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| Author | : Mikl S. Szentkuthy |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 2012-09 |
| Genre | : Fiction |
| ISBN | : 9780983697244 |
The aim of this work is, on the one hand, to represent the reality of history with the utmost possible precision, and on the other, to show, through the mutations of the European spirit, all the uncertainties of contemplative man, the transiency of emotions, and the sterility of philosophical systems.
| Author | : Miklós Szenkuthy |
| Publisher | : |
| Total Pages | : 406 |
| Release | : 2020-12-17 |
| Genre | : |
| ISBN | : 9781940625409 |
The common denominator of Chapter On Love is the characters' analytical furore and the yarns they spin is love, which touches not only on the human being, but the whole of nature, from the realm of plants to that of minerals.
| Author | : Miklos Szentkuthy |
| Publisher | : Contra Mundum Press |
| Total Pages | : 350 |
| Release | : 2018-04-27 |
| Genre | : |
| ISBN | : 9781940625263 |
Black Renaissance, the second volume of the St. Orpheus Breviary, is the continuation of Miklos Szentkuthy's synthesis of 2,000 years of European culture. Via three Orphean masks, Szentkuthy veers through the Renaissance, sounding a pessimistic 'basso continuo' on psychology, sin, metaphysics, truth and relativism, and eros and theology.
| Author | : Miklós Szentkuthy |
| Publisher | : |
| Total Pages | : 788 |
| Release | : 2014 |
| Genre | : Hungarian fiction |
| ISBN | : 9781940625089 |
Considered an eerie attack on realism, when first published in 1934, Miklós Szentkuthy's debut novel Prae so astonished Hungarian critics that many deemed it monstrous, derogatorily referred to Szentkuthy as cosmopolitan, and classified him alien to Hungarian culture. Incomparable and unprecedented in Hungarian literature, Prae compels recognition as a serious contribution to modernist fiction, as ambitious in its aspirations as Ulysses or À la recherche du temps perdu. With no traditional narration and no psychologically motivated characters, in playing with voices, temporality, and events, while fiction, Prae is more what Northrop Frye calls an anatomy (à la Lucian, Rabelais, & Burton) or Menippean satire: the basic concern of the book is intellectual, its pervading mood is that of a comedy of ideas. As a virtual novel that preempts every possibility for its realization, it is a novel but only virtually so, a book which is actually a prae-paration for an unwritten (unwritable) novel. In this, it maintains the freedom and openness of its potentialities, indicative for instance in the Non-Prae diagonals, a series of passages that intercut the novel and continually fracture space and time to engage in what one of the figures of the book calls the culture of wordplay or dogmatic accidentalism. "The book's title," said Szentkuthy, "alludes to it being an overture. A multitude of thoughts, emotions, ideas, fantasies, and motifs that mill and churn as chimes, an overture to my subsequent oeuvre." By challenging the then prevailing dogmas and conventions of prose writing, Szentkuthy was said to have created a new canon for himself but later derided as insignificant for supposedly not acquiring followers. Largely unread at the time, Prae eventually gained cult status and would be reprinted in 1980 and 2004. To some critics, the book is not only one of the representative experimental works of the early 20th century, but in its attempt to bring 'impossible literature' into being, it also presages the nouveau roman by almost 30 years. And in its rejection of sequentiality and celebration of narrative shuffling, long before Burroughs & Gysin, Prae enacts what is conceptually akin to the cut-up. Few of Szentkuthy's contemporaries would reveal with equal bravura and audacity the new horizons that were opened up for narrative forms after the era of realism. In Frivolities & Confessions, Szentkuthy said that his goal with Prae was "to absorb the problems of modern philosophy and mathematics into modern fashion, love, and every manifestation of life." Translated for the first time since its original publication in 1934, upon its 80th anniversary, this legendary and controversial Hungarian modernist novel is now at last available in English.
| Author | : Andrew M. Stauffer |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 233 |
| Release | : 2021-02-05 |
| Genre | : Literary Criticism |
| ISBN | : 0812297490 |
In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.
