Medieval English Nunneries C 1275 To 1535 PDF Download

Excerpt from Medieval English Nunneries: C. 1275 to 1535 HE monastic ideal and the development of the monastic rule and orders have been studied in many admirable books. The purpose of the present work is not to describe and analyse once again that ideal, but to give a general picture of English nunnery life during a definite period, the three centuries before the Dissolution. It is derived entirely from pre-reformation sources, and the tainted evidence of Henry viii's commissioners has not been used; nor has the story of the suppression of the English nunneries been told. The nunneries dealt with are drawn from all the monastic orders, except the Gilbertine order, which has been omitted, both because it differed from others in containing double houses of men and women and because it has already been the subject of an excellent monograph by Miss Rose Graham. It remains for me to record my deep gratitude to two scholars, in whose debt students of medieval monastic history must always lie, Mr G. G. Coulton and Mr A. Hamilton Thompson. I owe more than I can say to their unfailing interest and readiness to discuss, to help and to criticise. To Mr Hamilton thompsorti am specially indebted for the loan of his transcripts and translations of Alnwick's Register, now in course of publication, for reading and criticising my manuscript and finally for undertaking the arduous work of reading my proofs. I gratefully acknowledge suggestions received at different times from Mr Hubert Hall, Miss Rose Graham and Canon Foster, and faithful criticism from my friend Miss M. G. Jones. I have also to thank Mr H. S. Bennett for kindly preparing the index, and Mr Sydney Cockerell, Director of the F itzwilliam Museum, for assistance in the choice of illustrations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.