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Man/Machine Interaction in the Work of Stanley Kubrick

Man/Machine Interaction in the Work of Stanley Kubrick
Author: Thorsten Felden
Publisher: GRIN Verlag
Total Pages: 76
Release: 2007-08
Genre: Performing Arts
ISBN: 3638721930

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Thesis (M.A.) from the year 2006 in the subject Film Science, grade: 1,3, University of Cologne (Englisches Seminar), 42 entries in the bibliography, language: English, abstract: In this paper, I want to examine Kubrick's work for the notion of man interacting with machines and relate it to various theoretical models that also deal with the relation of man and machine. I chose the term 'machine' as a generic term for any theory applying technological, mechanical or machinic ideas, most of which using the machine as a metaphor for sociological, philosophical or psychoanalytic approaches. At the same time, I want to illustrate on the basis of Kubrick's work how the theoretical discourse on this topic has changed in the course of time. Being initially cut down to a very literal understanding of machines as actual physical devices, the 20th century discourse about technology has shown that the demarcation line between what is nature and what is technology is not as easily drawn as it might appear. Man is inseparably bound up with his tools and culture as a whole could be regarded as some kind of machinery. Thus, a great part of both this paper and Kubrick's work deals with the notion of a cultural machine. Another part, however, will leave the narrow view of the machine as a strictly cultural metaphor. Recent philosophical currents like the work of Deleuze, Maturana and the academic gender discourse try to evolve a new coining of the term 'machinic' that goes beyond rigid dualistic notions. I will try to show that these ideas can be found in Kubrick's films as well.


Man/Machine Interaction in the Work of Stanley Kubrick

Man/Machine Interaction in the Work of Stanley Kubrick
Author: Thorsten Felden
Publisher: GRIN Verlag
Total Pages: 72
Release: 2007-06-13
Genre: Performing Arts
ISBN: 3638716511

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Thesis (M.A.) from the year 2006 in the subject Film Science, grade: 1,3, University of Cologne (Englisches Seminar), language: English, abstract: In this paper, I want to examine Kubrick's work for the notion of man interacting with machines and relate it to various theoretical models that also deal with the relation of man and machine. I chose the term 'machine' as a generic term for any theory applying technological, mechanical or machinic ideas, most of which using the machine as a metaphor for sociological, philosophical or psychoanalytic approaches. At the same time, I want to illustrate on the basis of Kubrick’s work how the theoretical discourse on this topic has changed in the course of time. Being initially cut down to a very literal understanding of machines as actual physical devices, the 20th century discourse about technology has shown that the demarcation line between what is nature and what is technology is not as easily drawn as it might appear. Man is inseparably bound up with his tools and culture as a whole could be regarded as some kind of machinery. Thus, a great part of both this paper and Kubrick's work deals with the notion of a cultural machine. Another part, however, will leave the narrow view of the machine as a strictly cultural metaphor. Recent philosophical currents like the work of Deleuze, Maturana and the academic gender discourse try to evolve a new coining of the term ‘machinic’ that goes beyond rigid dualistic notions. I will try to show that these ideas can be found in Kubrick’s films as well.


Stanley Kubrick: The Odysseys

Stanley Kubrick: The Odysseys
Author: Fabrice Jaumont
Publisher: Books We Live by
Total Pages: 154
Release: 2018-10-18
Genre: Performing Arts
ISBN: 1628480785

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April 2, 2018 was the 50th anniversary of a 1968 premiere screening in Washington, D.C. of Stanley Kubrick's 2001: A Space Odyssey. The film remains the most fascinating cinematographic adventure given to experience. As a tribute to the masterpiece, and to the maestro himself, this essay which was first presented in 1995 as a scholarly paper explores the multiple connections to the Odyssean theme that one may find in Stanley Kubrick's filmography. Kubrick's unweaving and re-weaving of the cinematographic tapestry reflect his attachment to the changeability implied in the Odyssean theme, which has become the theme of questioning, the perpetual questioning of one's possibilities. The camera's shuttling back and forth in time, round and round in space, through the means of dolly movements, shots and reverse shots, circular and spiraling recurrences, equates the director's shuttling between classical and avant-garde techniques, between painting and photography, between musical intensity and spatial silence. A chassé-croisé which the pluricephal director utilizes with a view to producing new angles of view and new parallaxes: a constant Kubrickian experimentation of the cinematographic language.


Mind as Machine

Mind as Machine
Author: Margaret A. Boden
Publisher: Oxford University Press
Total Pages: 964
Release: 2006
Genre: Psychology
ISBN: 9780199292387

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The development of cognitive science is one of the most remarkable and fascinating intellectual achievements of the modern era. It brings together psychology, neuroscience, artificial intelligence, computing, philosophy, linguistics, and anthropology in the project of understanding the mind by modelling its workings. Oxford University Press now presents a masterful history of cognitive science, told by one of its most eminent practitioners.


