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Making Shapely Fiction

Making Shapely Fiction
Author: Jerome Stern
Publisher: W. W. Norton & Company
Total Pages: 443
Release: 2011-04-11
Genre: Language Arts & Disciplines
ISBN: 0393077691

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A deft analysis and appreciation of fiction—what makes it work and what can make it fail. Here is a book about the craft of writing fiction that is thoroughly useful from the first to the last page—whether the reader is a beginner, a seasoned writer, or a teacher of writing. You will see how a work takes form and shape once you grasp the principles of momentum, tension, and immediacy. "Tension," Stern says, "is the mother of fiction. When tension and immediacy combine, the story begins." Dialogue and action, beginnings and endings, the true meaning of "write what you know," and a memorable listing of don'ts for fiction writers are all covered. A special section features an Alphabet for Writers: entries range from Accuracy to Zigzag, with enlightening comments about such matters as Cliffhangers, Point of View, Irony, and Transitions.


Making Shapely Fiction

Making Shapely Fiction
Author: Jerome Stern
Publisher: W. W. Norton & Company
Total Pages: 292
Release: 2000-11-28
Genre: Language Arts & Disciplines
ISBN: 9780393321241

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In this book about the craft of writing fiction, Jerome Stern maintains that learning to write spontaneously is the first step to writing well. He includes tips for writing dialogue and action, beginnings and endings, offers a special section featuring an Alphabet for Writers, and more.


Making Shapely Fiction

Making Shapely Fiction
Author: Jerome H. Stern
Publisher: W. W. Norton
Total Pages: 270
Release: 1991
Genre: Reference
ISBN: 9780393029291

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A guide to writing fiction covers dialogue, action, narrative, scene, point of view, and style, and offers advice on writing more spontaneously


Micro Fiction

Micro Fiction
Author: Jerome H. Stern
Publisher: W. W. Norton & Company
Total Pages: 150
Release: 1996
Genre: Flash fiction
ISBN: 9780393039689

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Ten years ago, Jerome Stern, director of the writing program at Florida State, initiated the World's Best Short Short Story Contest. Stories were to be about 250 words long; first prize was a check and a crate of oranges. Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page. Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements. How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.


How Fiction Works

How Fiction Works
Author: James Wood
Publisher: Macmillan
Total Pages: 300
Release: 2008-07-22
Genre: Language Arts & Disciplines
ISBN: 9780374173401

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What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.


Writing Fiction

Writing Fiction
Author: Gotham Writers' Workshop
Publisher: Bloomsbury Academic
Total Pages: 0
Release: 2008
Genre: Fiction
ISBN: 9781408101315

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Language, literature and biography.


On Moral Fiction

On Moral Fiction
Author: John Gardner
Publisher: Open Road Media
Total Pages: 258
Release: 2013-04-02
Genre: Literary Criticism
ISBN: 1480409219

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“Fearless, illuminating” criticism from a New York Times–bestselling author and legendary teacher, “proving . . . that true art is moral and not trivial” (Los Angeles Times). Novelist John Gardner’s thesis in On Moral Fiction is simple: “True art is by its nature moral.” It is also an audacious statement, as Gardner asserts an inherent value in life and in art. Since the book’s first publication, the passion behind Gardner’s assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality. On Moral Fiction is an essential read in which Gardner presents his thoughtfully developed criteria for the elements he believes are essential to art and its creation. This ebook features an illustrated biography of John Gardner, including original letters, rare photos, and never-before-seen documents from the Gardner family and the University of Rochester Archives.


The Making of a Story

The Making of a Story
Author: Alice LaPlante
Publisher: National Geographic Books
Total Pages: 0
Release: 2009-12-22
Genre: Language Arts & Disciplines
ISBN: 0393337081

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A Los Angeles Times bestseller: wonderfully lucid and illuminating, Alice LaPlante’s guide to writing fiction “recalls Francine Prose’s bestseller, Reading Like a Writer” (Library Journal). The Making of a Story is a fresh and inspiring guide to the basics of creative writing—both fiction and creative nonfiction. Its hands-on, completely accessible approach walks writers through each stage of the creative process, from the initial triggering idea to the revision of the final manuscript. It is unique in combing the three main aspects of creative writing instruction: process (finding inspiration, getting ideas on the page), craft (specific techniques like characterization), and anthology (learning by reading masters of the form). Succinct, clear definitions of basic terms of fiction are accompanied by examples, including excerpts from masterpieces of short fiction and essays as well as contemporary novels. A special highlight is Alice LaPlante's systematic debunking of many of the so-called rules of creative writing. This book is perfect for writers working alone as well as for creative writing classes, both introductory and advanced.


The Art and Craft of Fiction

The Art and Craft of Fiction
Author: Michael Kardos
Publisher: Macmillan Higher Education
Total Pages: 416
Release: 2016-09-30
Genre: Literary Collections
ISBN: 1319032931

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Brief, practical, and affordable, The Art and Craft of Fiction gives aspiring writers all they need, in a friendly voice that students love. Michael Kardos focuses on technique and presents fiction writing as a teachable (and learnable) art. With an organization built on methods and process rather than traditional literary elements, Kardos helps students begin their stories, write strong scenes, use images and research detail, revise for aesthetics and mechanics, and finish and polish their own stories. Instructors trust The Art and Craft of Fiction to help structure their course, and reinforce and complement their teaching points with examples and exercises. A brief fiction anthology at the back of the book includes 15 selections that instructors praise for their usefulness in the creative writing classroom.


The Writer's Notebook II

The Writer's Notebook II
Author: Christopher Beha
Publisher: Tin House Books
Total Pages: 258
Release: 2012-10-23
Genre: Language Arts & Disciplines
ISBN: 1935639463

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The Writer's Notebook II offers aspiring authors sixteen insightful essays about the craft of writing by Tin House authors and summer workshop faculty members, including Aimee Bender, Steve Almond, Maggie Nelson, Karen Russell, Benjamin Percy, and others. The Writer's Notebook II continues in the tradition of The Writer's Notebook, featuring essays based on craft seminars from the Tin House Summer Writer's Workshop, as well as a variety of craft essays from Tin House magazine contributors and Tin House Books authors. The collection includes essays that not only examine important craft aspects such as humor, suspense, and research but that also explore creating fractured and nonrealist narratives and the role of dream in fiction. An engaging and enlightening read, The Writer's Notebook II is both a toolkit and an inspiration for any writer. The Writer’s Notebook II offers aspiring authors sixteen insightful essays about the craft of writing by Tin House authors and summer workshop faculty members, including Aimee Bender, Steve Almond, Maggie Nelson, Karen Russell, Benjamin Percy, and others.