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Martine Syms: Shame Space

Martine Syms: Shame Space
Author: Martine Syms
Publisher: Primary Information
Total Pages:
Release: 2020-09-15
Genre: Art
ISBN: 9781734489743
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Diaries of an avatar: a Bible-style artist's book of writings by Martine Syms A new artist's book by California-based artist Martine Syms (born 1988), Shame Space explores the possibilities of narrative and identity, collecting journal writings by the artist from 2015 to 2017 in which she attempts to capture her shadow self, alongside image stills from the video project Ugly Plymouths. The text entries form the voiceover of Mythiccbeing (pronounced "my thick being'), a "black, upwardly mobile, violent, solipsistic, sociopathic, gender-neutral femme" digital avatar who has iterated across several of Syms' recent exhibitions. In Syms' installations, Mythiccbeing manifests variously in video, audio and as an interactive chatbot that responds to the viewer's communications with messages and animations. In Shame Space, the character's autofictional, diaristic commentary is gathered into 15 chapters. Its design updates the Bible format with its A5 size, embossed leather-textured cover and silver edge painting. The Ugly Plymouths still-image selection was coded using a programming script, such that the design, like the chatbot's SMS responses, is an exercise in machine automation.

Whitney Biennial 2019

Whitney Biennial 2019
Author: Jane Panetta
Publisher: Yale University Press
Total Pages: 321
Release: 2019-01-01
Genre: Art
ISBN: 0300242751
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Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.

Plastic Capitalism

Plastic Capitalism
Author: Amanda Boetzkes
Publisher: MIT Press
Total Pages: 273
Release: 2019-03-19
Genre: Art
ISBN: 0262039338
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An argument for the centrality of the visual culture of waste—as seen in works by international contemporary artists—to the study of our ecological condition. Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition. Boetzkes examines a series of works by an international roster of celebrated artists, including Thomas Hirschhorn, Francis Alÿs, Song Dong, Tara Donovan, Agnès Varda, Gabriel Orozco, and Mel Chin, among others, mapping waste art from its modernist origins to the development of a new waste imaginary generated by contemporary artists. Boetzkes argues that these artists do not offer a predictable or facile critique of consumer culture. Bearing this in mind, she explores the ambivalent relationship between waste (both aestheticized and reviled) and a global economic regime that curbs energy expenditure while promoting profitable forms of resource consumption.

Borrowed Lady

Borrowed Lady
Author: Amy Kazymerchyk
Publisher:
Total Pages:
Release: 2017-12
Genre:
ISBN: 9781772870411
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Show Bible

Show Bible
Author: Martine Syms
Publisher:
Total Pages:
Release: 2015-01-28
Genre:
ISBN: 9780983108023
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Craft in the Real World

Craft in the Real World
Author: Matthew Salesses
Publisher: Catapult
Total Pages: 139
Release: 2021-01-19
Genre: Language Arts & Disciplines
ISBN: 1948226812
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This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

Petra Cortright

Petra Cortright
Author:
Publisher: Skira
Total Pages: 152
Release: 2021-02-23
Genre: Art
ISBN: 9788857243313
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Exuberantly colorful and sometimes irreverent digital works by American artist Petra Cortright Known for her video works available on YouTube and in galleries, and for her leading role in the creation of "Net art," Los Angeles-based artist Petra Cortright (born 1986) experiments with the imagery of physical bodies in digital spaces, exploiting the main formal properties of video software. Her videos have at times proved controversial (such as her works with strippers in VirtuaGirl), at times heralded and lauded. Cortright is also known for her paintings created with digital software, mixing concrete and abstract elements and printed on a wide variety of material. Such works are the product of an experimentation with Photoshop layers on a so-called "mother file," enriched with the use of digital tools and then manipulated through industrial printing techniques. This first monograph on her work includes writings on Cortright by fellow artists Martine Syms and Paul Chan, and by MoMA curatorial assistant Giampaolo Bianconi.

