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Masterpieces of Renaissance and Baroque Printmaking

Masterpieces of Renaissance and Baroque Printmaking
Author: Stacey Sell
Publisher: University of Virginia Press
Total Pages: 212
Release: 1991
Genre: Art
ISBN:

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The 250 year period of Renaissance and Baroque printmaking in Europe was as varied and innovative as those of its sister arts of painting and sculpture. From the mid-15th century through the 17th century Europe burgeoned with artistic activity. This diversity is well-represented in these collections of woodcuts, engravings, etchings, and drypoint etchings by 65 artists working north and south of the Alps, from Germany to Italy. Highlighted are works by Albrecht Durer, Titian, Schiavone, and other Mannerist artists, and Rembrandt van Rijn and other 17th century Dutch and Flemish artists.


Painted Prints

Painted Prints
Author: Susan Dackerman
Publisher: Penn State Press
Total Pages: 324
Release: 2002
Genre: Art
ISBN: 9780271022352

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Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).


Chiaroscuro Woodcuts

Chiaroscuro Woodcuts
Author: Achim Gnann
Publisher: Royal Academy Books
Total Pages: 0
Release: 2014-05-27
Genre: Art
ISBN: 9781907533631

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Traces the genesis and dissemination of chiaroscuro woodcuts in 16th-century Germany, Italy, and the Netherlands, with more than 130 examples including masterpieces by Cranach, Beccafumi, and Goltzius.


A Companion to Renaissance and Baroque Art

A Companion to Renaissance and Baroque Art
Author: Babette Bohn
Publisher: John Wiley & Sons
Total Pages: 0
Release: 2013-03-12
Genre: Art
ISBN: 9781444337266

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A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book


Gothic and Renaissance Art in Nuremberg, 1300-1550

Gothic and Renaissance Art in Nuremberg, 1300-1550
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 501
Release: 1986
Genre: Art, German
ISBN: 0870994662

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The Renaissance of Etching

The Renaissance of Etching
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
Total Pages: 311
Release: 2019-10-21
Genre: Art
ISBN: 1588396495

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The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}


The Renaissance Print, 1470-1550

The Renaissance Print, 1470-1550
Author: David Landau
Publisher: Yale University Press
Total Pages: 453
Release: 1994-01-01
Genre: Art
ISBN: 0300068832

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Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.


Baroque Painting

Baroque Painting
Author: Stefano Zuffi
Publisher: Barron's Educational Series
Total Pages: 0
Release: 1999
Genre: Painting, Baroque
ISBN: 9780764152146

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This handsome volume surveys approximately two centuries of European painting, beginning in the decades following the close of the Italian Renaissance, and concluding at the dawn of the modern era. Masterpieces by 100 of Europe's most important seventeenth - and eighteenth - century painters are shown in 500 faithful full-color reproductions of the original works from major museums around the world.


Dawn of the Golden Age

Dawn of the Golden Age
Author: Wouter T. Kloek
Publisher: Yale University Press
Total Pages: 732
Release: 1993-01-01
Genre: Art
ISBN: 0300060165

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Designed as a catalogue for an exhibition at the Rijksmuseum in 1994, this offers a survey of the paintings, drawings, prints, sculpture and applied art produced 1580-1620. The book contains five essays followed by a catalogue which reproduces work from the era along with data on the artists.