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Media, Culture, and the Modern African American Freedom Struggle

Media, Culture, and the Modern African American Freedom Struggle
Author: Brian Ward
Publisher:
Total Pages: 312
Release: 2001
Genre: Social Science
ISBN: 9780813020747

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"A dazzling array of essays that vastly expands our understanding of the role of the media and popular culture in the politics of race. From Andy Griffith to Amiri Baraka, from Leadbelly's blues to "Sweet Sweetback's Baaadassss Song," this is a brilliant and irreplaceable collection."--Timothy B. Tyson, University of Wisconsin-Madison, author of Radio Free Dixie: Robert F. Williams and the Roots of Black Power Stimulating and insightful, these essays on the relationship among the media, popular culture, and the postwar African American freedom struggle offer new perspectives on the nature of the Civil Rights Movement and its legacies. At the same time, they suggest how much the struggle itself shaped important trends in American culture and mass media in the 1950s and 1960s. Bringing together a range of voices seldom heard together, this book challenges readers to reconsider the ways in which a simplistic "master narrative" of the Movement has come to dominate popular, and even some scholarly, understandings of the meaning of the freedom struggle. CONTENTS Introduction: Forgotten Wails and Master Narratives: Media, Culture, and Memories of the Modern African American Freedom Struggle, by Brian Ward 1. The Media and the Movement: Looking Back from the Southern Front, by Julian Bond 2. A Media-Made Movement? Black Violence and Nonviolence in the Historiography of the Civil Rights Movement, by Jenny Walker 3. Black-Oriented Radio and the Civil Rights Movement, by Stephen Walsh 4. Reclaiming the South: Civil Rights Films and the New Red Menace, by Allison Graham 5. Hip Like Me: Racial Cross-Dressing in Pop Music Before Elvis, by David Chappell 6. "Climbing the Mountain Top": African American Blues and Gospel Songs from the Civil Rights Years, by Guido van Rijn 7. Free Jazz: Musical Style and Liberationist Ethic, 1956-1965, by Peter Townsend 8. Jazz and Soul, Race and Class, Cultural Nationalists and Black Panthers: A Black Power Debate Revisited, by Brian Ward 9. Villains, Demons, and Social Bandits: White Fear of the Black Cultural Revolution, by William L. Van Deburg 10. "Pimpin' Ain't Easy": Work, Play, and "Lifestylization" of the Black Pimp Figure in Early 1970s America, by Eithne Quinn 11. Mau-Mauing the Filmmakers: Should Black Power Take the Rap for Killing Nat Turner, the Movie? by Scot French 12. "The 1960s Echo On": Images of Martin Luther King Jr. as Deployed by White Writers of Contemporary Fiction, by Sharon Monteith 13. The Power of Martyrdom: The Incorporation of Martin Luther King and His Philosophy into African American Literature, by Trudier Harris Brian Ward, associate professor of American history at the University of Florida, is the author of Just My Soul Responding: Rhythm and Blues, Black Consciousness and Race Relations and coeditor of The Making of Martin Luther King and the Civil Rights Movement.


Department Stores and the Black Freedom Movement

Department Stores and the Black Freedom Movement
Author: Traci Parker
Publisher: UNC Press Books
Total Pages: 329
Release: 2019-02-06
Genre: Social Science
ISBN: 1469648687

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In this book, Traci Parker examines the movement to racially integrate white-collar work and consumption in American department stores, and broadens our understanding of historical transformations in African American class and labor formation. Built on the goals, organization, and momentum of earlier struggles for justice, the department store movement channeled the power of store workers and consumers to promote black freedom in the mid-twentieth century. Sponsoring lunch counter sit-ins and protests in the 1950s and 1960s, and challenging discrimination in the courts in the 1970s, this movement ended in the early 1980s with the conclusion of the Sears, Roebuck, and Co. affirmative action cases and the transformation and consolidation of American department stores. In documenting the experiences of African American workers and consumers during this era, Parker highlights the department store as a key site for the inception of a modern black middle class, and demonstrates the ways that both work and consumption were battlegrounds for civil rights.


Radio and the Struggle for Civil Rights in the South

Radio and the Struggle for Civil Rights in the South
Author: Brian Ward
Publisher:
Total Pages: 437
Release: 2006
Genre: History
ISBN: 9780813029788

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This compelling book offers important new insights into the connections among radio, race relations, and the civil rights and black power movements in the South from the 1920s to the mid-1970s. For the mass of African Americans--and many whites--living in the region during this period, radio was the foremost source of news and information. Consequently, it is impossible to fully understand the origins and development of the African American freedom struggle, changes in racial consciousness, and the transformation of southern racial practices without recognizing how radio simultaneously entertained, informed, educated, and mobilized black and white southerners. While focusing on civil rights activities in Atlanta, Birmingham, Charlotte, Washington, D.C., and the state of Mississippi, the book draws attention to less well-known sites of struggle such as Columbus, Georgia, and Columbia, South Carolina, where radio also played a vital role. It explains why key civil rights leaders like Martin Luther King and organizations such as the NAACP, SCLC, and SNCC put a premium on access to the radio, often finding it far more effective than the print media or television in advancing their cause. The book also documents how civil rights advocates used radio to try to influence white opinions on racial matters in the South and beyond, and how the broadcasting industry itself became the site of a protracted battle for black economic opportunity and access to a lucrative black consumer market. In addition, Ward rescues from historical obscurity a roster of colorful deejays, announcers, station managers, executives, and even the odd federal bureaucrat, who made significant contributions to the freedom struggle through radio. Winner of the AEJMC award for the best journalism and mass communication history book of 2004 and a 2004 Choice Outstanding Academic Title Award, this book restores radio to its rightful place in the history of black protest, race relations, and southern culture during the middle fifty years of the 20th century.