Mucus in My Pineal Gland

Mucus in My Pineal Gland
Author: Juliana Huxtable
Publisher: Capricious Publishing
Total Pages: 0
Release: 2017
Genre: Americam poetry
ISBN: 9780997444629
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Poetry. Art. IF REAL POWER BEGINS WHERE SECRECY BEGINS, THEN, AS WE FRANTICALLY SEARCH FOR DICK PICS OF JUSTIN BIEBER OR OUR NEXT DOOR NEIGHBOR WHO WE'RE CONVINCED POSTED THE FACELESS CRAIGSLIST AD SEEKING AN ASIAN BOTTOM, WE'RE SEDUCED INTO A BEAUTIFUL DISTRACTION IN WHICH WE ARE CONVINCED, BY VIRTUE OF OUR VICTORIOUS TOPPLING OF THE LIVES OF OTHERS, THAT WE INDEED HAVE NOTHING TO HIDE.

What Big Teeth

What Big Teeth
Author: Rose Szabo
Publisher: Farrar, Straus and Giroux (BYR)
Total Pages: 384
Release: 2021-02-02
Genre: Young Adult Fiction
ISBN: 0374314314
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A Strand February 2021 Book of the Month "With a layered mystery, a haunting setting, and thrilling tension, What Big Teeth has an otherness to it that pulls you in and forces you to keep reading." —Tricia Levenseller, Publisher’s Weekly-bestselling author of The Shadows Between Us Eleanor Zarrin has been estranged from her wild family for years. When she flees boarding school after a horrifying incident, she goes to the only place she thinks is safe: the home she left behind. But when she gets there, she struggles to fit in with her monstrous relatives, who prowl the woods around the family estate and read fortunes in the guts of birds. Eleanor finds herself desperately trying to hold the family together—in order to save them all, Eleanor must learn to embrace her family of monsters and tame the darkness inside her. Rose Szabo's thrilling debut is a dark fantasy novel about a teen girl who returns home to her strange, wild family after years of estrangement, perfect for fans of Wilder Girls. This exquisitely terrifying and beautiful tale will sink its teeth into you and never let go.

Women in Concrete Poetry 1959-1979

Women in Concrete Poetry 1959-1979
Author: Alex Balgiu
Publisher: Primary Information
Total Pages: 384
Release: 2020-09-15
Genre: Poetry
ISBN: 9781734489729
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A massive, groundbreaking, international anthology of concrete poetry by women, from Mira Schendel to Susan Howe This expansive volume is the first collection of concrete poetry by women, with artists and poets from the US, Latin America, Europe and Japan, whose work departs from more programmatic approaches to the genre. Their word-image compositions are unified by an experimental impetus and a radical questioning of the transparency of the word and its traditional arrangement on the page. Owing, perhaps, to the fact that concrete poetry's attempt to revolutionize poetry foregrounded the male-dominated channels in which it circulated, some of the women in this volume--Ilse Garnier or Giulia Niccolai, for instance--were active in the movement's epicenters, yet failed to attain a visibility or ample representation in international anthologies such as Emmett Williams's Anthology of Concrete Poetry(1967) and Mary Ellen Solt's Concrete Poetry: A World View(1968). This anthology celebrates their legacy and recontextualizes word-image compositions by other figures working independently. It gathers work by over 40 writers and artists, including Lenora de Barros (Brazil), Mirella Bentivoglio (Italy), Amanda Berenguer (Uruguay), Suzanne Bernard (France), Tomaso Binga (Italy), Blanca Calparsoro (Spain), Paula Claire (UK), Betty Danon (Turkey), Mirtha Dermisache (Argentina), Ilse Garnier (France), Anna Bella Geiger (Brazil), Bohumila Grögerová (Czech Republic), Ana Hatherly (Portugal), Susan Howe (USA), Tamara Jankovic (Serbia), Annalies Klophaus (Germany), Barbara Kozlowska (Poland), Liliana Landi (Italy), Liliane Lijn (USA), Françoise Mairey (France), Giulia Niccolai (Italy), Jennifer Pike (UK), Giovanna Sandri (Italy), Mira Schendel (Brazil), Chima Sunada (Japan), Mary Ellen Solt (USA), Salette Tavares (Portugal), Colleen Thibaudeau (Canada), Rosmarie Waldrop (USA) and Ruth Wolf-Rehfeldt (Germany).