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Maya Iconography

Maya Iconography
Author: Elizabeth P. Benson
Publisher: Princeton University Press
Total Pages: 485
Release: 2024-01-09
Genre: Religion
ISBN: 0691264945

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A landmark work on the iconography of one of the world’s great civilizations This book presents foundational work on Maya iconography from leading practitioners in fields ranging from archaeology, anthropology, and art history to linguistics, astronomy, photography, and medicine. The period discussed runs from the last centuries B.C. through the great Maya Classic period, with some discussion of later eras and of regions outside the Maya area. Featuring an incisive introduction by Elizabeth Benson and Gillett Griffin, Maya Iconography demonstrates how Maya beliefs developed over time and makes important connections between Preclassic and Classic iconography. The contributors are John Carlson, Michael Coe, David Freidel, Donald Hales, Norman Hammond, Nicholas Hellmuth, John Justeson, Barbara Kerr, Justin Kerr, Mary Ellen Miller, William Norman, Lee Parsons, Francis Robicsek, Linda Schele, David Stuart, and Karl Taube.


Studies in Classic Maya Iconography

Studies in Classic Maya Iconography
Author: George Kubler
Publisher: New Haven, Conn : Published by the Academy; to be obtained from Archon Books, Hamden, Conn
Total Pages: 128
Release: 1969
Genre: Art
ISBN:

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Maya Iconography

Maya Iconography
Author: Elizabeth P. Benson
Publisher:
Total Pages: 379
Release: 1988
Genre: Amérique centrale
ISBN: 9780691035901

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This volume presents recent work on Maya iconography from practitioners in a variety of fields: archaeology, anthropology, art history, linguistics, astronomy, photography, and medicine. The time period discussed runs from the last centuries B.C. through the great Maya Classic period, with some discussion of later eras and of regions outside the Maya area. The papers are placed in an order that most clearly brings out the emerging themes: the book shows how certain Maya beliefs grew over time, and for the first time makes connections between Preclassic and Classic iconography. The contributors are John Carlson, Michael Coe, David Freidel, Donald Hales, Norman Hammond, Nicholas Hellmuth, John Justeson, Barbara Kerr, Justin Kerr, Mary Ellen Miller, William Norman, Lee Parsons, Francis Robicsek, Linda Schele, David Stuart, and Karl Taube. The book includes an introduction by the editors.


Gods and Symbols of Ancient Mexico and the Maya

Gods and Symbols of Ancient Mexico and the Maya
Author: Mary Ellen Miller
Publisher: National Geographic Books
Total Pages: 0
Release: 1997-04-01
Genre: Antiques & Collectibles
ISBN: 0500279284

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The myths and beliefs of the great pre-Columbian civilizations of Mesoamerica have baffled and fascinated outsiders ever since the Spanish Conquest. Yet, until now, no single-volume introduction has existed to act as a guide to this labyrinthine symbolic world. The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.


The Maya Art of Speaking Writing

The Maya Art of Speaking Writing
Author: Tiffany D. Creegan Miller
Publisher: University of Arizona Press
Total Pages: 305
Release: 2022-05-24
Genre: Literary Criticism
ISBN: 081654235X

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Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages. Based on nearly a decade of fieldwork in the Guatemalan highlands, Tiffany D. Creegan Miller discusses images that are sonic, pictorial, gestural, and alphabetic. She reveals various forms of creativity and agency that are woven through a rich media landscape in Indigenous Guatemala, as well as Maya diasporas in Mexico and the United States. Miller discusses how technologies of inscription and their mediations are shaped by human editors, translators, communities, and audiences, as well as by voices from the natural world. These texts push back not just on linear and compartmentalized Western notions of media but also on the idea of the singular author, creator, scholar, or artist removed from their environment. The persistence of orality and the interweaving of media forms combine to offer a challenge to audiences to participate in decolonial actions through language preservation. The Maya Art of Speaking Writing calls for centering Indigenous epistemologies by doing research in and through Indigenous languages as we engage in debates surrounding Indigenous literatures, anthropology, decoloniality, media studies, orality, and the digital humanities.


