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Masscult and Midcult

Masscult and Midcult
Author: Dwight Macdonald
Publisher: New York Review of Books
Total Pages: 321
Release: 2011-10-11
Genre: Social Science
ISBN: 1590174682

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A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever.


Against The American Grain

Against The American Grain
Author: Dwight Macdonald
Publisher: Da Capo Press, Incorporated
Total Pages: 464
Release: 1983
Genre: Social Science
ISBN:

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Masscult and Midcult

Masscult and Midcult
Author: Dwight MacDonald
Publisher:
Total Pages: 80
Release: 2011-10-01
Genre:
ISBN: 9781258106133

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An Inquiry Into American Popular Culture And The Role Of The Middlebrows In The Distortion Of Cultural Values.


Masscult and Midcult

Masscult and Midcult
Author: Dwight Macdonald
Publisher: New York Review of Books
Total Pages: 321
Release: 2011-10-11
Genre: Social Science
ISBN: 159017447X

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A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever.


The End of the Soul

The End of the Soul
Author: Jennifer Hecht
Publisher: Columbia University Press
Total Pages: 433
Release: 2005-12-20
Genre: Social Science
ISBN: 0231502389

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On October 19, 1876 a group of leading French citizens, both men and women included, joined together to form an unusual group, The Society of Mutual Autopsy, with the aim of proving that souls do not exist. The idea was that, after death, they would dissect one another and (hopefully) show a direct relationship between brain shapes and sizes and the character, abilities and intelligence of individuals. This strange scientific pact, and indeed what we have come to think of as anthropology, which the group's members helped to develop, had its genesis in aggressive, evangelical atheism. With this group as its focus, The End of the Soul is a study of science and atheism in France in late nineteenth and early twentieth centuries. It shows that anthropology grew in the context of an impassioned struggle between the forces of tradition, especially the Catholic faith, and those of a more freethinking modernism, and moreover that it became for many a secular religion. Among the adherents of this new faith discussed here are the novelist Emile Zola, the great statesman Leon Gambetta, the American birth control advocate Margaret Sanger, and Arthur Conan Doyle, whose Sherlock Holmes embodied the triumph of ratiocination over credulity. Boldly argued, full of colorful characters and often bizarre battles over science and faith, this book represents a major contribution to the history of science and European intellectual history.


Culture Crash

Culture Crash
Author: Scott Timberg
Publisher: Yale University Press
Total Pages: 320
Release: 2015-01-01
Genre: Social Science
ISBN: 0300195885

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Argues that United States' creative class is fighting for survival and explains why this should matter to all Americans.


The Balloonist

The Balloonist
Author: MacDonald Harris
Publisher: ABRAMS
Total Pages: 208
Release: 2012-11-06
Genre: Fiction
ISBN: 1468303732

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The acclaimed novel of love, ambition, and Arctic adventure “told with fin de siecle elegance”—with an introduction by Philip Pullman (Kirkus Reviews). It is July 1897, at the northernmost reach of the inhabited world. Swedish inventor Gustav Crispin is determined to become the first person to set foot on the North Pole, and return, borne by hot air balloon. Making the expedition with two companions—an American journalist and a young, French-speaking adventurer—all three climb into the small wicker gondola and cuts the ropes. But as Gustav pursues his history-making ambition, and their flimsy balloon is battered by Arctic winds, his mind returns again and again to his fraught romance with the beautiful Luisa. Nominated for the National Book Award in 1977, The Balloonist was hailed by Mary Renault as a “tour de force.” The story of Gustav Crispin is “chilling and comic by turn . . . An unusual mixture of Arctic adventure and Parisian love story with philosophic overtones” (Kirkus Reviews).


Writing for The New Yorker

Writing for The New Yorker
Author: Green Fiona Green
Publisher: Edinburgh University Press
Total Pages: 231
Release: 2015-01-20
Genre: Literary Criticism
ISBN: 0748682511

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Original critical essays on an iconic American periodical, providing new insights into twentieth-century literary cultureThis collection of newly commissioned critical essays reads across and between New Yorker departments, from sports writing to short stories, cartoons to reporters at large, poetry to annals of business. Attending to the relations between these kinds of writing and the magazine's visual and material constituents, the collection examines the distinctive ways in which imaginative writing has inhabited the 'prime real estate' of this enormously influential periodical. In bringing together a range of sharply angled analyses of particular authors, styles, columns, and pages, this book offers multiple perspectives on American writing and periodical culture at specific moments in twentieth-century history.Key Features: Eleven new perspectives on major American writers, including Roth, Cheever, Plath, and Updike, in relation to their first publication contextsReconsiders modern and contemporary American writing and periodical culture, focusing critical attention on commercially successful 'smart' magazinesDraws on new research in The New Yorker's manuscript and digital archivesA distinctive combination of close critical reading and cultural analysis


The Fun Stuff

The Fun Stuff
Author: James Wood
Publisher: Macmillan
Total Pages: 354
Release: 2012-10-30
Genre: Literary Collections
ISBN: 0374159564

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Collects twenty-five essays critiquing the modern novel, analyzing the works of such authors as Cormac McCarthy, Lydia Davis, and Aleksandar Hemon.


The Prince of Minor Writers

The Prince of Minor Writers
Author: Max Beerbohm
Publisher: New York Review of Books
Total Pages: 433
Release: 2015-06-02
Genre: Literary Criticism
ISBN: 1590178289

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AN NYRB CLASSICS ORIGINAL Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays. Whether writing about the vogue for Russian writers, laughter and philosophy, dandies, or George Bernard Shaw, Beerbohm is as unpredictable as he is unfailingly witty and wise. As Lopate writes, “Today . . . it becomes all the more necessary to ponder how Beerbohm performed the delicate operation of displaying so much personality without lapsing into sticky confession.”