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Mad for Foucault

Mad for Foucault
Author: Lynne Huffer
Publisher: Columbia University Press
Total Pages: 373
Release: 2010
Genre: Literary Criticism
ISBN: 0231149182

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Contemporary critiques of sexuality have their origins in the work of Michel Foucault. While Foucault's seminal arguments helped to establish the foundations of queer theory and greatly advance feminist critique, Lynne Huffer argues that our interpretation of the theorist's powerful ideas remains flawed.


Mad for Foucault

Mad for Foucault
Author: Lynne Huffer
Publisher: Columbia University Press
Total Pages: 374
Release: 2010
Genre: Literary Criticism
ISBN: 0231149190

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Contemporary critiques of sexuality have their origins in the work of Michel Foucault. While Foucault's seminal arguments helped to establish the foundations of queer theory and greatly advance feminist critique, Lynne Huffer argues that our interpretation of the theorist's powerful ideas remains flawed.


Madness and Civilization

Madness and Civilization
Author: Michel Foucault
Publisher: Vintage
Total Pages: 320
Release: 2013-01-30
Genre: History
ISBN: 0307833100

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Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the "insane" and the rest of humanity.


History of Madness

History of Madness
Author: Michel Foucault
Publisher: Routledge
Total Pages: 775
Release: 2013-02
Genre: History
ISBN: 113447380X

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This translation of The History of Madness in the Classical Age is the first English edition of the original, complete French text and includes important material that until now was unavailable.


Foucault's Strange Eros

Foucault's Strange Eros
Author: Lynne Huffer
Publisher: Columbia University Press
Total Pages: 134
Release: 2020-06-16
Genre: Social Science
ISBN: 0231552017

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What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech. At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, Foucault’s Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault’s Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.


Are the Lips a Grave?

Are the Lips a Grave?
Author: Lynne Huffer
Publisher: Columbia University Press
Total Pages: 259
Release: 2013-10-15
Genre: Literary Criticism
ISBN: 0231535775

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Lynne Huffer's ambitious inquiry redresses the rift between feminist and queer theory, traversing the space of a new, post-moral sexual ethics that includes pleasure, desire, connection, and betrayal. She begins by balancing queer theorists' politics of sexual freedoms with a moralizing feminist politics that views sexuality as harm. Drawing on the best insights from both traditions, she builds an ethics centered on eros, following Michel Foucault's ethics as a practice of freedom and Luce Irigaray's lyrical articulation of an ethics of sexual difference. Through this theoretical lens, Huffer examines everyday experiences of ethical connection and failure connected to sex, including queer sexual practices, sodomy laws, interracial love, pornography, and work-life balance. Her approach complicates sexual identities while challenging the epistemological foundations of subjectivity. She rethinks ethics "beyond good and evil" without underestimating, as some queer theorists have done, the persistence of what Foucault calls the "catastrophe" of morality. Elaborating a thinking-feeling ethics of the other, Huffer encourages contemporary intellectuals to reshape sexual morality from within, defining an ethical space that is both poetically suggestive and politically relevant, both conceptually daring and grounded in common sexual experience.


Language, Madness, and Desire

Language, Madness, and Desire
Author: Michel Foucault
Publisher: U of Minnesota Press
Total Pages: 140
Release: 2015-05-26
Genre: Philosophy
ISBN: 1452944938

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As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language—and madness and silence—preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing—particularly La Nouvelle Justine and Juliette—he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.


Madness

Madness
Author: Michel Foucault
Publisher: Harper Collins
Total Pages: 162
Release: 2011-01-04
Genre: Philosophy
ISBN: 0062007181

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Compelling and highly influential, Michel Foucault's Madness is an indispensable work for readers who wish to understand the intellectual evolution of one of the most important social theorists of the twentieth century. Written in 1954 and revised in 1962, Madness delineates the profound shift that occurred in Foucault's thought during this period. The first iteration reflects the philosopher's early interest in and respect for Freudian theory and the psychoanalytic tradition. The second part marks a dramatic change in Foucault's thinking. Examining the history of madness as a social and cultural construct, he moves into a radical critique of Freud and toward the postmodern deconstruction that was to dominate and define his later work.


Hallucinating Foucault

Hallucinating Foucault
Author: Patricia Duncker
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2017-04-06
Genre: Fiction
ISBN: 1408872331

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In this ravishing tale of sexual and textual obsession, the young unnamed narrator sets forth from Cambridge on a quest. He is to rescue the subject of his doctoral research, Paul Michel, the brilliant but mad writer, from incarceration in a mental institution in France. What ensues is a drama of terrible intimacy and tenderness played out one hot and humid summer in Paris and in the south of France. Hallucinating Foucault is a literary thriller that explores with consummate mastery the passionate relationship between reader and writer, between the factual and the fictional, between sanity and madness. In blurring these boundaries, Patricia Duncker has written a novel of astonishing power and beauty.