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Media, Technology, and Copyright

Media, Technology, and Copyright
Author: Michael A. Einhorn
Publisher: Edward Elgar Publishing
Total Pages: 226
Release: 2005-01-01
Genre: Law
ISBN: 9781845420598

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Recommended reading for any person interested in the way new technologies, above all the internet and digital content, are affecting the legal treatment of copyrightable intellectual property and related business methods and practices.


Intellectual Property Protection for Multimedia Information Technology

Intellectual Property Protection for Multimedia Information Technology
Author: Sasaki, Hideyasu
Publisher: IGI Global
Total Pages: 482
Release: 2007-12-31
Genre: Education
ISBN: 1599047640

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Since previously published intellectual property law and business research discusses institutional analyses without interdisciplinary insights by technical experts, and technical references tend to concern engineering solutions without considering the social impact of institutional protection of multimedia digital information, there is a growing demand for a resource that bridges the gap between multimedia intellectual property protection law and technology. Intellectual Property Protection for Multimedia Information Technology provides scholars, management professionals, researchers, and lawyers in the field of multimedia information technology and its institutional practice with thorough coverage of the full range of issues surrounding multimedia intellectual property protection and its proper solutions from institutional, technical, and legal perspectives.


Digital Copyright

Digital Copyright
Author: Jessica Litman
Publisher: Prometheus Books
Total Pages: 216
Release:
Genre: Law
ISBN: 161592051X

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Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.


Data Processing Techniques and Applications for Cyber-Physical Systems (DPTA 2019)

Data Processing Techniques and Applications for Cyber-Physical Systems (DPTA 2019)
Author: Chuanchao Huang
Publisher: Springer Nature
Total Pages: 2059
Release: 2020-02-03
Genre: Technology & Engineering
ISBN: 9811514682

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This book covers cutting-edge and advanced research on data processing techniques and applications for Cyber-Physical Systems. Gathering the proceedings of the International Conference on Data Processing Techniques and Applications for Cyber-Physical Systems (DPTA 2019), held in Shanghai, China on November 15–16, 2019, it examines a wide range of topics, including: distributed processing for sensor data in CPS networks; approximate reasoning and pattern recognition for CPS networks; data platforms for efficient integration with CPS networks; and data security and privacy in CPS networks. Outlining promising future research directions, the book offers a valuable resource for students, researchers and professionals alike, while also providing a useful reference guide for newcomers to the field.


Media Technologies

Media Technologies
Author: Tarleton Gillespie
Publisher: MIT Press
Total Pages: 340
Release: 2014-01-24
Genre: Computers
ISBN: 0262525372

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Scholars from communication and media studies join those from science and technology studies to examine media technologies as complex, sociomaterial phenomena. In recent years, scholarship around media technologies has finally shed the assumption that these technologies are separate from and powerfully determining of social life, looking at them instead as produced by and embedded in distinct social, cultural, and political practices. Communication and media scholars have increasingly taken theoretical perspectives originating in science and technology studies (STS), while some STS scholars interested in information technologies have linked their research to media studies inquiries into the symbolic dimensions of these tools. In this volume, scholars from both fields come together to advance this view of media technologies as complex sociomaterial phenomena. The contributors first address the relationship between materiality and mediation, considering such topics as the lived realities of network infrastructure. The contributors then highlight media technologies as always in motion, held together through the minute, unobserved work of many, including efforts to keep these technologies alive. Contributors Pablo J. Boczkowski, Geoffrey C. Bowker, Finn Brunton, Gabriella Coleman, Gregory J. Downey, Kirsten A. Foot, Tarleton Gillespie, Steven J. Jackson, Christopher M. Kelty, Leah A. Lievrouw, Sonia Livingstone, Ignacio Siles, Jonathan Sterne, Lucy Suchman, Fred Turner


The Digital Rights Movement

The Digital Rights Movement
Author: Hector Postigo
Publisher: MIT Press
Total Pages: 251
Release: 2012-10-05
Genre: Technology & Engineering
ISBN: 0262304414

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The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In The Digital Rights Movement, Hector Postigo shows that what began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership. Increasingly stringent laws and technological measures are more than incoveniences; they lock up access to our “cultural commons.” Postigo describes the legislative history of the DMCA and how policy “blind spots” produced a law at odds with existing and emerging consumer practices. Yet the DMCA established a political and legal rationale brought to bear on digital media, the Internet, and other new technologies. Drawing on social movement theory and science and technology studies, Postigo presents case studies of resistance to increased control over digital media, describing a host of tactics that range from hacking to lobbying. Postigo discusses the movement's new, user-centered conception of “fair use” that seeks to legitimize noncommercial personal and creative uses such as copying legitimately purchased content and remixing music and video tracks. He introduces the concept of technological resistance—when hackers and users design and deploy technologies that allows access to digital content despite technological protection mechanisms—as the flip side to the technological enforcement represented by digital copy protection and a crucial tactic for the movement.


Seventh Annual Institute

Seventh Annual Institute
Author: Jon A. Baumgarten
Publisher:
Total Pages: 694
Release: 1996
Genre: Copyright
ISBN:

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Digital Media & Intellectual Property

Digital Media & Intellectual Property
Author: Nicola Lucchi
Publisher: Springer Science & Business Media
Total Pages: 180
Release: 2006-09-27
Genre: Law
ISBN: 3540365435

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The book provides a comparative and comprehensive analysis of the current technical, commercial and economical development in digital media describing the impact of new business and distribution models, the current legal and regulatory framework, social practices and consumer expectations associated with the use, distribution, and control of digital media products. In particular the author analyze the anti-circumvention provisions for technological protection measures and digital rights management systems enacted in the United States and in Europe.


Study on New Media and Copyright

Study on New Media and Copyright
Author: NGL Nordicity Group Ltd
Publisher: Canadian Museum of Civilization/Musee Canadien Des Civilisations
Total Pages: 104
Release: 1994
Genre: Law
ISBN:

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This paper addresses copyright in light of technological advances leading to the development of new media. The paper seeks to demonstrate what in new media is copyright significant; reviews current Canadian copyright policy; identifies new media copyright issues; elaborates strategic policy options for government to address these issues; and recommends an optimal approach and areas for further study. New media consists of hybrids of print and/or electronic media in which the content can include text, sound, graphics, and audio-visual programming.