Martin Pippin In The Apple Orchard Illustrated By Ce Brock With Musical Notes PDF Download

Excerpt from Martin Pippin in the Apple-Orchard In Adversane in Sussex they still sing the song of The Spring-Green Lady; any fine evening, in the streets or in the meadows, you may come upon a band of children playing the old game that is their heritage, though few of them know its origin, or even that it had one. It is to them as the daisies in the grass and the stars in the sky. Of these things, and such as these, they ask no questions. But there you will still find one child who takes the part of the Emperor's Daughter, and another who is the Wandering Singer, and the remaining group (there should be no more than six in it) becomes the Spring-Green Lady, the Rose-White Lady, the Apple-Gold Lady, of the three parts of the game. Often there are more than six in the group, for the true number of the damsels who guarded their fellow in her prison is as forgotten as their names: Joscelyn, Jane, and Jennifer, Jessica, Joyce, and Joan. Forgotten, too, the name of Gillian, the lovely captive. And the Wandering Singer is to them but the Wandering Singer, not Martin Pippin the Minstrel. Worse and worse, he is even presumed to be the captive's sweetheart, who wheedles the flower, the ring, and the prison-key out of the strict virgins for his own purposes, and flies with her at last in his shallop across the sea, to live with her happily ever after. But this is a fallacy. Martin Pippin never wheedled anything out of anybody for his own purposes - in fact, he had none of his own. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.