| Author | : Miklós Szentkuthy |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Hungarian essays |
| ISBN | : 9781940625003 |
Unique in Hungarian literature, at the time of its first appearance in 1935, Towards the One & Only Metaphor was greeted with plaudits by such leading Hungarian critics as László Németh, András Hevesi, and Gábor Halász, with Németh declaring: "Szentkuthy's invention has the merit that he pries writing open in an entirely original manner. . . Where everything was wobbling the writer either joins the earth-shaping forces, or else he sets up his culture-building laboratory over all oscillations. Seated in his cogitarium, even in spite of himself, Szentkuthy is brother to the bellicose on earth in the same way as a cloud is a relative to a plow in its new sowing work." Szentkuthy referred to this nearly unclassifiable text as a Catalogus Rerum, "an index that is of entities and phenomena, a Catalogue of Everything in the Entire World." In a sequence of 112 shorter and longer passages, Szentkuthy has recorded his experiences and thoughts, reflected on his reading matter as well as political, historical, and erotic events, moving from epic subjectivity to ontological actualities: "Two things excite me: the most subjective epic details and the ephemeral trivialities of my most subjective life, in all their own factual, unstylized individuality - and the big facts of the world in their allegorical, Standbild-like grandiosity: death, summer, sea, love, gods, flowers." Similar in kind to the ruminative waste books of Lichtenberg and the journals of Joubert, while Towards the One and Only Metaphor is a fragmentary text, at the same time, it is ordered, like a group of disparate stars which, when viewed from afar, reveal or can be perceived to form a constellation - they are sculpted by a geometry of thought. Szentkuthy conjures up and analyzes spectacle and thought past and present with sensitivity, erudition, and linguistic force. As András Keszthelyi observed, the text is essentially something of a manifesto, "an explicit formulation of the author's intentions, his scale of values, or, if you wish: his ars poetica." Through dehumanization, Szentkuthy returns us to the embryo and the ornament, but so as to bring us into the very particles of existence. Towards the One and Only Metaphor is also a confessional, a laying bare of the heart, even through masks, but in moving beyond the torpid self-obsession that rules our age, Szentkuthy's revelations yield forth the x-ray of a typus, and like Montaigne and Rousseau, he is equally revealing, entertaining, and humorous. Now available in English for the first time, Towards the One & Only Metaphor is destined to stand as one of the principal works of world literature of the 20th century.
| Author | : Andrew Miller |
| Publisher | : Hodder & Stoughton |
| Total Pages | : 292 |
| Release | : 2006-05-08 |
| Genre | : Fiction |
| ISBN | : 1848947968 |
'ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times 'Sparkling' The Times 'Exquisite' Daily Telegraph 'Beautiful' Observer The second novel from the critically acclaimed author of Pure - a portrait of the legendary Casanova at a turning point in his life and loves In 1763, the famed Venetian seducer Giacomo Casanova arrives in England intent on a respite from his restless travels and liaisons, but cannot long resist the lure of company or a pretty face. This time, though, it is he who falls in love, and with an elusive quarry. Here is Casanova in unfamiliar guise: thwarted, driven by his emotions and, in middle-age, forced to reassess his whole life. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator
| Author | : Anthony Marra |
| Publisher | : Hogarth |
| Total Pages | : 449 |
| Release | : 2023-06-27 |
| Genre | : Fiction |
| ISBN | : 0451495217 |
NEW YORK TIMES BESTSELLER • Includes a behind-the-scenes conversation with bestselling novelist Amor Towles • The epic story of a brilliant woman who must reinvent herself to survive in 1940s Hollywood and fascist Europe, a timeless tale of love, deceit, and sacrifice—and a perfect book club pick—from the award-winning author of A Constellation of Vital Phenomena “A genuinely moving and life-affirming novel that’s a true joy to read.”—Celeste Ng, author of Little Fires Everywhere “A gorgeous book . . . sublime.”