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Material Texts in Early Modern England

Material Texts in Early Modern England
Author: Adam Smyth
Publisher: Cambridge University Press
Total Pages: 224
Release: 2018-01-11
Genre: Literary Criticism
ISBN: 1108373208

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What was a book in early modern England? By combining book history, bibliography and literary criticism, Material Texts in Early Modern England explores how sixteenth- and seventeenth-century books were stranger, richer things than scholars have imagined. Adam Smyth examines important aspects of bibliographical culture which have been under-examined by critics: the cutting up of books as a form of careful reading; book destruction and its relation to canon formation; the prevalence of printed errors and the literary richness of mistakes; and the recycling of older texts in the bodies of new books, as printed waste. How did authors, including Herbert, Jonson, Milton, Nashe and Cavendish, respond to this sense of the book as patched, transient, flawed, and palimpsestic? Material Texts in Early Modern England recovers these traits and practices, and so crucially revises our sense of what a book was, and what a book might be.


Books and Readers in Early Modern England

Books and Readers in Early Modern England
Author: Jennifer Andersen
Publisher: University of Pennsylvania Press
Total Pages: 312
Release: 2012-07-28
Genre: Literary Criticism
ISBN: 0812204719

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Books and Readers in Early Modern England examines readers, reading, and publication practices from the Renaissance to the Restoration. The essays draw on an array of documentary evidence—from library catalogs, prefaces, title pages and dedications, marginalia, commonplace books, and letters to ink, paper, and bindings—to explore individual reading habits and experiences in a period of religious dissent, political instability, and cultural transformation. Chapters in the volume cover oral, scribal, and print cultures, examining the emergence of the "public spheres" of reading practices. Contributors, who include Christopher Grose, Ann Hughes, David Scott Kastan, Kathleen Lynch, William Sherman, and Peter Stallybrass, investigate interactions among publishers, texts, authors, and audience. They discuss the continuity of the written word and habits of mind in the world of print, the formation and differentiation of readerships, and the increasing influence of public opinion. The work demonstrates that early modern publications appeared in a wide variety of forms—from periodical literature to polemical pamphlets—and reflected the radical transformations occurring at the time in the dissemination of knowledge through the written word. These forms were far more ephemeral, and far more widely available, than modern stereotypes of writing from this period suggest.


Boxes and Books in Early Modern England

Boxes and Books in Early Modern England
Author: Lucy Razzall
Publisher: Cambridge University Press
Total Pages: 267
Release: 2021-08-19
Genre: History
ISBN: 1108831338

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Uses the idea of the box in early modern England to develop a new direction in book history and material culture.


Material Texts in Early Modern England

Material Texts in Early Modern England
Author: Adam Smyth
Publisher: Cambridge University Press
Total Pages: 223
Release: 2018-01-11
Genre: Literary Criticism
ISBN: 1108421326

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This book combines book history and literary criticism to explore how early modern books were richer things than previously imagined.


Curiosities and Texts

Curiosities and Texts
Author: Marjorie Swann
Publisher: University of Pennsylvania Press
Total Pages: 289
Release: 2010-11-24
Genre: Literary Criticism
ISBN: 0812203178

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A craze for collecting swept England during the sixteenth and seventeenth centuries. Aristocrats and middling-sort men alike crammed their homes full of a bewildering variety of physical objects: antique coins, scientific instruments, minerals, mummified corpses, zoological specimens, plants, ethnographic objects from Asia and the Americas, statues, portraits. Why were these bizarre jumbles of artifacts so popular? In Curiosities and Texts, Marjorie Swann demonstrates that collections of physical objects were central to early modern English literature and culture. Swann examines the famous collection of rarities assembled by the Tradescant family; the development of English natural history; narrative catalogs of English landscape features that began to appear in the Tudor and Stuart periods; the writings of Ben Jonson and Robert Herrick; and the foundation of the British Museum. Through this wide-ranging series of case studies, Swann addresses two important questions: How was the collection, which was understood as a form of cultural capital, appropriated in early modern England to construct new social selves and modes of subjectivity? And how did literary texts—both as material objects and as vehicles of representation—participate in the process of negotiating the cultural significance of collectors and collecting? Crafting her unique argument with a balance of detail and insight, Swann sheds new light on material culture's relationship to literature, social authority, and personal identity.


