Making Music
Author | : Dennis DeSantis |
Publisher | : |
Total Pages | : 341 |
Release | : 2015 |
Genre | : |
ISBN | : 9783981716504 |
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Author | : Dennis DeSantis |
Publisher | : |
Total Pages | : 341 |
Release | : 2015 |
Genre | : |
ISBN | : 9783981716504 |
Author | : Jake Perrine |
Publisher | : Quick Pro Guides |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Music |
ISBN | : 9781480355101 |
(Quick Pro Guides). Ableton Live whose unique, groundbreaking, incredibly flexible features set it far apart from all other digital audio applications is equally at home with making beats, remixing, live recording, DJing, live looping, sound design, electronic music, hip-hop, and much more. Unlike other books about Ableton Live that read like a second manual, this book walks you through all the features you need to make an actual track from start to finish. In addition to his over 20 years of making electronic music, certified Ableton trainer Jake Perrine has taught audio production for more than a decade, so not only does he know what he's talking about, but he knows how to make sure you know what he's talking about! Whether you want to DJ, make mashups and remixes, play with a band, or build epic dance anthems from scratch, Perrine provides all the hands-on, expert guidance you need for using Ableton Live 9. The accompanying online audio contains content keyed to the Ableton Live exercises in the text and session files, so you can actually both hear and see how many of the features actually work. A substantial appendix section offers discussions of important non-Ableton-specific topics, including digital audio basics, components of a producer's studio, considerations when buying a DAW computer, and more.
Author | : Andy Reynolds |
Publisher | : Routledge |
Total Pages | : 286 |
Release | : 2021-11-29 |
Genre | : Music |
ISBN | : 1000482936 |
The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry. Previously published as The Tour Book, this new edition has been extensively revised, reorganized, and updated to reflect today’s music industry. This practical guidebook examines the roles of the key players – from booking agents to concert promoters, artist managers to talent buyers – and the deals, conventions, and processes that drive this global business. Written by a touring professional with over 25 years of experience, this book elucidates why playing live is crucial to the success of any musician, band, or artist, explaining issues like: what managers, promoters, and agents do and how they arrange shows and tours; how to understand and negotiate show contracts; how to create a contract rider, and how the rider affects the money you earn from a show; how to appear professional and knowledgeable in an industry with its own conventions, language, and baffling technical terms; and a three-year plan using live performance to kickstart your music career Intended for music artists and students, The Live Music Business presents proven live-music career strategies, covering every aspect of putting on a live show, from rehearsing and soundchecks to promotions, marketing, and contracts. In an era when performing live is more essential than ever, this is the go-to guidebook for getting your show on the road and making a living from music.
Author | : Kirsten Hermes |
Publisher | : CRC Press |
Total Pages | : 347 |
Release | : 2021-12-28 |
Genre | : Music |
ISBN | : 1000470261 |
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
Author | : Will Kuhn |
Publisher | : Oxford University Press |
Total Pages | : 321 |
Release | : 2021-06-18 |
Genre | : Music |
ISBN | : 0190076666 |
Electronic Music School: A Contemporary Approach to Teaching Musical Creativity is a practical blueprint for teachers wanting to begin teaching music technology to secondary age students. Will Kuhn and Ethan Hein inspire classroom music teachers to expand beyond traditional ensemble-based music education offerings to create a culture of unique creativity and inclusivity at their schools. Part One offers an overview of the philosophical and institutional aspects of starting a music technology program, with a particular focus on the culture of electronic music surrounding digital music creation tools. Part Two dives deep into curricula for music lab classes, including several lesson examples and techniques. This section also includes abbreviated project plans for teachers who have fewer contact hours with their students. Part Three discusses how music technology courses can grow into a larger media creation program, how such a program can contribute to the broader school culture, and how project-based music learning effectively prepares students for careers in media. Electronic Music School also includes narratives from music technology students themselves, who often have an intuitive understanding of the future directions music technology programs can take.
Author | : Keith Robinson |
Publisher | : Taylor & Francis |
Total Pages | : 410 |
Release | : 2013-05-02 |
Genre | : Technology & Engineering |
ISBN | : 1136121498 |
Learn how to create, produce and perform a whole new way; prepare to unlock the power of Live. This book and DVD combination shows, if you get it right, exactly what Ableton Live can deliver. Engineered to follow Lives non linear music environment the book looks and feels like the program, its unique format utilizes the terms and creative features of Live- tabs, keys, pointers, and labels to learn the littlest things that make the biggest difference. Packed with professional testimonials, concepts, definitions, hundred of tips and tricks and hidden features the book covers the software's nuts and bolts and creative technique to create, produce, perform and make music on the fly. The accompanying DVD contains ?Live sets? and web pointer information to sync and download as well as interviews, further hints and tips and video
Author | : Angela Jones |
Publisher | : Chandos Publishing |
Total Pages | : 144 |
Release | : 2015-07-17 |
Genre | : Computers |
ISBN | : 0081000707 |
The concept of ‘live’ has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture. gives perspectives on the function of live music in digital culture and the role of digital in live music focuses on the interaction between live and digital music takes the discussion of live music beyond economics and marketing, to the cultural and philosophical implications of digital culture for the art includes interviews with producers and players in the digital world of music production furthers debate by looking at access to digital music via social media, websites, and applications that recognise the impact of digital culture on the live music experience
Author | : Jonathan Wright |
Publisher | : University of Illinois Press |
Total Pages | : 339 |
Release | : 2021-06-15 |
Genre | : Music |
ISBN | : 0252052706 |
Punk rock culture in a preeminently average town Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.
Author | : Till Bovermann |
Publisher | : Springer |
Total Pages | : 412 |
Release | : 2016-12-09 |
Genre | : Technology & Engineering |
ISBN | : 9811029512 |
By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?
Author | : Tom Jackson (producer.) |
Publisher | : |
Total Pages | : 442 |
Release | : 2012 |
Genre | : Music |
ISBN | : 9781936417681 |