—The New York Times (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: NPR, The Guardian, Booklist Like many before her, Maria Lagana has come to Hollywood to outrun her past. Born in Rome, where every Sunday her father took her to the cinema instead of church, Maria immigrates with her mother to Los Angeles after a childhood transgression leads to her father’s arrest. Fifteen years later, on the eve of America’s entry into World War II, Maria is an associate producer at Mercury Pictures, trying to keep her personal and professional lives from falling apart. Her mother won’t speak to her. Her boss, a man of many toupees, has been summoned to Washington by congressional investigators. Her boyfriend, a virtuoso Chinese American actor, can’t escape the studio’s narrow typecasting. And the studio itself, Maria’s only home in exile, teeters on the verge of bankruptcy. Over the coming months, as the bright lights go dark across Los Angeles, Mercury Pictures becomes a nexus of European émigrés: modernist poets trying their luck as B-movie screenwriters, once-celebrated architects becoming scale-model miniaturists, and refugee actors finding work playing the very villains they fled. While the world descends into war, Maria rises through a maze of conflicting politics, divided loyalties, and jockeying ambitions. But when the arrival of a stranger from her father’s past threatens Maria’s carefully constructed facade, she must finally confront her father’s fate—and her own. Written with intelligence, wit, and an exhilarating sense of possibility, Mercury Pictures Presents spans many moods and tones, from the heartbreaking to the ecstatic. It is a love letter to life’s bit players, a panorama of an era that casts a long shadow over our own, and a tour de force by a novelist whose work The Washington Post calls “a flash in the heavens that makes you look up and believe in miracles.”
| Author | : Oscar Wilde |
| Publisher | : Lindhardt og Ringhof |
| Total Pages | : 39 |
| Release | : 2022-04-18 |
| Genre | : Art |
| ISBN | : 8728104005 |
Could it be that people who never lie are devoid of creativity? If that’s true, then all creative art must be founded in lies. ‘The Decay of Lying’ is a beguiling essay on the nature of art, in all its forms. Set in the library of a country house in Nottinghamshire, and written as a dialogue between Cyril and Vivian, ‘The Decay of Lying’ sets out to prove just how creative we can all be, as long as we defy societal conventions. Referencing everyone from the Ancient Greeks to Shakespeare, this is Wilde at his most thoughtful and mischievous. For anyone interested in art or witty debate. Oscar Wilde (1854 – 1900) was an Irish novelist, poet, playwright, and wit. He was an advocate of the Aesthetic movement, which extolled the virtues of art for the sake of art. During his career, Wilde wrote nine plays, including ‘The Importance of Being Earnest,’ ‘Lady Windermere’s Fan,’ and ‘A Woman of No Importance,’ many of which are still performed today. His only novel, ‘The Picture of Dorian Gray’ was adapted for the silver screen, in the film, ‘Dorian Gray,’ starring Ben Barnes and Colin Firth. In addition, Wilde wrote forty-three poems, and seven essays. His life was the subject of a film, starring Stephen Fry.
| Author | : Giacomo Casanova |
| Publisher | : Graphic Arts Books |
| Total Pages | : 145 |
| Release | : 2021-04-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 1513273949 |
Memoirs of Casanova (1792) is the autobiography of Italian adventure and socialite Giacomo Casanova. Written at the end of his life, the Memoirs capture the experiences of one of Europe’s most notorious figures, a man whose escapades as a gambler, womanizer, and socialite are matched only by his unique gift for sharing them with the world. More than perhaps any other man, Casanova sought to emulate the lessons of the Enlightenment on the level of everyday life, a sentiment captured perfectly in the opening sentence of his Memoirs: “I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent.”Memoirs of Casanova Volume I covers the childhood of Giacomo Casanova in Venice. The eldest of six children, Casanova is raised by actor and actress Gaetano Casanova and Zanetta Farussi at a time of cultural and economic ascendancy for the Republic of Venice. Following his father’s death at the age of eight, Casanova, whose mother was often busy touring Europe for her work in the theater, is sent to a boarding house in Padua. Due to poor living conditions, he is eventually taken into the care of an instructor and priest, whose household introduced the young boy to music, literature, and most importantly, women. In Padua, Casanova discovers the ideals of art and beauty that will drive him for much of his life, remaining with him through all of his trials and triumphs. With a beautifully designed cover and professionally typeset manuscript, this edition of Giacomo Casanova’s Memoirs of Casanova is a classic of European literature reimagined for modern readers.
