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Manet, Baudelaire and Photography

Manet, Baudelaire and Photography
Author: Larry LeRoy Ligo
Publisher:
Total Pages: 480
Release: 2006
Genre: Art
ISBN:

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"This book represents a radical reappraisal of the life and work of Edouard Manet. Through a thorough examination and interpretation of nearly every major painting (and many of the prints) Manet exhibited publicly between 1861 and 1882, the author arrived at the following conclusions. First, Manet was vitally and consistently concerned with the iconographical content of his major work; second, the iconographical content of Manet's work throughout his career was determined by a single underlying set of principles; third, the underlying principles from which Manet's iconography consistently derived had their origins in the aesthetics of Charles Baudelaire; fourth, the "form" of Manet's Baudelairean "content" was consistently derived from the appearance and ontology of mid-nineteenth century photography; fifth, Manet consistently presented emblematic, veiled self-portraits in his work; and sixth, the particular feature of Baudelairean aesthetic employed by Manet at any given time in his career was determined, to a large extent, by autobiographical concerns. The author argues that Manet's widely acknowledged adaptation of japonisme and "impressionism" can also be seen as further manifestations of his underlying Baudelairean cosmology."--Publisher's website.


Manet, Baudelaire and Photography

Manet, Baudelaire and Photography
Author: Larry LeRoy Ligo
Publisher:
Total Pages: 488
Release: 2006
Genre: Art and photography
ISBN:

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"This book represents a radical reappraisal of the life and work of Edouard Manet. Through a thorough examination and interpretation of nearly every major painting (and many of the prints) Manet exhibited publicly between 1861 and 1882, the author arrived at the following conclusions. First, Manet was vitally and consistently concerned with the iconographical content of his major work; second, the iconographical content of Manet's work throughout his career was determined by a single underlying set of principles; third, the underlying principles from which Manet's iconography consistently derived had their origins in the aesthetics of Charles Baudelaire; fourth, the "form" of Manet's Baudelairean "content" was consistently derived from the appearance and ontology of mid-nineteenth century photography; fifth, Manet consistently presented emblematic, veiled self-portraits in his work; and sixth, the particular feature of Baudelairean aesthetic employed by Manet at any given time in his career was determined, to a large extent, by autobiographical concerns. The author argues that Manet's widely acknowledged adaptation of japonisme and "impressionism" can also be seen as further manifestations of his underlying Baudelairean cosmology."--Publisher's website.


Perspectives on Manet

Perspectives on Manet
Author: Therese Dolan
Publisher: Routledge
Total Pages: 245
Release: 2017-07-05
Genre: Art
ISBN: 1351554387

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Bringing forth fresh perspectives on Manet's art by established scholars, this volume places this compelling and elusive artist's painted ?uvre within a broader cultural context, and links his artistic preoccupations with literary and musical currents. Rather than seeking consensus on his art through one methodology, or focusing on one crucial work or period, this collection investigates the range of Manet's art in the context of his time and considers how his vision has shaped subsequent interpretations. Specific essays explore the relationship between Manet and Whistler; Emile Zola's attitude toward the artist; Manet's engagement with moral and ethical questions in his paintings; and the heritage of Charles Baudelaire and Clement Greenberg in critical responses to Manet. Through these and other analyses, this volume illuminates the scope of Manet's career, and indicates the crucial position the artist held in generating a modernist avant-garde aesthetic.


Edouard Manet

Edouard Manet
Author: Hajo Düchting
Publisher: Prestel Publishing
Total Pages: 136
Release: 1995
Genre: Art
ISBN:

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Examines the work of Gustave Courbet.


Édouard Manet

Édouard Manet
Author: Iain Zaczek
Publisher: Gareth Stevens Publishing LLLP
Total Pages: 32
Release: 2014-08-01
Genre: Juvenile Nonfiction
ISBN: 1482413809

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Often called the father of Impressionism, Édouard Manet was on the forefront of the art world during the mid-1800s. His paintings often looked like one scene of a larger picture, a technique he borrowed from photographs. Readers learn about Manet’s life and work, including Monet in His Floating Studio, a painting featuring Manet’s friend the artist Claude Monet. Details and interesting facts about each piece are called out to the reader, such as the reflections on the water in The Banks of the Seine at Argenteuil. Additional information is found in a timeline and fact boxes of famous quotes.


Manet's Silence and the Poetics of Bouquets

Manet's Silence and the Poetics of Bouquets
Author: James Henry Rubin
Publisher: Harvard University Press
Total Pages: 268
Release: 1994
Genre: Art
ISBN: 9780674548022

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Rubin also examines Manet's relationship to three of the leading critics of his day - Baudelaire, Zola, and Mallarme - giving special attention to Mallarme's appreciation, and eventual use in his own poetry, of the paradox between immersion and externality in Manet's oeuvre. Finally, the book uses the image of the bouquet to exemplify Manet's creative poetics through an exploration of his still life.


Manet and Modern Beauty

Manet and Modern Beauty
Author: Gloria Groom
Publisher: Getty Publications
Total Pages: 404
Release: 2019-06-25
Genre: Art
ISBN: 1606066048

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This stunning examination of the last years of Édouard Manet's life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. The name Manet often evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet’s elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist’s unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist’s correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist’s oeuvre.


A Brief of Baudelaire's Aesthetic, Between Flâneur and Photography in the 19th Century

A Brief of Baudelaire's Aesthetic, Between Flâneur and Photography in the 19th Century
Author: Zihán Chang
Publisher:
Total Pages:
Release: 2016
Genre: Arts, Modern
ISBN:

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My interest in the term flâneur began three years ago. I had just arrived in New Zealand, taking random photos at night around the Auckland urban area. It was introduced to me by my previous supervisor, I was immediately drawn to this nineteenth century romantic, but modern figure which carries such rich literature influence on arts, music and media study. The scope of my research has expanded towards my professional practice which is photography and motion graphic. In this essay, by primarily using Charles Baudelaire's writing and his relationship with photography and different artists in the nineteenth century as the main plotline, I will discuss the etymology and evolution of romanticism, urbanization, the birth of photography and the appearance of the flâneur, and how romanticism affected our understanding of love. Doing so enables me to go on to discuss modernity with the work of Édouard Manet and Walter Benjamin's writing and my thinking about the way of creation and art reproduction in the twenty first century. Followed by a brief introduction of the origins of early cinema, I will discuss the difference between film and digital cameras, and in the end, I will give a conclusion between romanticism and modernity. This essay is meant to support my own fascination with the late nineteenth century aesthetic visual culture and my admiration for a scientific way of thinking.


On Photography

On Photography
Author: Susan Sontag
Publisher:
Total Pages: 224
Release: 1977
Genre: Photography, Artistic
ISBN:

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