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Material Approaches to Polynesian Barkcloth

Material Approaches to Polynesian Barkcloth
Author: Frances Lennard
Publisher:
Total Pages: 342
Release: 2020
Genre: Bark painting
ISBN: 9789088909733

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Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. 'Material Approaches to Polynesian Barkcloth' takes a new approach to the study of the history of this region through its barkcloth heritage, focusing on the plants themselves and surviving objects in historic collections. This object-focused approach has filled gaps in our understanding of the production and use of this material through an investigation of this unique fabric's physical properties, transformation during manufacture and the regional history of its development in the 18th and 19th centuries. The book is the outcome of a research project which focused on three important collections of barkcloth at The Hunterian, University of Glasgow; Royal Botanic Gardens, Kew and the National Museum of Natural History, Smithsonian Institution. It also looks more widely at the value of barkcloth artefacts in museum collections for enhancing both contemporary practice and a wider appreciation of this remarkable fabric. The contributors include academics, curators, conservators and makers of barkcloth from Oceania and beyond, in an interdisciplinary study which draws together insights from object-based and textual reseach, fieldwork and tapa making, and information on the plants used to make fibres and colourants. This book will be of interest to tapa makers, museum professionals including curators and conservators; academics and students in the fields of anthropology, museum studies and conservation; museum visitors and anyone interested in finding out more about barkcloth.


Material Approaches to Polynesian Barkcloth

Material Approaches to Polynesian Barkcloth
Author: Frances Lennard
Publisher:
Total Pages: 330
Release: 2020-12-23
Genre:
ISBN: 9789088909726

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Barkcloth or tapa, a cloth made from the inner bark of trees, was widely used in place of woven cloth in the Pacific islands until the 19th century. A ubiquitous material, it was integral to the lives of islanders and used for clothing, furnishings and ritual artefacts. Material Approaches to Polynesian Barkcloth takes a new approach to the study of the history of this region through its barkcloth heritage, focusing on the plants themselves and surviving objects in historic collections. This object-focused approach has filled gaps in our understanding of the production and use of this material through an investigation of this unique fabric's physical properties, transformation during manufacture and the regional history of its development in the 18th and 19th centuries.The book is the outcome of a research project which focused on three important collections of barkcloth at The Hunterian, University of Glasgow; Royal Botanic Gardens, Kew and the National Museum of Natural History, Smithsonian Institution. It also looks more widely at the value of barkcloth artefacts in museum collections for enhancing both contemporary practice and a wider appreciation of this remarkable fabric. The contributors include academics, curators, conservators and makers of barkcloth from Oceania and beyond, in an interdisciplinary study which draws together insights from object-based and textual reseach, fieldwork and tapa making, and information on the plants used to make fibres and colourants.This book will be of interest to tapa makers, museum professionals including curators and conservators; academics and students in the fields of anthropology, museum studies and conservation; museum visitors and anyone interested in finding out more about barkcloth.


Polynesian Barkcloth

Polynesian Barkcloth
Author: Simon Kooijman
Publisher: Bloomsbury Shire Publications
Total Pages: 76
Release: 1988
Genre: Design
ISBN:

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"This book is based on research in museum collections and on fieldwork in Polynesia and Fiji ..."--Page 3.


Polynesian Barkcloth

Polynesian Barkcloth
Author: Kooijman Simon
Publisher:
Total Pages: 0
Release: 1988
Genre: Handicraft
ISBN: 9789999466981

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Textile Conservation

Textile Conservation
Author: Frances Lennard
Publisher: Taylor & Francis
Total Pages: 894
Release: 2024-03-07
Genre: Art
ISBN: 1003825273

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This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; New and updated international case studies that demonstrate conservation decision-making in practice, including assessments of the conservation of objects in some of the world’s major cultural institutions; Full-colour illustrations that demonstrate conservation in practice. Textile Conservation will be essential reading for conservators around the world. It will also be of great interest to academics and students engaged in the study of the conservation of textiles, as well as museum and heritage professionals.


