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Mediating Memory in the Museum

Mediating Memory in the Museum
Author: S. Arnold-de-Simine
Publisher: Springer
Total Pages: 336
Release: 2013-10-16
Genre: Social Science
ISBN: 1137352647

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Mediating Memory in the Museum is a contribution to an emerging field of research that is situated at the interface between memory studies and museum studies. It highlights the role of museums in the proliferation of the so-called memory boom as well as the influence of memory discourses on international trends in museum cultures.


Mediating Memory Through Materiality

Mediating Memory Through Materiality
Author: Emma Mikuska-Tinman
Publisher:
Total Pages: 0
Release: 2018
Genre:
ISBN:

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This thesis examines how German and Polish museums employ the social meanings rooted in flight and expulsion visual trauma iconography in their individual narrative, experiential, and spatial structures through the process of Inszenierung (staging). It does so to better understand the ways in which these museums interact with and intervene in national and transnational memory discourses surrounding flight and expulsion. The Landesmuseen and travelling exhibitions under analysis work towards the construction of an ethno-regional diasporic identity for the expellee community, rooted in nostalgia and collective victimhood. Trauma iconography is used to underscore flight and expulsion as the ultimate historical cataclysm. The national and transnational museums under examination only nominally include flight and expulsion in their overall structures. Despite this, they interrupt or reinterpret the previously culturalized content of these trauma icons in order to create cognitive dissonance between the visitor and more traditional mnemonic patterns of flight and expulsion.


Emerging Technologies and Museums

Emerging Technologies and Museums
Author: Theopisti Stylianou-Lambert
Publisher: Berghahn Books
Total Pages: 252
Release: 2022-01-14
Genre: Art
ISBN: 1800733755

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How can emerging technologies display, reveal and negotiate difficult, dissonant, negative or undesirable heritage? Emerging technologies in museums have the potential to reveal unheard or silenced stories, challenge preconceptions, encourage emotional responses, introduce the unexpected, and overall provide alternative experiences. By examining varied theoretical approaches and case studies, authors demonstrate how “awkward”, contested, and rarely discussed subjects and stories are treated – or can be potentially treated - in a museum setting with the use of the latest technology.


Museum Websites and Social Media

Museum Websites and Social Media
Author: Ana Sánchez Laws
Publisher: Berghahn Books
Total Pages: 212
Release: 2015-10-01
Genre: Art
ISBN: 1782388699

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Online activities present a unique challenge for museums as they harness the potential of digital technology for sustainable development, trust building, and representations of diversity. This volume offers a holistic picture of museum online activities that can serve as a starting point for cross-disciplinary discussion. It is a resource for museum staff, students, designers, and researchers working at the intersection of cultural institutions and digital technologies. The aim is to provide insight into the issues behind designing and implementing web pages and social media to serve the broadest range of museum stakeholders.


Beyond Memory

Beyond Memory
Author: Alexandre Dessingué
Publisher: Routledge
Total Pages: 235
Release: 2015-08-14
Genre: History
ISBN: 1317421345

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Beyond Memory: Silence and the Aesthetics of Remembrance analyses the intricate connections between silence, acts of remembrance and acts of forgetting, and relates the topic of silence to the international research field of Cultural Memory Studies. It engages with the most recent work in the field by viewing silence as a remedy to the traditionally binary approach to our understanding of remembering and forgetting. The international team of contributors examine case studies from colonialism, war, politics and slavery from across the globe, as well as drawing examples from literature, philosophy and sites of memory to draw three main conclusions. Firstly, that the relationship between remembering and forgetting is relational rather than ‘hermetic’, and the space between the two is often occupied by silence. Secondly, silence is a force in itself, capable of stimulating more or less remembrance. Finally, that silence is a necessary and key element in the interaction between the human mind and the ‘outer world’, and enables people to challenge their understanding of art, music, literature, history and memory. With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an essential component of history and memory studies.


Mediation, Remediation, and the Dynamics of Cultural Memory

Mediation, Remediation, and the Dynamics of Cultural Memory
Author: Astrid Erll
Publisher: Walter de Gruyter
Total Pages: 265
Release: 2009-07-14
Genre: Literary Criticism
ISBN: 3110217384

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This collection of essays brings together two major new developments in cultural memory studies: firstly, the shift away from static models of cultural memory, where the emphasis lies on cultural products, in the direction of more dynamic models where the emphasis lies instead on the cultural and social processes involved in the ongoing production of shared views of the past; and secondly, the growing interest in the role of the media, and their role beyond that of mere storage, within these dynamics. The specific concern of this collection is linking the use of media to the larger socio-cultural processes involved in collective memory-making. The focus rests in particular on two aspects of media use: the basic dynamics of “mediation” and “remediation”. The key questions are: What role do media play in the production and circulation of cultural memories? How do mediation, remediation and intermediality shape objects and acts of cultural remembrance? How can new, emergent media redefine or transform what is collectively remembered? The essays of this collection focus on social, historical, religious, and artistic media-memories. The authors analyze the memory-making impact of news media, the mediation and remediation of lieux de mémoire, the medial representation of colonial and postcolonial, of Holocaust and Second World War memories, and finally the problematization of these very processes in artistic media forms, such as novels and movies.


Prosthetic Memory

Prosthetic Memory
Author: Alison Landsberg
Publisher: Columbia University Press
Total Pages: 248
Release: 2004
Genre: History
ISBN: 9780231129268

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Prosthetic Memory argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender, to share collective memories--to assimilate as deeply felt personal experiences historical events through which they themselves did not live.


Affective Heritage and the Politics of Memory after 9/11

Affective Heritage and the Politics of Memory after 9/11
Author: Jacque Micieli-Voutsinas
Publisher: Routledge
Total Pages: 201
Release: 2021-03-30
Genre: Art
ISBN: 1351599704

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This book critically examines the institutional curation of traumatic memory at the 9/11 Memorial Museum and its evocative power as a cultural storyteller. Memorial Museums are evocative spaces. Drawing on aesthetic practices deeply rooted in representing the ‘unrepresentability’ of cultural trauma, most notably the Holocaust, Memorial Museums are powerful, popular mediums for establishing cultural values, asking the visitor to contemplate "Who am I?" in relation to the difficult histories on display. Using primary data, this book poses important questions about the emotionally-charged site: what ‘moral lessons’ are visitors imparted with at the 9/11 Memorial Museum? Who is the cultural institution’s primary audience—the imagined community it reconstructs this traumatic history and safeguards its memories for? What does the National September 11 Memorial & Museum ultimately teach visitors about history, ourselves, and others? This work will be of interest to students and scholars in the areas of Human Geography, American Studies, Museum Studies and Public History, Cultural and Heritage Studies, and Trauma and Memory Studies.


Museum as a Cinematic Space

Museum as a Cinematic Space
Author: Elisa Mandelli
Publisher: Edinburgh University Press
Total Pages: 176
Release: 2019-06-24
Genre: Performing Arts
ISBN: 1474416802

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With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.