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Masculinity and Gender in Greek Cinema

Masculinity and Gender in Greek Cinema
Author: Achilleas Hadjikyriacou
Publisher: Bloomsbury Publishing USA
Total Pages: 325
Release: 2013-10-24
Genre: Performing Arts
ISBN: 1441144277

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Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, Masculinity and Gender in Greek Cinema explores the relationship between Greek cinema and the society within which it was created and viewed. The book's double analytical perspective on cinema and masculinity advances both the study of cinema and popular culture as historical sources, and of masculinity and gender relations as valid categories of historical analysis. Cinema as a medium of representation, not only managed to reflect on these issues, it also provided a whole new field for their interpretation. This is the first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s.


Masculinity and Gender in Greek Cinema

Masculinity and Gender in Greek Cinema
Author: Achilleas Hadjikyriacou
Publisher: A&C Black
Total Pages: 329
Release: 2013-10-24
Genre: Performing Arts
ISBN: 1441185739

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Between the end of the Civil War (1949) and the colonels' military coup (1967) Greece underwent tremendous political, economic, and social transformations which influenced gender identities and relations. During the same period, Greece also witnessed an unparalleled bloom in cinema productions. Based on the recently established paradigm that cinema and popular culture viewed as social institutions can inform a historical study, Masculinity and Gender in Greek Cinema explores the relationship between Greek cinema and the society within which it was created and viewed. The book's double analytical perspective on cinema and masculinity advances both the study of cinema and popular culture as historical sources, and of masculinity and gender relations as valid categories of historical analysis. Cinema as a medium of representation, not only managed to reflect on these issues, it also provided a whole new field for their interpretation. This is the first study to explore the dramatic transformation of masculinity and gender roles, as represented in Greek cinema during the turbulent 1950s and 1960s.


Men in Crisis

Men in Crisis
Author: Achilleas Hadjikyriacou
Publisher:
Total Pages: 384
Release: 2010
Genre: Masculinity
ISBN:

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Men in Crisis

Men in Crisis
Author: Achilleas Chatzēkyriakou
Publisher:
Total Pages: 384
Release: 2010
Genre: Masculinity in motion pictures
ISBN:

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The Trouble with Men

The Trouble with Men
Author: Phil Powrie
Publisher: Wallflower Press
Total Pages: 270
Release: 2004
Genre: Performing Arts
ISBN: 9781904764083

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A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections -- stars, class and race, fathers and bodies -- areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema.


Masculinity and Italian Cinema

Masculinity and Italian Cinema
Author: Sergio Rigoletto
Publisher: Edinburgh University Press
Total Pages: 176
Release: 2014-07-04
Genre: Social Science
ISBN: 0748654550

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Headline: A study of how Italian films re-envisage male identity in response to sexual liberationBlurb: Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.Key Features* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmuller's The Seduction of Mimi, in the light of gender and queer theory.* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.Key Words: Gender; Queer; Body; Gay; Feminism; Pier Paolo Pasolini; Bernardo Bertolucci; Lina Wertmuller; Nanni Moretti; Federico Fellini; Ettore Scola; Marco Ferreri.


Me Jane

Me Jane
Author: Pat Kirkham
Publisher:
Total Pages: 304
Release: 1995
Genre: Performing Arts
ISBN:

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Essays on the issues of gender and identity on the big screen.


History of Greek Cinema

History of Greek Cinema
Author: Vrasidas Karalis
Publisher: A&C Black
Total Pages: 344
Release: 2012-02-02
Genre: Performing Arts
ISBN: 1441194479

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The book is a detailed historical survey of Greek cinema from its very beginning (1905) until today (2010).


Masked Men

Masked Men
Author: Steve Cohan
Publisher: Indiana University Press
Total Pages: 376
Release: 1997-12-22
Genre: Performing Arts
ISBN: 9780253115874

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The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.