To March for Others

To March for Others
Author: Lauren Araiza
Publisher: University of Pennsylvania Press
Total Pages: 240
Release: 2014
Genre: Business & Economics
ISBN: 0812245571

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Through the relationships between the African American civil rights groups of the 1960s and 1970s and the United Farm Workers, a primarily Mexican American union, To March for Others examines the complexities of forming coalitions across racial, socioeconomic, and geographic divides in pursuit of justice and equality.


SNCC's Stories

SNCC's Stories
Author: Sharon Monteith
Publisher: Print Culture in the South
Total Pages: 394
Release: 2020-10-15
Genre: Literary Criticism
ISBN: 9780820358024

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Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were "new abolitionists," but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through "projects" embedded in Freedom Houses, especially in the South: the setting for most of SNCC's stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC's responsibility to communities, to the "walking wounded" damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC's Stories examines the organization's print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC's dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC's writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC's print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.


Imprisoned in a Luminous Glare

Imprisoned in a Luminous Glare
Author: Leigh Raiford
Publisher: Univ of North Carolina Press
Total Pages: 290
Release: 2011
Genre: Social Science
ISBN: 0807834300

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In Imprisoned in a Luminous Glare, Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary abou


From Rights to Lives

From Rights to Lives
Author: Françoise N. Hamlin
Publisher: Vanderbilt University Press
Total Pages: 306
Release: 2024-03-15
Genre: History
ISBN: 0826506674

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Broadly speaking, the traditionally conceptualized mid-twentieth-century Civil Rights Movement and the newer #BlackLivesMatter Movement possess some similar qualities. They both represent dynamic, complex moments of possibility and progress. They also share mass-based movement activities, policy/legislative advocacy, grassroots organizing, and targeted media campaigns. Innovation, growth, and dissension—core aspects of movement work—mark them both. Crucially, these moments also engender aggressive, repressive, multilevel responses to these assertions of Black humanity. From Rights to Lives critically engages the dynamic relationship between these two moments of liberatory possibility on the Black Freedom Struggle timeline. The book’s contributors explore what we can learn when we place these moments of struggle in dialogue with each other. They grapple with how our understanding of the postwar moment shapes our analysis of #BLM and wherein lie the discontinuities, in order to glean lessons for future moments of insurgency.


African Americans and the Media

African Americans and the Media
Author: Catherine Squires
Publisher: Polity
Total Pages: 321
Release: 2009-10-12
Genre: Social Science
ISBN: 0745640346

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From pamphlets denouncing slavery to boycotts of Hollywood, African Americans have fought for adequate representations of themselves in the mass media industries of the United States. This book provides readers with an interdisciplinary overview of the past, present, and future of African Americans in U.S. media and the ongoing project of gaining racial equality in media: a process which spans generations. Catherine Squires introduces the reader to the varied ways in which Black Americans have navigated cultural, political, and economic obstacles both to make their own media and to critique mainstream media. Synthesizing the work of social scientists, historians, cultural critics, as well as comments from audience members and media producers, African Americans and the Media gives readers a lively entry point to classic and contemporary studies of Black Americans and mass media. Across the chapters, readers follow African Americans’ struggles to harness the power of print, broadcasting, film, and digital media, through five main themes which are woven through the book: representation, circulation, innovation, audience and responsibility. Taking in examples as diverse as Blaxploitation films, the work of 20th Century black activist journalists such as Ida B. Wells and A. Philip Randolph, and popular television such as The Cosby Show, this book will be essential reading for all students and scholars of media and communications and African American studies.


Anti-Feminisms in Media Culture

Anti-Feminisms in Media Culture
Author: Michele White
Publisher: Routledge
Total Pages: 236
Release: 2022-04-06
Genre: Social Science
ISBN: 100055581X

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This important and timely collection examines the troubling proliferation of anti-feminist language and concepts in contemporary media culture. Edited by Michele White and Diane Negra, these curated essays offer a critical means of considering how contemporary media, politics, and digital culture function, especially in relation to how they simultaneously construct and displace feminist politics, women’s bodies, and the rights of women and other disenfranchised subjects. The collection explores the simplification and disparagement of feminist histories and ongoing feminist engagements, the consolidation of all feminisms into a static and rigid structure, and tactics that are designed to disparage women and feminists as a means of further displacing disenfranchised people’s identities and rights. The book also highlights how it is becoming more imperative to consider how anti-feminisms, including hostilities towards feminist activism and theories, are amplified in times of political and social unrest and used to instigate violence against women, people of color, and LGBTQIA+ individuals. A must-read for students and scholars of media, culture and communication studies, gender studies, and critical race studies with an interest in feminist media studies.


Say It Loud!

Say It Loud!
Author: Robin R. Means Coleman
Publisher: Routledge
Total Pages: 279
Release: 2013-08-21
Genre: Social Science
ISBN: 113521610X

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In a collection of essays based on direct interview research, Say it Loud! amplifies the voice of ordinary African-Americans as they respond to media presentations of Black society. Each chapter investigates ways in which African-American identity is constructed, maintained, and represented in mass media and how these portrayals are interpreted within the African-American community. Together the essays cover a vast array of media messages in television, film, music, print and cyberspace. From the Boondocks comic strip, The Cosby Show, and The Color Purple to the music of rap artist DMX and original testimony from a Menace II Society copycat killer, the material included in this volume is examined as context for the African-American struggle to achieve definition, meaning, and power. Say it Loud! offers rare insight into how this struggle is both helped and hindered by the representation of race in our media culture.