Gauguin and Polynesia

Gauguin and Polynesia
Author: Nicholas Thomas
Publisher: Bloomsbury Publishing
Total Pages: 463
Release: 2024-02-01
Genre: Art
ISBN: 1801105251

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Paul Gauguin is commonly regarded as one of the greatest modern artists. He is renowned for resplendent, mythic imagery from Oceania, for a life of restless travel and for his supposed immersion in Polynesian life. But he has long been regarded ambivalently, and in recent years both Gauguin's sexual behaviour, and his paintings, have been considered exploitative. Gauguin and Polynesia offers a fresh view on the artist, not from the perspective of European art history, but from the contemporary vantage point of the region – Oceania – which he so famously moved to. Gauguin's art is revealed, for the first time, to be richer and more eclectic than has been recognised. The artist indeed did invent enigmatic and symbolic images, but he also depicted Polynesia's colonial modernity, acknowledging the life of the time and the dignity and power of some of the Islanders he encountered. Gauguin and Polynesia neither celebrates nor condemns an extraordinary painter, who at times denounced and at other times affirmed the French empire that shaped his own life and the places he moved between. It is a revelation, of a formative artist of modern life, and of multicultural worlds in the making.


Unearthing the Polynesian Past

Unearthing the Polynesian Past
Author: Patrick Vinton Kirch
Publisher: University of Hawaii Press
Total Pages: 401
Release: 2015-10-31
Genre: Biography & Autobiography
ISBN: 0824853482

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Perhaps no scholar has done more to reveal the ancient history of Polynesia than noted archaeologist Patrick Vinton Kirch. For close to fifty years he explored the Pacific, as his work took him to more than two dozen islands spread across the ocean, from Mussau to Hawai'i to Easter Island. In this lively memoir, rich with personal—and often amusing—anecdotes, Kirch relates his many adventures while doing fieldwork on remote islands. At the age of thirteen, Kirch was accepted as a summer intern by the eccentric Bishop Museum zoologist Yoshio Kondo and was soon participating in archaeological digs on the islands of Hawai'i and Maui. He continued to apprentice with Kondo during his high school years at Punahou, and after obtaining his anthropology degree from the University of Pennsylvania, Kirch joined a Bishop Museum expedition to Anuta Island, where a traditional Polynesian culture still flourished. His appetite whetted by these adventures, Kirch went on to obtain his doctorate at Yale University with a study of the traditional irrigation-based chiefdoms of Futuna Island. Further expeditions have taken him to isolated Tikopia, where his excavations exposed stratified sites extending back three thousand years; to Niuatoputapu, a former outpost of the Tongan maritime empire; to Mangaia, with its fortified refuge caves; and to Mo'orea, where chiefs vied to construct impressive temples to the war god 'Oro. In Hawai'i, Kirch traced the islands' history in the Anahulu valley and across the ancient district of Kahikinui, Maui. His joint research with ecologists, soil scientists, and paleontologists elucidated how Polynesians adapted to their island ecosystems. Looking back over the past half-century of Polynesian archaeology, Kirch reflects on how the questions we ask about the past have changed over the decades, how archaeological methods have advanced, and how our knowledge of the Polynesian past has greatly expanded.


UNESCO Art Collection Selected works

UNESCO Art Collection Selected works
Author: UNESCO
Publisher: UNESCO Publishing
Total Pages: 236
Release: 2021-11-19
Genre: Political Science
ISBN: 9231004743

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Unwrapping Tongan Barkcloth

Unwrapping Tongan Barkcloth
Author: Fanny Wonu Veys
Publisher: Bloomsbury Publishing
Total Pages: 256
Release: 2017-01-26
Genre: Design
ISBN: 1474283306

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Tongan barkcloth, made from the inner bark of the paper mulberry tree, still features lavishly in Polynesian ceremonies all over the world. Yet despite the attention paid to this textile by anthropologists and art historians alike, little is known about its history. Providing a unique insight into Polynesian material culture, this book explores barkcloth's rich cultural history, and argues that its manufacture, decoration and use are vehicles of creativity and female agency. Based on twelve years of extensive ethnographic and archival research, the book uncovers stories of ceremony, gender, the senses, religion and nationhood, from the 17th century up to the present-day. Placing the materiality of textiles at the heart of Tongan culture, Veys reveals not only how barkcloth was and continues to be made, but also how it defines what it means to be Tongan. Extending the study to explore the place of barkcloth in the European imagination, she examines international museum collections of Tongan barkcloth, from the UK and Italy to Switzerland and the USA, addressing the bias of the European 'gaze' and challenging traditional gendered understandings of the cloth. A nuanced narrative of past and present barkcloth manufacture, designs and use, Unwrapping Tongan Barkcloth demonstrates the importance of the textile to both historical and contemporary Polynesian culture.