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Major Lyricists of the Northern Sung

Major Lyricists of the Northern Sung
Author: James J.Y. Liu
Publisher: Princeton University Press
Total Pages: 225
Release: 2015-03-08
Genre: History
ISBN: 1400870100

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The tz'u, or lyric, reached its full maturity in China during the eleventh century and the first quarter of the twelfth. Until now this important poetic genre has been little known to English readers, and James J. Y. Liu's book is the first to deal systematically and critically with it. He does so by examining the work of six representative poets of the period. The poems are analyzed in terms of their "exploration of worlds," by which the author means the poet's probing of the natural world and the human world in which he lives, as well as of his own mind. This leads into a discussion of the poet's "exploration of language," his incessant effort to embody the worlds he explores in complex verbal structures and to realize the potentialities of the Chinese language as a medium of poetic expression. Preceding the general discussion of each lyricist's poetry are examples of the work of each in four forms: first in the original Chinese text, then in a romanization, next in a word-for-word translation, and finally in an idiomatic translation. Each poem is accompanied by a metrical diagram, explanatory notes, and a critical commentary. Attention is focused on poetic qualities and features such as diction, imagery, syntax, and prosody. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


How to Read Chinese Poetry

How to Read Chinese Poetry
Author: Zong-qi Cai
Publisher: Columbia University Press
Total Pages: 456
Release: 2008
Genre: History
ISBN: 0231139411

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In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)


The Indiana Companion to Traditional Chinese Literature

The Indiana Companion to Traditional Chinese Literature
Author: William H. Nienhauser
Publisher: Indiana University Press
Total Pages: 1108
Release: 1986
Genre: Literary Collections
ISBN: 9780253329837

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"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.


Classical Chinese Poetry

Classical Chinese Poetry
Author: David Hinton
Publisher: Macmillan
Total Pages: 516
Release: 2010-02-02
Genre: Poetry
ISBN: 0374531900

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With this groundbreaking collection Classical Chinese Poetry, translated and edited by the renowned poet and translator David Hinton, a new generation will be introduced to the work that riveted Ezra Pound and transformed modern poetry. The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton's book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poets. From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant, in Classical Chinese Poetry.


Wu Wenying and the Art of Southern Song Ci Poetry

Wu Wenying and the Art of Southern Song Ci Poetry
Author: Grace S. Fong
Publisher: Princeton University Press
Total Pages: 209
Release: 2014-07-14
Genre: Literary Criticism
ISBN: 1400858976

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The author begins with a biography exploring the moral and aesthetic implications of Wu's life as a guest-poet" patronized by officials and aristocrats, and continues with a reconstruction of the historical and literary context needed for modern readers to grasp his poetic techniques. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Literary Works of Ou-yang Hsui (1007-72)

The Literary Works of Ou-yang Hsui (1007-72)
Author: Ronald C. Egan
Publisher: Cambridge University Press
Total Pages: 288
Release: 2009-01-09
Genre: Juvenile Nonfiction
ISBN: 9780521101547

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The book is a literary study of one of the greatest of Chinese writers, Ou-yang Hsiu. He was a major writer in each of several genres: prose, poetry, rhapsodies, and tz'u 'songs'. The striking diversity of his work presents an opportunity to investigate how one man's literary talent is manifested in different genres. Ou-yang Hsiu's achievements in each genre are examined, and set in the context of his age. Topics include the broad shift between T'ang and Sung dynasty prose styles that Ou-yang Hsiu helped to effect, his contributions to the new poetic values of the Northern Sung, and his place in the evolution of Sung dynasty songs (together with a reconsideration of a group of supposedly spurious songs). An appendix provides additional translations of Ou-yang Hsiu's prose.


The Columbia History of Chinese Literature

The Columbia History of Chinese Literature
Author: Victor H. Mair
Publisher: Columbia University Press
Total Pages: 1369
Release: 2010-02-22
Genre: Literary Criticism
ISBN: 0231109857

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Comprehensive yet portable, this account of the development of Chinese literature from the very beginning up to the present brings the riches of this august literary tradition into focus for the general reader. Organized chronologically with thematic chapters interspersed, the fifty-five original chapters by leading specialists cover all genres and periods of poetry, prose, fiction, and drama, with a special focus on such subjects as popular culture, the impact of religion upon literature, the role of women, and relationships with non-Sinitic languages and peoples.


Beyond Spring

Beyond Spring
Author: Julie Landau
Publisher: Columbia University Press
Total Pages: 298
Release: 1997-02-21
Genre: Education
ISBN: 9780231096799

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This book is the kind of book which will draw the uninitiated into the world of Chinese poetry, motivate the learner to further study, and still provide the specialist with surprises and delights. Julie Landau has transmitted a variety of distinct voices with effectiveness...This book is a prominent venue into which these mighty world treasures have temporarily alighted.


Emperor Huizong

Emperor Huizong
Author: Patricia Buckley Ebrey
Publisher: Harvard University Press
Total Pages: 442
Release: 2014-01-06
Genre: Biography & Autobiography
ISBN: 0674727681

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China was the most advanced country in the world when Huizong ascended the throne in 1100 CE. In his eventful twenty-six year reign, the artistically-gifted emperor guided the Song Dynasty toward cultural greatness. Yet Huizong would be known to posterity as a political failure who lost the throne to Jurchen invaders and died their prisoner. The first comprehensive English-language biography of this important monarch, Emperor Huizong is a nuanced portrait that corrects the prevailing view of Huizong as decadent and negligent. Patricia Ebrey recasts him as a ruler genuinely ambitious—if too much so—in pursuing glory for his flourishing realm. After a rocky start trying to overcome political animosities at court, Huizong turned his attention to the good he could do. He greatly expanded the court’s charitable ventures, founding schools, hospitals, orphanages, and paupers’ cemeteries. An accomplished artist, he surrounded himself with outstanding poets, painters, and musicians and built palaces, temples, and gardens of unsurpassed splendor. What is often overlooked, Ebrey points out, is the importance of religious Daoism in Huizong’s understanding of his role. He treated Daoist spiritual masters with great deference, wrote scriptural commentaries, and urged his subjects to adopt his beliefs and practices. This devotion to the Daoist vision of sacred kingship eventually alienated the Confucian mainstream and compromised his ability to govern. Readers will welcome this lively biography, which adds new dimensions to our understanding of a passionate and paradoxical ruler who, so many centuries later, continues to inspire both admiration and disapproval.