Maya Sculpture of Copán

Maya Sculpture of Copán
Author: Claude F. Baudez
Publisher: University of Oklahoma Press
Total Pages: 313
Release: 2015-07
Genre: History
ISBN: 080615361X

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Copán, one of the most important Classic Maya sites, is renowned for the artistry of its high-relief stelae and altars and for the wealth of detail on its freestanding and architectural sculpture. In Maya Sculpture of Copán: The Iconography, internationally known Mayanist Claude-François Baudez provides a masterful survey of these elaborate and intriguing carved images. In Part I, Baudez identifies and deciphers the specific motifs on each monument and shows how the elements were combined to produce meaningful iconographic messages. The architectural sculpture expresses the meaning and function of the buildings and complexes, many designed to represent the sky, earth, and underworld and to serve as stages for rituals. Photographs and drawings clarify the intricate forms. Part II relates the iconography to the religion and politics of the city-state. Baudez traces the evolution of the motifs in relation to the history of Copán and the multiple functions of the king—his cosmic role, the continuous reference to his ancestors, and the dynastic cycles. Sacrifice—bloodletting by the king and the sacrifice of captives—is of paramount importance. Growth and rebirth required constant offerings of blood to the earth and to the sun, to ensure its rebirth at dawn after its nocturnal journey through the underworld. The monuments give a coherent picture of Maya cosmology.


Ancient Maya Art at Dumbarton Oaks

Ancient Maya Art at Dumbarton Oaks
Author: Dumbarton Oaks
Publisher: Dumbarton Oaks Research Library & Collection
Total Pages: 0
Release: 2012
Genre: Maya art
ISBN: 9780884023753

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This introduction to Maya art is based on study of one of the most important collections in the United States, assembled by Robert Woods Bliss between 1935 and 1962. The catalogue, written by leading Maya scholars, contains detailed analyses of specific works of art along with thematic essays situating them within the context of Maya culture.


The Ancient Maya

The Ancient Maya
Author: Sylvanus Griswold Morley
Publisher: Stanford University Press
Total Pages: 940
Release: 1994
Genre: Social Science
ISBN: 9780804721301

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"Comprehensive synthesis of ancient Maya scholarship. Extensive summary of the archaeology of the Maya world provides the historical context for a detailed topical synthesis of chronological and geographic variability within the Maya cultural tradition"--


Nasal Motifs in Maya Iconography

Nasal Motifs in Maya Iconography
Author: Harri Kettunen
Publisher:
Total Pages: 796
Release: 2006
Genre: Beeldende kunsten
ISBN:

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Maya Calendar Origins

Maya Calendar Origins
Author: Prudence M. Rice
Publisher: University of Texas Press
Total Pages: 291
Release: 2009-02-17
Genre: Social Science
ISBN: 0292774494

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In Maya Political Science: Time, Astronomy, and the Cosmos, Prudence M. Rice proposed a new model of Maya political organization in which geopolitical seats of power rotated according to a 256-year calendar cycle known as the May. This fundamental connection between timekeeping and Maya political organization sparked Rice's interest in the origins of the two major calendars used by the ancient lowland Maya, one 260 days long, and the other having 365 days. In Maya Calendar Origins, she presents a provocative new thesis about the origins and development of the calendrical system. Integrating data from anthropology, archaeology, art history, astronomy, ethnohistory, myth, and linguistics, Rice argues that the Maya calendars developed about a millennium earlier than commonly thought, around 1200 BC, as an outgrowth of observations of the natural phenomena that scheduled the movements of late Archaic hunter-gatherer-collectors throughout what became Mesoamerica. She asserts that an understanding of the cycles of weather and celestial movements became the basis of power for early rulers, who could thereby claim "control" over supernatural cosmic forces. Rice shows how time became materialized—transformed into status objects such as monuments that encoded calendrical or temporal concerns—as well as politicized, becoming the foundation for societal order, political legitimization, and wealth. Rice's research also sheds new light on the origins of the Popol Vuh, which, Rice believes, encodes the history of the development of the Mesoamerican calendars. She also explores the connections between the Maya and early Olmec and Izapan cultures in the Isthmian region, who shared with the Maya the cosmovision and ideology incorporated into the calendrical systems.