Autobiography in Early Modern England

Autobiography in Early Modern England
Author: Adam Smyth
Publisher: Cambridge University Press
Total Pages: 233
Release: 2010-08-05
Genre: Biography & Autobiography
ISBN: 0521761727

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Explores life-writing forms - almanacs, financial accounts, commonplace books and parish registers - which emerged during the sixteenth and seventeenth centuries.


'Grossly Material Things'

'Grossly Material Things'
Author: Helen Smith
Publisher: Oxford University Press
Total Pages: 271
Release: 2012-05-03
Genre: Business & Economics
ISBN: 0199651582

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Virginia Woolf described fictions as 'grossly material things', rooted in their physical and economic contexts. This book takes Woolf's hint as its starting point, asking who made the books of the English Renaissance. It recovering the ways in which women participated as co-authors, editors, translators, patrons, printers, booksellers, and readers.


The Immaterial Book

The Immaterial Book
Author: Sarah Wall-Randell
Publisher: University of Michigan Press
Total Pages: 194
Release: 2013-10-28
Genre: Literary Criticism
ISBN: 0472118773

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In romances—Renaissance England’s version of the fantasy novel—characters often discover books that turn out to be magical or prophetic, and to offer insights into their readers’ selves. The Immaterial Book examines scenes of reading in important romance texts across genres: Spenser’s Faerie Queene, Shakespeare’s Cymbeline and The Tempest, Wroth’s Urania, and Cervantes’ Don Quixote. It offers a response to “material book studies” by calling for a new focus on imaginary or “immaterial” books and argues that early modern romance authors, rather than replicating contemporary reading practices within their texts, are reviving ancient and medieval ideas of the book as a conceptual framework, which they use to investigate urgent, new ideas about the self and the self-conscious mind.


Used Books

Used Books
Author: William H. Sherman
Publisher: University of Pennsylvania Press
Total Pages: 283
Release: 2010-11-24
Genre: Literary Criticism
ISBN: 0812203445

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In a recent sale catalog, one bookseller apologized for the condition of a sixteenth-century volume as "rather soiled by use." When the book was displayed the next year, the exhibition catalogue described it as "well and piously used [with] marginal notations in an Elizabethan hand [that] bring to life an early and earnest owner"; and the book's buyer, for his part, considered it to be "enlivened by the marginal notes and comments." For this collector, as for an increasing number of cultural historians and historians of the book, a marked-up copy was more interesting than one in pristine condition. William H. Sherman recovers a culture that took the phrase "mark my words" quite literally. Books from the first two centuries of printing are full of marginalia and other signs of engagement and use, such as customized bindings, traces of food and drink, penmanship exercises, and doodles. These marks offer a vast archive of information about the lives of books and their place in the lives of their readers. Based on a survey of thousands of early printed books, Used Books describes what readers wrote in and around their books and what we can learn from these marks by using the tools of archaeologists as well as historians and literary critics. The chapters address the place of book-marking in schools and churches, the use of the "manicule" (the ubiquitous hand-with-pointing-finger symbol), the role played by women in information management, the extraordinary commonplace book used for nearly sixty years by Renaissance England's greatest lawyer-statesman, and the attitudes toward annotated books among collectors and librarians from the Middle Ages to the present. This wide-ranging, learned, and often surprising book will make the marks of Renaissance readers more visible and legible to scholars, collectors, and bibliophiles.


The Material Letter in Early Modern England

The Material Letter in Early Modern England
Author: J. Daybell
Publisher: Springer
Total Pages: 240
Release: 2012-04-24
Genre: Literary Criticism
ISBN: 1137006064

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The first major socio-cultural study of manuscript letters and letter-writing practices in early modern England. Daybell examines a crucial period in the development of the English vernacular letter before Charles I's postal reforms in 1635, one that witnessed a significant extension of letter-writing skills throughout society.