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Masculinity in the Contemporary Romantic Comedy

Masculinity in the Contemporary Romantic Comedy
Author: John Alberti
Publisher: Routledge
Total Pages: 140
Release: 2013-09-11
Genre: Performing Arts
ISBN: 1136222898

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This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular romantic comedies by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in these films. Alberti creates a unified theory of gender role change in the movies that combines the insights of both poststructuralist gender and narrative genre theory, avoiding binary approaches to the study of gender representation. He establishes the current "crises" in both gender representation and genre development within romantic comedies as examples of experimentation and change towards narratives that feature more egalitarian and less essentialist constructions of gender.


Reading the Bromance

Reading the Bromance
Author: Michael DeAngelis
Publisher: Wayne State University Press
Total Pages: 330
Release: 2014-06-01
Genre: Performing Arts
ISBN: 0814338992

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In the middle of this century’s first decade, “bromance” emerged as a term denoting an emotionally intense bond between straight men. Yet bromance requires an expression of intimacy that always toys with being coded as something other than “straight” male behavior, even as it insists that such intimacy must never be misinterpreted. In Reading the Bromance: Homosocial Relationships in Film and Television, editor Michael DeAngelis has compiled a diverse group of essays that address the rise of this tricky phenomenon and explore the social and cultural functions it serves. Contributors consider selected contemporary film and television texts, as well as the genres that historically inspired them, in order to explore what needs bromance attempts to fulfill in relationships between men—straight or otherwise. Essays analyze films ranging from I Love You, Man to Superbad, Humpday, I Now Pronounce You Chuck and Larry, The Hangover, and the Jackass films, and include studies of representative examples in international cinema such as Y tu mama tambien and classic and contemporary films of the Bollywood genre. The volume also examines the increasingly prevalent appearance of the bromance phenomenon in television narratives, from the “male bonding” rituals of Friends and Seinfeld to more recent manifestations in House, The Wire, and the MTV reality series Bromance. From historical analysis to discourse analysis, sociological analysis, and queer theory, this volume provides a broad range of methodological and theoretical approaches to the phenomenon in the first booklength study of the bromance genre. Film and television scholars as well as readers interested in pop culture and queer studies will enjoy the insights of Reading the Bromance.


Masculinity in Contemporary Quality Television

Masculinity in Contemporary Quality Television
Author: Michael Mario Albrecht
Publisher: Routledge
Total Pages: 144
Release: 2016-03-03
Genre: Social Science
ISBN: 1317099826

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Recent years have seen a rise in the popularity and quantity of ’quality’ television programs, many of which featuring complicated versions of masculinity that are informed not only by the women’s movement of the sixties and seventies, but also by several decades of backlash and debate about the effects of women’s equality on men, masculinity, and the relationship between men and women. Drawing upon studies of contemporary television programs, including popular series viewed internationally such as Mad Men, The League, Hung, Breaking Bad, Louie, and Girls, this book explores the ways in which popular cultural texts address widely circulating discourses of the ostensible ’crisis of masculinity’ in contemporary culture. A rich study of masculinity and its representation in contemporary television, Masculinity in Contemporary Quality Television will appeal to scholars and students of cultural and media studies, popular culture, television studies and cultural sociology with interests in gender, masculinities, and sexuality.


Love in Contemporary Cinema

Love in Contemporary Cinema
Author: Benjamín de la Pava Vélez
Publisher: Routledge
Total Pages: 246
Release: 2021-07-18
Genre: Social Science
ISBN: 1000409481

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This book looks at social representations of romantic love as portrayed in films and interpreted by their audiences, using cinema as a means for analysing the state of romantic love today, and the touchpoints and disconnects between its representation on screen and the lived experiences of film audiences. Through a media sociology lens, the book draws on analysis of five contemporary romantic films and the meanings brought to and made from them by socially and economically diverse audiences. Employing both textual analysis and primary interviews, the book contests overly pessimistic perspectives on modern intimacy while acknowledging and exploring some of the challenges, woes and changes that romantic love is experiencing in late capitalism. Concerns and debates over monogamy, the teleology romantic love and the division of labour in relationships percolate in this book’s examination of how audiences’ responses to these films reflect their attitudes and expectations regarding romantic love. This book will have great resonance for scholars and students of not just film studies and media studies, but also audience studies, media sociology, philosophy, gender and sexuality.


The Trouble with Men

The Trouble with Men
Author: Phil Powrie
Publisher: Wallflower Press
Total Pages: 270
Release: 2004
Genre: Performing Arts
ISBN: 9781904764083

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A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections -- stars, class and race, fathers and bodies -- areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema.


The secret life of romantic comedy

The secret life of romantic comedy
Author: Celestino Deleyto
Publisher: Manchester University Press
Total Pages: 202
Release: 2019-01-04
Genre: Performing Arts
ISBN: 1526141833

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The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience – intimate matters – through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.


Stars and Masculinities in Contemporary Italian Cinema

Stars and Masculinities in Contemporary Italian Cinema
Author: C. O'Rawe
Publisher: Springer
Total Pages: 322
Release: 2014-06-18
Genre: Performing Arts
ISBN: 1137381477

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Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.


Contemporary Hollywood Masculinities

Contemporary Hollywood Masculinities
Author: Susanne Kord
Publisher: Springer
Total Pages: 280
Release: 2013-12-04
Genre: Social Science
ISBN: 1137016213

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Kord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror.


Routledge International Handbook of Masculinity Studies

Routledge International Handbook of Masculinity Studies
Author: Lucas Gottzén
Publisher: Routledge
Total Pages: 580
Release: 2019-11-20
Genre: Social Science
ISBN: 1351676288

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The Routledge International Handbook of Masculinity Studies provides a contemporary critical and scholarly overview of theorizing and research on masculinities as well as emerging ideas and areas of study that are likely to shape research and understanding of gender and men in the future. The forty-eight chapters of the handbook take an interdisciplinary approach to a range of topics on men and masculinities related to identity, sex, sexuality, culture, aesthetics, technology and pressing social issues. The handbook’s transnational lens acknowledges both the localities and global character of masculinity. A clear message in the book is the need for intersectional theorizing in dialogue with feminist, queer and sexuality studies in making sense of men and masculinities. Written in a clear and direct style, the handbook will appeal to students, teachers and researchers in the social sciences and humanities, as well as professionals, practitioners and activists.


Media and Genre

Media and Genre
Author: Ivo Ritzer
Publisher: Springer Nature
Total Pages: 312
Release: 2022-01-02
Genre: Social Science
ISBN: 3030698661

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This book reflects and analyzes the relationship between media and genre, focusing on both aesthetics and discursive meaning. It considers genres as having a decisive impact on media cultures, either in film, on TV, in computer games, comics or radio, on the level of production as well as reception. The book discusses the role of genres in media and cultural theory as a configuration of media artifacts that share specific aesthetic characteristics. It also reflects genre as a concept of categorization of media artifacts with which the latter can be analyzed under terms depending on a specific historical situation or cultural context. A special focus is placed on trans-media perspectives. Even as genres develop their own traditions within one medium, they reach beyond a media-specific horizon, necessitating a double perspective that considers the distinct recourse to genre within a medium as well as the trans-media circulation and adaption of genres.