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| Author | : John Dowling |
| Publisher | : |
| Total Pages | : |
| Release | : 1990 |
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| Author | : Manuel Carlos de Brito |
| Publisher | : Cambridge University Press |
| Total Pages | : 276 |
| Release | : 2007-05-31 |
| Genre | : Music |
| ISBN | : 9780521036436 |
A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.
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| Publisher | : |
| Total Pages | : 520 |
| Release | : 1986 |
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| Author | : Malcolm Boyd |
| Publisher | : Cambridge University Press |
| Total Pages | : 286 |
| Release | : 1998-11-26 |
| Genre | : Music |
| ISBN | : 9780521481397 |
Traditional musicology has tended to see the Spanish eighteenth century as a period of decline, but this 1998 volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music and vocal music (both sacred and secular), it brings together the results of research on such topics as opera, musical instruments, the secular cantata and the villancico and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.
| Author | : David Wyn Jones |
| Publisher | : Routledge |
| Total Pages | : 333 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351557416 |
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
| Author | : Paula Findlen |
| Publisher | : Stanford University Press |
| Total Pages | : 505 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 0804759049 |
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
| Author | : Anthony R. DelDonna |
| Publisher | : Cambridge University Press |
| Total Pages | : 343 |
| Release | : 2009-06-25 |
| Genre | : Music |
| ISBN | : 1139828177 |
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.
| Author | : Anne-Madeleine Goulet |
| Publisher | : Bärenreiter-Verlag |
| Total Pages | : 723 |
| Release | : 2018-11-07 |
| Genre | : Music |
| ISBN | : 376187202X |
Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.
| Author | : Mark Molesky |
| Publisher | : Vintage |
| Total Pages | : 530 |
| Release | : 2016-10-18 |
| Genre | : History |
| ISBN | : 030738750X |
Winner of the Phi Alpha Theta Best Subsequent Book Award A Los Angeles Times Book Prize Finalist The captivating and definitive account of the Great Lisbon Earthquake--the most consequential natural disaster of modern times. On All Saints’ Day 1755, tremors from an earthquake measuring approximately 9.0 or perhaps higher on the magnitude scale swept furiously toward Lisbon, then one of the wealthiest cities in the world and the capital of a vast global empire. Within minutes, much of the city lay in ruins. A half hour later, a giant tsunami unleashed by the quake smashed into Portugal’s coastline and barreled up the Tagus River, carrying countless thousands out to sea. To complete Lisbon’s destruction, a hellacious firestorm then engulfed the city’s shattered remains, killing thousands more and incinerating much of what the earthquake and tsunami had spared. Drawing on a wealth of new sources, the latest scientific research, and a sophisticated grasp of European history, Mark Molesky gives us the gripping, authoritative account of the Great Lisbon Earthquake disaster and its impact on the Western world—including descriptions of the world’s first international relief effort, the rise of a brutal, yet modernizing, dictatorship in Portugal, and the effect of the catastrophe on the spirit and direction of the European Enlightenment.
| Author | : Rogério Budasz |
| Publisher | : Oxford University Press |
| Total Pages | : 336 |
| Release | : 2019-03-22 |
| Genre | : Music |
| ISBN | : 0190215844 |
Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different purposes, at the hands of missionaries, intellectuals, bureaucrats, political leaders, and cultural producers. While Budasz demonstrates a continuity from Portuguese theatrical practices, primarily through the circulation of artists and repertory, he also examines a number of localized departures from the metropolitan model, particularly in the ethnic and gender profile of theatrical workers, in the modifications determined by local tastes, priorities, and materials, and in the political use of theater as an ideological and civilizing tool within the paradoxical context of a slave society. An eye-opening narrative of the transformations and uses of a colonial art form, Opera in the Tropics will be essential reading for all interested in the music and theater in Iberian and Latin American culture.
