Masters of English music
Author | : Charles Willeby |
Publisher | : |
Total Pages | : |
Release | : 1972 |
Genre | : |
ISBN | : |
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Author | : Charles Willeby |
Publisher | : |
Total Pages | : |
Release | : 1972 |
Genre | : |
ISBN | : |
Author | : Charles Willeby |
Publisher | : London : J.R. Osgood, McIlvaine |
Total Pages | : 352 |
Release | : 1893 |
Genre | : Composers |
ISBN | : |
Author | : Charles Willeby |
Publisher | : Palala Press |
Total Pages | : 348 |
Release | : 2015-09-15 |
Genre | : |
ISBN | : 9781342606365 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Charles Willeby |
Publisher | : Forgotten Books |
Total Pages | : 344 |
Release | : 2017-09-15 |
Genre | : Music |
ISBN | : 9781528546621 |
Excerpt from Masters of English Music The aim of this Series is to place on record the chief facts and incidents in the careers of the greatest living composers, and to sketch the respective ten dencies and the distinguishing features of their work. It is intended to devote a volume to the musicians of each country, and, so far as practicable, to obtain all biografihical data from the composers themselves. In the present volume this plan has been followed exclu sively. The author wishes to acknowledge the assist ance afiorded him by Messrs. N ovello, owell, Boosey, and Cramer, in kindly providing him with the full scores, 6a, of the various works for purposes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : John Ling |
Publisher | : Boydell & Brewer |
Total Pages | : 257 |
Release | : 2021 |
Genre | : History |
ISBN | : 1783276169 |
Situates the controversial narrative of 'The English Musical Renaissance' within its wider historical context.
Author | : Daniel Gregory Mason |
Publisher | : |
Total Pages | : 330 |
Release | : 1904 |
Genre | : Composers |
ISBN | : |
Author | : Ernest Ford |
Publisher | : Litres |
Total Pages | : 274 |
Release | : 2021-03-16 |
Genre | : Fiction |
ISBN | : 5040839391 |
"A Short History of English Music" by Ernest Ford. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author | : Meirion Hughes |
Publisher | : Routledge |
Total Pages | : 260 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351544845 |
The importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.
Author | : |
Publisher | : |
Total Pages | : 332 |
Release | : 1902 |
Genre | : Composers |
ISBN | : |
Author | : Charles Edward McGuire |
Publisher | : Scarecrow Press |
Total Pages | : 366 |
Release | : 2011-04-08 |
Genre | : Music |
ISBN | : 0810879514 |
The Historical Dictionary of English Music seeks to identify and briefly annotate a wide range of subjects relating to English musical culture, largely from the early 15th century through 1958, dates that reflect the coalescence of an identifiable English style in the early Renaissance and the death of the iconic Ralph Vaughan Williams in the mid-20th century. This book is an excellent access point for students, researchers, and anyone wanting to know more about English music.