Mass Producing European Cinema
Author | : Christopher Meir |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : |
ISBN | : 9781501327117 |
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Author | : Christopher Meir |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : |
ISBN | : 9781501327117 |
Author | : Christopher Meir |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 272 |
Release | : 2019-02-07 |
Genre | : Performing Arts |
ISBN | : 1501327097 |
Equal parts historical study, industrial analysis and critical survey of some of the most important films and television programs in recent European history, this book gives readers an overview of the development and output of this important company while also giving them a ringside seat for the latest round of the oldest battle in the film business. With films like Lucy, The Impossible and Paddington, European studios are producing hits that are unprecedented in terms of global success. Christopher Meir delves into StudioCanal, the foremost European company in the contemporary film and television industries, and chronicles its rise from a small production subsidiary of Canal Plus to being the most important global challenger to Hollywood's dominance.
Author | : Richard Dyer |
Publisher | : Routledge |
Total Pages | : 282 |
Release | : 2013-04-15 |
Genre | : Social Science |
ISBN | : 113508503X |
Popular European Cinema examines the reasons why films that are most popular with audiences in any one European countha are seldom successful eslewhere. Audiences themselves represent diverse class, gender and ethnic identities that complicate th equestoin of national cinema, not least with recent developments in formerly communist Eastern Europe and post-colonialist Western Europe. THrough their individual studies, the contribuitots ehr oven up a new area of study, using the medium of film to fucus a wider discussion of popular European culture.
Author | : Angus Finney |
Publisher | : Bloomsbury Publishing |
Total Pages | : 288 |
Release | : 2016-10-06 |
Genre | : Performing Arts |
ISBN | : 147429071X |
The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining film-star system.
Author | : Catherine Fowler |
Publisher | : Psychology Press |
Total Pages | : 284 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780415240918 |
This comprehensive introduction to national cinemas in Europe brings together classic writings by key filmmakers such as Sergei Eisenstein, Luis Buñuel and John Grierson, and critics from Andre Bazin to Peter Wollen.
Author | : Christopher Meir |
Publisher | : Springer Nature |
Total Pages | : 339 |
Release | : |
Genre | : |
ISBN | : 3031421825 |
Author | : Gábor Gergely |
Publisher | : Routledge |
Total Pages | : 484 |
Release | : 2021-12-30 |
Genre | : Social Science |
ISBN | : 1000512290 |
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe. The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus. The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.
Author | : Jill Forbes |
Publisher | : |
Total Pages | : 216 |
Release | : 2000 |
Genre | : Motion pictures |
ISBN | : 9780312237479 |
This book is a highly original introduction to the study of European cinema. Following a wide-ranging first part which asks whether European cinema exists and, if so, what its aesthetic, political, and economic characteristics might be, the book offers a series of fascinating and informative case studies of films from the major European film-producing countries including Britain and Russia.
Author | : P. Caughie |
Publisher | : Springer |
Total Pages | : 296 |
Release | : 2016-01-26 |
Genre | : Literary Criticism |
ISBN | : 0230274293 |
A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.
Author | : Jill Forbes |
Publisher | : Bloomsbury Publishing |
Total Pages | : 216 |
Release | : 2017-03-05 |
Genre | : Performing Arts |
ISBN | : 1137080345 |
The survival of cinema in Europe and the analysis of its heritage are key issues for the new century. This book asks how we can define European cinema and how it should be studied. It provides an overview of the problems, traditions and key questions that have informed the study of European cinema, investigating the links and tensions between Europe and Hollywood and exploring the different experiences of national identities within a common European framework. Twelve case studies of individual European films ranging from The Battleship Potemkin and The Lodger, to La Haine and Trainspotting, illustrate the distinctiveness and variety of cinema in Europe as well as the various critical methods by which it can be studied. With its detailed analysis of films from several European countries including Britain and Russia, the book encourages a comparative approach and raises urgent questions about the future of European cinema in the context of globalization. It will be of interest to students in Film Studies, European Studies and Modern European Languages and Cultures.