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| Author | : Ashley M. Jones |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Poetry |
| ISBN | : 9781938235269 |
"A love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems ... [the author] takes readers on a historical, geographical, cultural, and personal journey through her life and the life of her home state [of Alabama]"--
| Author | : Ashley M. Jones |
| Publisher | : |
| Total Pages | : 80 |
| Release | : 2021-09-07 |
| Genre | : |
| ISBN | : 9781938235863 |
What is the price of a life, a stolen culture, a stolen heart? In formal and nontraditional poems, Reparations Now! asks for what is owed. Moving between voices and through intersecting histories, award-winning poet Ashley M. Jones offers perspectives both sharp and compassionate, exploring the difficulties of navigating our relationships with ourselves and others. From the murder of Mary Turner in 1918 to a case of infidelity to the oppressive nationalist movement of the present, Jones holds us accountable.
| Author | : Ashley M. Jones |
| Publisher | : LSU Press |
| Total Pages | : 0 |
| Release | : 2019-02-12 |
| Genre | : Poetry |
| ISBN | : 0807170607 |
dark // thing is a multifaceted work that explores the darkness/otherness by which the world sees Black people. Ashley M. Jones stares directly into the face of the racism that allows people to be seen as dark things, as objects that can be killed/enslaved/oppressed/devalued. This work, full as it is of slashes of all kinds, ultimately separates darkness from thingness, affirming and celebrating humanity.
| Author | : Jamaal May |
| Publisher | : Alice James Books |
| Total Pages | : 100 |
| Release | : 2016-04-18 |
| Genre | : Poetry |
| ISBN | : 1938584368 |
Praise for Jamaal May: "Linguistically acrobatic [and] beautifully crafted. . . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel."—Publishers Weekly Following Jamaal May's award-winning debut collection, Hum (2013), these new poems explore parallel landscapes of the poet's interior and an insidious American condition. Using dark humor that helps illuminate the pains of maturity and loss of imagination, May uncovers language like a skilled architect—digging up bones of the past to expose what lies beneath the surface of the fragile human condition. From: "Ask Where I've Been": Ask about the tornado of fists. The blows landed. If you can watch it all—the spit and blood frozen against snow, you can probably tell I am the too-narrow road winding out of a crooked city built of laughter, abandon, feathers and drums. Ask only if you can watch streetlights bow, bridges arc, and power lines sag, and still believe what matters most is not where I bend but where I am growing. Jamaal May is a poet, editor, and filmmaker from Detroit, Michigan, where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, the Believer, NER, and the Kenyon Review. May has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.
| Author | : Jared C. Wilson |
| Publisher | : Crossway |
| Total Pages | : 226 |
| Release | : 2011-10-06 |
| Genre | : Religion |
| ISBN | : 1433526395 |
We may know the gospel. We may believe it—even proclaim it. But we also may assume the gospel and become lethargic. In this book Jared Wilson seeks to answer the central question, how do we experience and present the gospel in a fresh, nonroutine way in order to prevent ourselves and others from becoming numb? His answer may be surprising: "by routinely presenting the unchanging gospel in a way that does justice to its earth-shaking announcement." We don't excite and awaken people to the glorious truths of the gospel by spicing up our worship services or through cutting-edge, dramatic rhetoric, but by passionately and faithfully proclaiming the same truths we have already been given in Scripture. Wilson's book will stir churches to live out the power of the gospel with a fervent, genuine zeal. After an explanation of the term "gospel wakefulness," Wilson unpacks implications for worship, hyper-spirituality, godly habits, and sanctification, as well as other aspects of church life. Pastors, church leaders, and all in ministry, especially those who are tired or discouraged, will be uplifted, emboldened, and empowered by this book.
| Author | : Randel Helms |
| Publisher | : Prometheus Books |
| Total Pages | : 154 |
| Release | : 2009-12-02 |
| Genre | : Religion |
| ISBN | : 1615922938 |
Are the four canonical Gospels actual historical accounts or are they imaginative literature produced by influential literary artists to serve a theological vision? In this study of the Gospels based upon a demonstrable literary theory, Randel Helms presents the work of the four evangelists as the "supreme fictions" of our culture, self-conscious works of art deliberately composed as the culmination of a long literary and oral tradition.Helms analyzes the best-known and the most powerful of these fictions: the stories of Christ's birth, his agony in the Garden of Gethsemane, his betrayal by Judas, his crucifixion, death and resurrection. In Helms' exegesis of the Gospel miracle stories, he traces the greatest of these - the resurrection of Lazarus four days after his death - to the Egyptian myth of the resurrection of Osiris by the god Horus.Helms maintains that the Gospels are self-reflexive; they are not about Jesus so much as they are about the writers' attitudes concerning Jesus. Helms examines each of the narratives - the language, the sources, the similarities and differences - and shows that their purpose was not so much to describe the past as to affect the present.This scholarly yet readable work demonstrates how the Gospels surpassed the expectations of their authors, influencing countless generations by creating a life-enhancing understanding of the nature of Jesus of Nazareth.
