages | : 322 |
| Release | : 2017-04-04 |
| Genre | : Poetry |
| ISBN | : 1512600601 |
From his earliest days on Long Island and in New York City to his last years in Camden, New Jersey, Walt Whitman lived close to the sea he knew and loved. The "liquid-flowing syllables" of Whitman's poetry and prose tell specific stories of particular voyages and known shores, as well as vivid flights of imagination and keening paeans to wild winds, dark water, stormy and quiet airs. The land, for Whitman, is both immutable and still, while the sea is a realm of dynamic change, mercurial temper, and the ebb and flow of cosmic uncertainty. From "Mannahatta" to "Poem of Joys" to the magisterial ode to the slain President Lincoln, "O Captain! My Captain!" Whitman wove the strands of nautical lexicon and powerful imagery into the tapestry of our national literature. In The Sea Is a Continual Miracle, poet and editor Jeffrey Yang has compiled an invaluable resource for readers, students, and scholars of Whitman, and demonstrates how seeing him through sea glass shows America's best-loved poet in a new light.
| Author | : United States. Congress. House. Committee on Merchant Marine and Fisheries |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 1981 |
| Genre | : Marine accidents |
| ISBN | : |
| Author | : Dean Jay Irvine |
| Publisher | : University of Ottawa Press |
| Total Pages | : 384 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 0776605992 |
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of texts by literary critics, textual editors, biographers, literary historians, and art historians whose collective research contributes to the study of modernism in Canada. The collection stages a major reassessment of the origins and development of modernist literature in Canada, its relationship to international modernist literature, its regional variations, its gender and class inflections, and its connections to visual art, architecture, and film. It presents a range of scholarly perspectives, drawing upon the multidisciplinarity that characterizes the international field of modernist studies.
| Author | : Søren Frank |
| Publisher | : BRILL |
| Total Pages | : 465 |
| Release | : 2022-07-18 |
| Genre | : Literary Criticism |
| ISBN | : 9004426701 |
What is the ocean’s role in human and planetary history? How have writers, sailors, painters, scientists, historians, and philosophers from across time and space poetically envisioned the oceans and depicted human entanglements with the sea? In order to answer these questions, Søren Frank covers an impressive range of material in A Poetic History of the Oceans: Greek, Roman and Biblical texts, an Icelandic Saga, Shakespearean drama, Jens Munk’s logbook, 19th century-writers such as James Fenimore Cooper, Herman Melville, Jules Michelet, Victor Hugo, Jules Verne, Jonas Lie, and Joseph Conrad as well as their 20th and 21st century-heirs like J. G. Ballard, Jens Bjørneboe, and Siri Ranva Hjelm Jacobsen. A Poetic History of the Oceans promotes what Frank labels an amphibian comparative literature and mobilises recent theoretical concepts and methodological developments in Blue Humanities, Blue Ecology, and New Materialism to shed new light on well-known texts and introduce readers to important, but lesser-known Scandinavian literary engagements with the sea.