Stanley Kubrick's 2001: A Space Odyssey

Stanley Kubrick's 2001: A Space Odyssey
Author: Robert Kolker
Publisher: Oxford University Press
Total Pages: 198
Release: 2006-03-23
Genre: Performing Arts
ISBN: 0199724369

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Almost all students have seen 2001, but virtually none understand its inheritance, its complexities, and certainly not its ironies. The essays in this collection, commissioned from a wide variety of scholars, examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on the science fiction conventions of the past (Kubrick began thinking of making a science fiction film during the genre's heyday in the fifties), rethinks the convention in light of the time of the film's creation, and in turn changes the look and meaning of the genre that it revived--which now remains as prominent as it was almost four decades ago. Constructed out of its director's particular intellectual curiosity, his visual style, and his particular notions of the place of human agency in the world and, in this case, the universe, 2001 is, like all of his films, more than it appears, and it keeps revealing more the more it is seen. Though their backgrounds and disciplines differ, the authors of this essay collection are united by a talent for vigorous yet incisive writing that cleaves closely to the text--to the film itself, with its contextual and intrinsic complexities--granting readers privileged access to Kubrick's formidable, intricate classic work of science fiction.


Computer-Human Interaction Research and Applications

Computer-Human Interaction Research and Applications
Author: Andreas Holzinger
Publisher: Springer Nature
Total Pages: 155
Release: 2019-10-19
Genre: Computers
ISBN: 3030329658

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This book constitutes the refereed proceedings of the First International Conference on Computer-Human Interaction Research and Applications, CHIRA 2017, held in Funchal, Madeira, Portugal, in October/November 2017. The 8 full papers presented in this book were carefully reviewed and selected from 35 submissions. The papers selected to be included in this book contribute to the understanding of relevant trends of current research on computer-human interaction, including Interaction design, human factors, entertainment, cognition, perception, user-friendly software and systems, pervasive technologies and interactive devices.


Supertoys Last All Summer Long

Supertoys Last All Summer Long
Author: Brian W. Aldiss
Publisher: Macmillan
Total Pages: 263
Release: 2001-06-27
Genre: Fiction
ISBN: 0312280610

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A collection of science fiction tales, including the story of a robot boy who wants nothing more than to be loved by his parents.


The Democratization of Artificial Intelligence

The Democratization of Artificial Intelligence
Author: Andreas Sudmann
Publisher: transcript Verlag
Total Pages: 335
Release: 2019-10-31
Genre: Social Science
ISBN: 3839447194

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After a long time of neglect, Artificial Intelligence is once again at the center of most of our political, economic, and socio-cultural debates. Recent advances in the field of Artifical Neural Networks have led to a renaissance of dystopian and utopian speculations on an AI-rendered future. Algorithmic technologies are deployed for identifying potential terrorists through vast surveillance networks, for producing sentencing guidelines and recidivism risk profiles in criminal justice systems, for demographic and psychographic targeting of bodies for advertising or propaganda, and more generally for automating the analysis of language, text, and images. Against this background, the aim of this book is to discuss the heterogenous conditions, implications, and effects of modern AI and Internet technologies in terms of their political dimension: What does it mean to critically investigate efforts of net politics in the age of machine learning algorithms?


The Cinema of Stanley Kubrick

The Cinema of Stanley Kubrick
Author: Norman Kagan
Publisher:
Total Pages: 300
Release: 2000
Genre: Motion picture producers and directors
ISBN:

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A major assessment of the great director's work. "A must for all fans of Kubrick. Kagan chronicles all of Kubrick's work...with a wealth of background information on the filmmaker and his films". -- Boxoffice


Stanley Kubrick and Me

Stanley Kubrick and Me
Author: Emilio D'Alessandro
Publisher: Arcade
Total Pages: 0
Release: 2020-07-07
Genre: Performing Arts
ISBN: 9781950691067

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This intimate portrait by his former personal assistant and confidante reveals the man behind the legendary filmmaker—for the first time. Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really? Emilio D'Alessandro lets us see. A former Formula Ford driver who was a minicab chauffeur in London during the Swinging Sixties, he took a job driving a giant phallus through the city that became his introduction to the director. Honest, reliable, and ready to take on any task, Emilio found his way into Kubrick's neurotic, obsessive heart. He became his personal assistant, his right-hand man and confidant, working for him from A Clockwork Orange until Kubrick's death in 1999. Emilio was the silent guy in the room when the script for The Shining was discussed. He still has the coat Jack Nicholson used in the movie. He was an extra on the set of Eyes Wide Shut, Kubrick's last movie. He knew all the actors and producers Kubrick worked with; he observed firsthand Kubrick's working methods down to the smallest detail. Making no claim of expertise in cinematography but with plenty of anecdotes, he offers a completely fresh perspective on the artist and a warm, affecting portrait of a generous, kind, caring man who was a perfectionist in work and life. The paperback edition has a new foreword by Matthew Modine, who is featured in the book and starred as Private Joker in Kubrick's Full Metal Jacket.