| Author | : Jeffrey Symynkywicz |
| Publisher | : Westminster John Knox Press |
| Total Pages | : 218 |
| Release | : 2008-01-01 |
| Genre | : Religion |
| ISBN | : 0664231691 |
With the release of his 2007 album, Magic, Bruce Springsteen again proved his status as one of the greatest songwriters in American history. For over three decades, Springsteens musicwith his trademark poetic lyrics and his ability to find glory in the struggles of everyday lifehas attracted fans and critics from across the globe. In this book, author Jeffrey Symynkywicz shows that a large part of Springsteens enduring popularity is the deep sense in which his music connects to something essential to human experience. Springsteens music, Symynkywicz suggests, helps make sense of the many threads of our livesincluding our experiences of sin and redemption and of faith and hope. With a clear and inviting style, Symynkywicz treats each of Springsteens albums as a chapter, exploring the history and context of Springsteens music and the ways in which his songs express these spiritual themes.
| Author | : Andre Millard |
| Publisher | : Wesleyan University Press |
| Total Pages | : 376 |
| Release | : 2017-04-04 |
| Genre | : Music |
| ISBN | : 0819576999 |
This exploration of rock ’n’ roll music and culture in Birmingham, Alabama, is based on the oral histories of musicians, their fans and professionals in the popular music industry. Collected over a twenty-year period, their stories describe the coming of rock ’n’ roll in the 1950s, the rise of the garage bands in the 1960s, of southern rock in the 1970s, and of alternative music in the 1980s and 1990s. Told in the words of the musicians themselves, Magic City Nights provides an insider’s view of the dramatic changes in the business and status of popular music from the era of the vacuum tube to twenty-first-century digital technology. These collective memories offer a unique perspective on the impact of a subversive and racially integrated music culture in one of the most conservative and racially divided cities in the country.
| Author | : Burgin Mathews |
| Publisher | : UNC Press Books |
| Total Pages | : 353 |
| Release | : 2023-11-28 |
| Genre | : History |
| ISBN | : |
Magic City is the story of one of American music's essential unsung places: Birmingham, Alabama, birthplace of a distinctive and influential jazz heritage. In a telling replete with colorful characters, iconic artists, and unheralded masters, Burgin Mathews reveals how Birmingham was the cradle and training ground for such luminaries as big band leader Erskine Hawkins, cosmic outsider Sun Ra, and a long list of sidemen, soloists, and arrangers. He also celebrates the contributions of local educators, club owners, and civic leaders who nurtured a vital culture of Black expression in one of the country's most notoriously segregated cities. In Birmingham, jazz was more than entertainment: long before the city emerged as a focal point in the national civil rights movement, its homegrown jazz heroes helped set the stage, crafting a unique tradition of independence, innovation, achievement, and empowerment. Blending deep archival research and original interviews with living elders of the Birmingham scene, Mathews elevates the stories of figures like John T. "Fess" Whatley, the pioneering teacher-bandleader who emphasized instrumental training as a means of upward mobility and community pride. Along the way, he takes readers into the high school band rooms, fraternal ballrooms, vaudeville houses, and circus tent shows that shaped a musical movement, revealing a community of players whose influence spread throughout the world.
| Author | : Kip Lornell |
| Publisher | : University Press of Kentucky |
| Total Pages | : 253 |
| Release | : 2021-12-14 |
| Genre | : Music |
| ISBN | : 0813194180 |
During the years before World War II, hundreds of traditional musicians were sought out by commercial record companies, brought to New York or into local—often makeshift—studios, to cut recordings that would be marketed as "race" and "hillbilly" music. Virginia was home to scores of these performers, several of whom were to become internationally known. Among them were the Carter Family, the Golden Gate Quartet, Charlie Poole, and the Stoneman Family, whose music has touched millions of listeners far beyond the confines of the Old Dominion. It is this historically important body of recordings from this unique period that forms the focus of Kip Lornell's study. In it he combines biographical sketches and bibliographies of the artists and groups with comprehensive discographies of each, covering not only the original 78-rpm issues but also American and foreign long-play releases. The entries incorporate new primary research and contemporary interviews with veterans of early recording sessions. Numerous vintage photographs are also included, some reproduced here for the first time.
