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| Author | : A. C. Spearing |
| Publisher | : |
| Total Pages | : 392 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : |
This critical book studies in depth the transition from the 'medieval' to the 'Renaissance' periods in English literature.
| Author | : C. S. Lewis |
| Publisher | : Cambridge University Press |
| Total Pages | : 213 |
| Release | : 2013-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1107658926 |
An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.
| Author | : A. C. Spearing |
| Publisher | : Cambridge University Press |
| Total Pages | : 380 |
| Release | : 1985-09-05 |
| Genre | : Literary Criticism |
| ISBN | : 9780521315333 |
This is a critical book to study in depth the transition from the 'medieval' to the 'Renaissance' periods in English literature. What exactly, in a literary context, do those terms designate? Mr Spearing argues that, far from being fixed determinants, they demand careful critical reappraisal. He rewrites the literary history of the period from Chaucer to the early Spenser in a way that puts emphasis on the importance of Chaucer's influence on a tradition which in many important respects began with him. Many literary and cultural qualities, normally considered 'Renaissance', can be seen to have their origins, so far as the English tradition is concerned, in Chaucer's contacts with Italian culture. This book shows how Chaucer can be regarded as a Renaissance poet whose work was medievalised by his admiring successors. Traditions other than the Chaucerian are examined in this light, and the author engages with the larger problems of literary history through the detailed analysis of specimen texts.
| Author | : Robin Sowerby |
| Publisher | : Longman Publishing Group |
| Total Pages | : 440 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : |
The formative influence of the Graeco-Roman classics was fundamental to the creation of literary culture in the Renaissance. Through detailed analysis, this book illustrates the classical legacy as it was known in the Renaissance. It then shows how that legacy was received in translation, transformed in imitation and put to creative uses by Renaissance poets working in genres under classical influence.
| Author | : William Doremus Paden |
| Publisher | : University of Illinois Press |
| Total Pages | : 392 |
| Release | : 2000 |
| Genre | : Lyric poetry |
| ISBN | : 9780252025365 |
"An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
| Author | : Peter Godman |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 264 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : |
This wide-ranging collection of essays, written in honor of J.B. Trapp, looks at some of the central problems in the interpretation of post-classical Latin poetry. Through a variety of critical approaches, an international team of experts explores the issues of imitation and originality in Latin poetry from late Antiquity to the High Renaissance, demonstrating the richness and subtlety of the classical tradition and its literary exponents.
| Author | : J. E. Luebering Manager and Senior Editor, Literature |
| Publisher | : The Rosen Publishing Group, Inc |
| Total Pages | : 267 |
| Release | : 2010-08-15 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1615301100 |
Details the evolution of literature during a period representing a staggering amount of change, moving from one-dimensional action stories and religious lessons to stories with subtleties of plot and character development.
| Author | : R. M. Wilson |
| Publisher | : Routledge |
| Total Pages | : 287 |
| Release | : 2019-07-08 |
| Genre | : History |
| ISBN | : 0429515707 |
Originally published in 1952 The Lost Literature of Medieval England provides an account of lost masterpieces of medieval English literature. The book examines the evidence for their existence and pieces together a fuller understanding of the literary traditions of the period. In more specific detail, the book looks at the concept of Christian epics and religious and didactic literature, as well as the drama and the lyrical poetry of the period.
| Author | : |
| Publisher | : Penguin UK |
| Total Pages | : 266 |
| Release | : 1973-06-28 |
| Genre | : Poetry |
| ISBN | : 0141966637 |
Short narrative poems, religious and secular lyrics, and moral, political, and comic verses are all included in this comprehensive collection of works from the thirteenth and fourteenth centuries.
| Author | : Marc Berley |
| Publisher | : Duquesne |
| Total Pages | : 440 |
| Release | : 2000 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
After the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies.
