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| Author | : Lars Kristensen |
| Publisher | : Springer |
| Total Pages | : 286 |
| Release | : 2014-09-09 |
| Genre | : Performing Arts |
| ISBN | : 1137378611 |
Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.
| Author | : Mike Wayne |
| Publisher | : Routledge |
| Total Pages | : 208 |
| Release | : 2019-11-28 |
| Genre | : Performing Arts |
| ISBN | : 1317194799 |
Introducing the key concepts and thinkers within the Marxist tradition, Marxism Goes to the Movies demonstrates their relevance to film theory and practice past and present. Author Mike Wayne argues that Marxist filmmaking has engaged with and transformed this popular medium, developing its potential for stimulating revolutionary consciousness. As the crisis of capitalism deepens, this history and these resources are vital for a better future. Marxism is one of the few approaches that can bring together political, economic, formal and cultural analysis into a unified approach of studying film, and how films in turn can help us understand and even critically interrogate these forces. The book examines how filmmakers, who have been influenced by Marxism, have made some of the most significant contributions to film culture globally, and provides historical perspective on the development of Marxism and film. Each chapter covers a broad theme that is broken down into sections that are cross-referenced throughout, providing helpful navigation of the material. Clear and concise in its arguments, this is an ideal introduction for students of Marxism and film, inviting readers to deepen their knowledge and understanding of the subject.
| Author | : Anna Kornbluh |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 157 |
| Release | : 2019-05-02 |
| Genre | : Philosophy |
| ISBN | : 1501347314 |
Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.
| Author | : Alberto Toscano |
| Publisher | : John Hunt Publishing |
| Total Pages | : 263 |
| Release | : 2015-02-27 |
| Genre | : Philosophy |
| ISBN | : 1782799737 |
Can capital be seen? Cartographies of the Absolute surveys the disparate answers to this question offered by artists, film-makers, writers and theorists over the past few decades. It zones in on the crises of representation that have accompanied the enduring crisis of capitalism, foregrounding the production of new visions and artefacts that wrestle with the vastness, invisibility and complexity of the abstractions that rule our lives.
| Author | : Richard J. Anobile |
| Publisher | : |
| Total Pages | : 228 |
| Release | : 1971 |
| Genre | : Duck |
| ISBN | : |
| Author | : Mike Wayne |
| Publisher | : Pluto Press (UK) |
| Total Pages | : 270 |
| Release | : 2005-05-20 |
| Genre | : Performing Arts |
| ISBN | : |
Ideal for students looking for a radical approach to film studies.
| Author | : Josh Frank |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-03-19 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 159474923X |
This lushly illustrated graphic novel re-creates a lost Marx Brothers script written by modern art icon Salvador Dali. Grab some popcorn and take a seat...The curtain is about to rise on a film like no other! But first, the real-life backstory: Giraffes on Horseback Salad was a Marx Brothers film written by modern art icon Salvador Dali, who’d befriended Harpo. Rejected by MGM, the script was thought lost forever. Author and lost-film buff Josh Frank unearthed the original script, and Dali’s notes and sketches for the project, tucked away in museum archives. With comedian Tim Heidecker and Spanish comics creator Manuela Pertega, he’s re-created the film as a graphic novel in all its gorgeous full-color, cinematic, surreal glory. In the story, a businessman named Jimmy (played by Harpo) is drawn to the mysterious Surrealist Woman, whose very presence changes humdrum reality into Dali-esque fantasy. With the help of Groucho and Chico, Jimmy seeks to join her fantastical world—but forces of normalcy threaten to end their romance. Includes new Marx Brothers songs and antics, plus the real-world story behind the historic collaboration.
| Author | : Glen Mitchell |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2012-01-17 |
| Genre | : Performing Arts |
| ISBN | : 0857687786 |
Often imitated, never rivaled, the Marx Brothers were the masters of vaudeville. Originally masters of the stage, they conquered almost every medium, creating memorable sketches and classic movies such as Duck Soup, The Cocoanuts and A Night at the Opera - all of which still find their way into top comedy movie lists! Household names to this day, the Marx Brothers left an indelible mark on the comedy scene and worked with some of the most famous names of the day; including Marilyn Monroe and Charlie Chaplin! Here, in a fully revised and updated edition, is the meticulously researched guide to their lives and careers, covering all of their movies, guest appearances, stage shows and television features!
| Author | : David E. James |
| Publisher | : U of Minnesota Press |
| Total Pages | : 314 |
| Release | : 1996 |
| Genre | : Art |
| ISBN | : 9780816627042 |
Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians, this volume is unique in its international scope, diversity of perspectives and methodologies, and the sweep of its analysis. The Hidden Foundation begins with a review of the history of class in social and political thought, going on to chronicle its disappearance from film and cultural studies. Subsequent essays consider topics ranging from American and Soviet silent film through Chinese and American film in the fifties, to the restructuring of the working class that was a feature of films of the 1980s in both the United States and Great Britain.
| Author | : Xiaoping Lin |
| Publisher | : University of Hawaii Press |
| Total Pages | : 330 |
| Release | : 2009-11-02 |
| Genre | : Political Science |
| ISBN | : 0824833368 |
Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. Xiaoping Lin provides illuminating close readings of a variety of visual texts and artistic practices, including installation, performance, painting, photography, video, and film. Throughout he sustains a theoretical discussion of representative artworks and films and succeeds in delineating a variegated postsocialist cultural landscape saturated by market forces, confused values, and lost faith. This refreshing approach is due to Lin’s ability to tackle both Chinese art and cinema rigorously within a shared discursive space. He, for example, aptly conceptualizes a central thematic concern in both genres as "postsocialist trauma" aggravated by capitalist globalization. By thus focusing exclusively on the two parallel and often intersecting movements or phenomena in the visual arts, his work brings about a fruitful dialogue between the narrow field of traditional art history and visual studies more generally. Children of Marx and Coca-Cola will be a major contribution to China studies, art history, film studies, and cultural studies. Multiple audiences—specialists, teachers, and students in these disciplines, as well as general readers with an interest in contemporary Chinese society and culture—will find that this work fulfills an urgent need for sophisticated analysis of China’s cultural production as it assumes a key role in capitalist globalization.
