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| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 25 |
| Release | : 2007-08-09 |
| Genre | : Drama |
| ISBN | : 0521865220 |
A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.
| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2012-07-19 |
| Genre | : Drama |
| ISBN | : 9781107404793 |
Why did Greek actors in the age of Sophocles always wear masks? In this book, first published in 2007, David Wiles provided the first book-length study of this question. He surveys the evidence of vases and other monuments, arguing that they portray masks as part of a process of transformation, and that masks were never seen in the fifth century as autonomous objects. Wiles goes on to examine experiments with the mask in twentieth-century theatre, tracing a tension between the use of masks for possession and for alienation, and he identifies a preference among modern classical scholars for alienation. Wiles declines to distinguish the political aims of Greek tragedy from its religious aims, and concludes that an understanding of the mask allows us to see how Greek acting was simultaneously text-centred and body-centred. This book challenges orthodox views about how theatre relates to ritual, and provides insight into the creative work of the actor.
| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 260 |
| Release | : 2000-05-25 |
| Genre | : Drama |
| ISBN | : 9780521648578 |
Specially written for students and enthusiasts, David Wiles introduces ancient Greek theatre and cultural life.
| Author | : George Harrison |
| Publisher | : BRILL |
| Total Pages | : 601 |
| Release | : 2013-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 9004245456 |
Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.
| Author | : Mary Louise Hart |
| Publisher | : Getty Publications |
| Total Pages | : 180 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 1606060376 |
An explanation of Greek theater as seen through its many depictions in classical art
| Author | : Melinda Powers |
| Publisher | : University of Iowa Press |
| Total Pages | : 211 |
| Release | : 2014-05-01 |
| Genre | : Performing Arts |
| ISBN | : 1609382315 |
Foregrounding critical questions about the tension between the study of drama as literature versus the study of performance, Melinda Powers investigates the methodological problems that arise in some of the latest research on ancient Greek theatre. She examines key issues and debates about the fifth-century theatrical space, audience, chorus, performance style, costuming, properties, gesture, and mask, but instead of presenting a new argument on these topics, Powers aims to understand her subject better by exploring the shared historical problems that all scholars confront as they interpret and explain Athenian tragedy. A case study of Euripides’s Bacchae, which provides more information about performance than any other extant tragedy, demonstrates possible methods for reconstructing the play’s historical performance and also the inevitable challenges inherent in that task, from the limited sources and the difficulty of interpreting visual material, to the risks of conflating actor with character and extrapolating backward from contemporary theatrical experience. As an inquiry into the study of theatre and performance, an introduction to historical writing, a reference for further reading, and a clarification of several general misconceptions about Athenian tragedy and its performance, this historiographical analysis will be useful to specialists, practitioners, and students alike.
| Author | : Marianne McDonald |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2007-05-31 |
| Genre | : Drama |
| ISBN | : 1139827251 |
This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.
| Author | : David Wiles |
| Publisher | : Cambridge University Press |
| Total Pages | : 244 |
| Release | : 1999-08-19 |
| Genre | : Drama |
| ISBN | : 9780521666152 |
This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
| Author | : Peter D. Arnott |
| Publisher | : Routledge |
| Total Pages | : 214 |
| Release | : 2002-09-11 |
| Genre | : History |
| ISBN | : 1134924038 |
Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practical staging of Greek plays, and how the buildings themselves imposed particular constraints on actors and writers alike. Above all, he sets out to make practical sense of the construction of Greek plays, and their organic relationship to their original setting.
| Author | : Elodie Paillard |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 317 |
| Release | : 2021-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 3110716550 |
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings? And is everything was performed within such buildings to be considered as ‘theatre’? How does the definition of what is considered as theatre evolve from one period to the other? As for ‘metatheatre’, the discussion revolves around the interaction between reality and fiction in dramatic pieces of all genres. The various definitions of ‘metatheatre’ are also explored and explicited by the papers gathered in this volume, as well as the question of the distinction between paratheatre (understood as paratragedy/comedy) and metatheatre. Readers will be encouraged by the diversity of approaches presented in this book to re-think their own understanding and use of ‘theatre’ and ‘metatheatre’ when examining ancient Greek reality.
