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| Author | : Swarnavel Eswaran Pillai |
| Publisher | : Sage Publications Pvt. Limited |
| Total Pages | : 348 |
| Release | : 2015-03-29 |
| Genre | : |
| ISBN | : 9789353288808 |
This study of Tamil cinema is among the few works in English on South Indian cinema in the studio era.
| Author | : All India Radio (AIR),New Delhi |
| Publisher | : All India Radio (AIR),New Delhi |
| Total Pages | : 88 |
| Release | : 1938-06-07 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-06-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 88 VOLUME NUMBER: Vol. III, No. 12. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 779-848 ARTICLE: 1. The Madras Braodcasting Centre 2. Careers In Indian Broadcasting 3. Ludwig Von Beethoven AUTHOR: 1. C. W. Goyder 2. Lionel Fielden 3. J. G. N. Brown KEYWORDS: 1. Reverberation Time , Acoustic Material, Signalling System, High Tension Supply, Modulation System, Eastnook, Drama Studio, Indian Music Studio 2. Lionel Fielden, Controller Of Broadcasting, Qualifications, Hours Of Transmission, Candidates 3. Beethoven, Mozart, Vienna, Emotional Expression Document ID: INL - 1938 ( J-D) Vol -I (12)
| Author | : Priya Joshi |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2016-05-06 |
| Genre | : Social Science |
| ISBN | : 1134927592 |
The 1970s was a pivotal decade in the Indian social, cultural, political and economic landscape: the global oil crisis, wars with China and Pakistan in the previous decade, the Bangladesh war of 1971, labour and food shortages, widespread political corruption, and the declaration of the state of Emergency. Amidst this backdrop Indian cinema in both its popular and art/parallel film forms flourished. This exciting new collection brings together original research from across the arts and humanities disciplines that examine the legacies of the 1970s in India’s cinemas, offering an invaluable insight into this important period. The authors argue that the historical processes underway in the 1970s are important even today, and can be deciphered in the aural and visual medium of Indian cinema. The book explores two central themes: first, the popular cinema’s role in helping to construct the decade’s public culture; and second, the powerful and under-studied archive of the decade as present in India’s popular cinemas. This book is based on a special issue of South Asian Popular Culture.
| Author | : Monika Mehta |
| Publisher | : Taylor & Francis |
| Total Pages | : 254 |
| Release | : 2020-12-13 |
| Genre | : Art |
| ISBN | : 1000293319 |
This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media. The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies. By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema. A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies.
| Author | : Daniel Herbert |
| Publisher | : John Wiley & Sons |
| Total Pages | : 137 |
| Release | : 2020-04-09 |
| Genre | : Social Science |
| ISBN | : 1509537791 |
The study of media industries has become a thriving subfield of media studies. It already comprises a diverse intellectual history, a range of fascinating questions and topics, and many theoretical and methodological frameworks. Media Industry Studies provides the roadmap to this vibrant area of study. Blending a comprehensive overview of foundational literature with an examination of the varied scales and sites media industry studies have considered, the book explores connections among research questions, topics, and methodologies. It includes examples from many media industries – film, television, journalism, music, games – and incorporates emerging scholarship considering the industrial contexts of social and internet-distributed media. Offering an account of the intellectual traditions and approaches that have defined the subfield to date, Media Industry Studies is an indispensable resource for upper-level undergraduates, postgraduates, and scholars.
| Author | : Sara Dickey |
| Publisher | : Routledge |
| Total Pages | : 301 |
| Release | : 2018-10-24 |
| Genre | : Social Science |
| ISBN | : 1317977297 |
This path-breaking collection explores the breadth and depth of South Asia’s many vibrant cinemas. It extends well beyond Bollywood to Nepali, Sri Lankan, Pakistani Panjabi, Bhojpuri, Bengali, Kannada, and early Tamil cinemas, while unpacking the category of 'Bollywood' itself. The coverage of cinematic features is equally far-ranging, exploring music, dance, audiences, filmmakers, industries, and the mutual influences among South Asia’s cinemas. With a mix of ethnographic, historical, auteur, and textual approaches, this exciting collection presents the first wide-reaching analysis of South Asian cinemas. The nine chapters include a new theoretical and historical engagement by the co-editors about the burgeoning area of South Asian cinemas in the academy, as well as original research by young and established scholars. From historical to contemporary considerations, to close analyses and empirical material from fieldwork, to a rich and revealing photographic essay, this collection will be novel reading for a new generation of work into an important global cinematic region. This book was originally published as a special issue of South Asian Popular Culture.
| Author | : India. Labour Bureau |
| Publisher | : |
| Total Pages | : 508 |
| Release | : 1958 |
| Genre | : Industries |
| ISBN | : |
| Author | : Birgit Meyer |
| Publisher | : Springer |
| Total Pages | : 278 |
| Release | : 2009-07-20 |
| Genre | : Social Science |
| ISBN | : 0230623247 |
This book examines the incorporation of newly accessible mass media into practices of religious mediation in a variety of settings including the Pentecostal Church and Islamic movements, as well as the use of religious forms and image in the sphere of radio and cinema.
| Author | : |
| Publisher | : |
| Total Pages | : 1042 |
| Release | : 1978 |
| Genre | : Motion pictures |
| ISBN | : |
| Author | : Samhita Sunya |
| Publisher | : Univ of California Press |
| Total Pages | : 270 |
| Release | : 2022-07-26 |
| Genre | : Performing Arts |
| ISBN | : 0520976789 |
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.
