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María Izquierdo, 1902-1955

María Izquierdo, 1902-1955
Author: María Izquierdo
Publisher: University of Washington Press
Total Pages: 140
Release: 1996
Genre: Art
ISBN:

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This volume documents the first international retrospective of one of Mexico's greatest artists, Maria Izquierdo. Trained privately, as was common for women of good social standing, she was unusual in also studying at the Escuela Nacional de Bellas Artes in Mexico City, where she was first a disciple of Diego Rivera and then developed intellectual bonds with Rufino Tamayo. Her work was included with theirs in a 1930 show of Mexican painting at the Metropolitan Museum of Art. In 1936, Antonin Artaud visited Mexico seeking "a perfect example of primitive civilizations with a magical spirit", which he found in Izquierdo's paintings.


Maria Izquierdo

Maria Izquierdo
Author: María Izquierdo
Publisher:
Total Pages:
Release: 2002
Genre:
ISBN:

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María Izquierdo

María Izquierdo
Author: María Izquierdo
Publisher:
Total Pages: 28
Release: 2007
Genre:
ISBN:

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María Izquierdo and Frida Kahlo

María Izquierdo and Frida Kahlo
Author: Nancy Deffebach
Publisher: University of Texas Press
Total Pages: 252
Release: 2015-08-15
Genre: Art
ISBN: 0292772424

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María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors. In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo's and Izquierdo's oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist's oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.


Art of María Izquierdo

Art of María Izquierdo
Author: María Izquierdo
Publisher: America's Society Art Gallery
Total Pages: 136
Release: 1997
Genre: Art
ISBN:

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Best known for her engaging portraits and sensuous still lifes, Mexican artist Maria Izquierdo (1902-1955) created a remarkable body of work that is deeply personal and profoundly affecting; yet she has often been overlooked amid the muralists who were her contemporaries.While European modernism was important to Izquierdo, Mexico's traditional culture, popular arts, and rural landscapes provided her with a lifelong source of subjects. Her numerous paintings lovingly depict the foods and hand-crafted objects used in popular ritual and devotion. In her later life, she produced a number of hauntingly surreal compositions that show vibrant tableaux of typically Mexican foods before barren, somber-hued landscapes with unusually deep perspectives.This book, based on the first comprehensive presentation of her oeuvre in New York, confirms Izquierdo's place in the history of Mexican art. In addition to bringing together some sixty outstanding paintings and works on paper by the artist, the book features three essays on her life and work: curator Elizabeth Ferrer presents an overview of Izquierdo's oeuvre; art historian Olivier Debroise analyzes the artistic relationship between Izquierdo and her mentor Rufino Tamayo, and Elena Poniatowski explores Izquierdo's position as a woman in the Mexican art world.


María Izquierdo and Frida Kahlo

María Izquierdo and Frida Kahlo
Author: Nancy Deffebach
Publisher: University of Texas Press
Total Pages: 593
Release: 2015-08-15
Genre: Art
ISBN: 1477300503

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María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors. In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo’s and Izquierdo’s oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist’s oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.


Art of Latin America

Art of Latin America
Author: Marta Traba
Publisher: Inter-American Development Bank
Total Pages: 197
Release: 1994-01-01
Genre: Art
ISBN: 0940602733

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Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.


Latin American Artists of the Twentieth Century

Latin American Artists of the Twentieth Century
Author: Museum of Modern Art (New York, N.Y.)
Publisher:
Total Pages: 432
Release: 1993
Genre: Art
ISBN:

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Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.


The Oxford Handbook of the History of Eugenics

The Oxford Handbook of the History of Eugenics
Author: Alison Bashford
Publisher: OUP USA
Total Pages: 607
Release: 2010-09-24
Genre: History
ISBN: 0195373146

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Philippa Levine is the Mary Helen Thompson Centennial Professor in the Humanities at the University of Texas at Austin. Her books include Prostitution, Race and Politics: Policing Venereal Disease in the British Empire, and The British Empire, Sunrise to Sunset. --


The Eagle and the Virgin

The Eagle and the Virgin
Author: Mary Kay Vaughan
Publisher: Duke University Press
Total Pages: 396
Release: 2006-03-13
Genre: History
ISBN: 0822387522

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When the fighting of the Mexican Revolution died down in 1920, the national government faced the daunting task of building a cohesive nation. It had to establish control over a disparate and needy population and prepare the country for global economic competition. As part of this effort, the government enlisted the energy of artists and intellectuals in cultivating a distinctly Mexican identity. It devised a project for the incorporation of indigenous peoples and oversaw a vast, innovative program in the arts. The Eagle and the Virgin examines the massive nation-building project Mexico undertook between 1920 and 1940. Contributors explore the nation-building efforts of the government, artists, entrepreneurs, and social movements; their contradictory, often conflicting intersection; and their inevitably transnational nature. Scholars of political and social history, communications, and art history describe the creation of national symbols, myths, histories, and heroes to inspire patriotism and transform workers and peasants into efficient, productive, gendered subjects. They analyze the aesthetics of nation building made visible in murals, music, and architecture; investigate state projects to promote health, anticlericalism, and education; and consider the role of mass communications, such as cinema and radio, and the impact of road building. They discuss how national identity was forged among social groups, specifically political Catholics, industrial workers, middle-class women, and indigenous communities. Most important, the volume weighs in on debates about the tension between the eagle (the modernizing secular state) and the Virgin of Guadalupe (the Catholic defense of faith and morality). It argues that despite bitter, violent conflict, the symbolic repertoire created to promote national identity and memory making eventually proved capacious enough to allow the eagle and the virgin to coexist peacefully. Contributors. Adrian Bantjes, Katherine Bliss, María Teresa Fernández, Joy Elizabeth Hayes, Joanne Hershfield, Stephen E. Lewis, Claudio Lomnitz, Rick A. López, Sarah M. Lowe, Jean Meyer, James Oles, Patrice Olsen, Desmond Rochfort, Michael Snodgrass, Mary Kay Vaughan, Marco Velázquez, Wendy Waters, Adriana Zavala