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| Author | : Carmella Padilla |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9780890136140 |
Addresses issues common to contemporary Native Americans, such as the definition of Indian art and the stereotypical Indian portrayed in film.
| Author | : Emily Hahn |
| Publisher | : |
| Total Pages | : 266 |
| Release | : 1977 |
| Genre | : Biography & Autobiography |
| ISBN | : |
| Author | : Mabel Dodge Luhan |
| Publisher | : Sunstone Press |
| Total Pages | : 398 |
| Release | : 2007 |
| Genre | : Authors, English |
| ISBN | : 0865345945 |
"Lorenzo in Taos," is written loosely in the form of letters to and from D.H. Lawrence, Frieda Lawrence, Robinson Jeffers, and Luhan. The book is a highly personal and most informative account of an intense relationship with a great writer.
| Author | : Mabel Dodge Luhan |
| Publisher | : Sunstone Press |
| Total Pages | : 294 |
| Release | : 2013-02-15 |
| Genre | : History |
| ISBN | : 1611391377 |
"Winter in Taos" starkly contrasts Luhan's memoirs, published in four volumes and inspired by Marcel Proust's "Remembrances of Things Past." They follow her life through three failed marriages, numerous affairs, and ultimately a feeling of "being nobody in myself," despite years of psychoanalysis and a luxurious lifestyle on two continents among the leading literary, art and intellectual personalities of the day. "Winter in Taos" unfolds in an entirely different pattern, uncluttered with noteworthy names and ornate details. With no chapters dividing the narrative, Luhan describes her simple life in Taos, New Mexico, this "new world" she called it, from season to season, following a thread that spools out from her consciousness as if she's recording her thoughts in a journal. "My pleasure is in being very still and sensing things," she writes, sharing that pleasure with the reader by describing the joys of adobe rooms warmed in winter by aromatic cedar fires; fragrant in spring with flowers; and scented with homegrown fruits and vegetables being preserved and pickled in summer. Having wandered the world, Luhan found her home at last in Taos. "Winter in Taos" celebrates the spiritual connection she established with the "deep living earth" as well as the bonds she forged with Tony Luhan, her "mountain." This moving tribute to a land and the people who eked a life from it reminds readers that in northern New Mexico, where the seasons can be harshly beautiful, one can bathe in the sunshine until "'untied are the knots in the heart,' for there is nothing like the sun for smoothing out all difficulties." Born in 1879 to a wealthy Buffalo family, Mabel Dodge Luhan earned fame for her friendships with American and European artists, writers and intellectuals and for her influential salons held in her Italian villa and Greenwich Village apartments. In 1917, weary of society and wary of a world steeped in war, she set down roots in remote Taos, New Mexico, then publicized the tiny town's inspirational beauty to the world, drawing a steady stream of significant guests to her adobe estate, including artist Georgia O'Keeffe, poet Robinson Jeffers, and authors D.H. Lawrence and Willa Cather. Luhan could be difficult, complex and often cruel, yet she was also generous and supportive, establishing a solid reputation as a patron of the arts and as an author of widely read autobiographies. She died in Taos in 1962.
| Author | : Rachel Cusk |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 192 |
| Release | : 2021-05-04 |
| Genre | : Fiction |
| ISBN | : 0374720797 |
A haunting fable of art, family, and fate from the author of the Outline trilogy. A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma—and disrupts the calm of her secluded household. Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art’s capacity to uplift—and to destroy.
| Author | : Dorothy Brett |
| Publisher | : Sunstone Press |
| Total Pages | : 342 |
| Release | : 2006 |
| Genre | : Authors, English |
| ISBN | : 0865344663 |
In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion. Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence." And, interestingly, Mabel Dodge Luhan called it "clearly and explicitly drawn." Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.
| Author | : Lois Palken Rudnick |
| Publisher | : UNM Press |
| Total Pages | : 416 |
| Release | : 1998-02-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0826326935 |
Winner of the 1996 Gaspar Perez de Villegra Award from the Historical Society of New Mexico Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now available in paperback, Utopian Vistas is a chronicle of the house Luhan built in Taos and the poets, painters, photographers, film-makers, writers, educators, and visionaries whose lives and works were affected by the house and its environs. Lois Rudnick weaves a complex tapestry depicting American countercultures in New Mexico from the 1920s to the 1990s. "Should be required reading for art historians,film historians, ex-Beats and hippies, their children and grandchildren, and anyone interested in the possibility of making an imperfect America perfect at last."--Karal Ann Marling
| Author | : Mabel Dodge Luhan |
| Publisher | : |
| Total Pages | : |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Patricia R. Everett |
| Publisher | : Routledge |
| Total Pages | : 299 |
| Release | : 2021-04-14 |
| Genre | : Psychology |
| ISBN | : 1000369412 |
In 1916, salon host Mabel Dodge entered psychoanalysis with Smith Ely Jelliffe in New York, recording 142 dreams during her six-month treatment. Her dreams, as well as Jelliffe’s handwritten notes from her analytic sessions, provide an unusual and virtually unprecedented access to one woman’s dream life and to the private process of psychoanalysis and its exploration of the unconscious. Through Dodge’s dreams—considered together with Jelliffe’s notes, annotations drawn from her memoirs and unpublished writings, and correspondence between Dodge and Jelliffe during the course of her treatment—the reader becomes immersed in the workings of Dodge’s heart and mind, as well as the larger cultural embrace of psychoanalysis and its world-shattering views. Jelliffe’s notes provide a rare glimpse into the process of dream analysis in an early psychoanalytic treatment, illuminating how he and Dodge often embarked upon an examination of each element of the dream as they explored associations to such details as color and personalities from her childhood. The dreams, with their extensive annotations, provide compelling and original material that deepens knowledge about the early practice of psychoanalysis in the United States, this period in cultural history, and Dodge’s own intricately examined life. This book will be of great interest to psychoanalysts in clinical practice, as well as scholars of the history of psychoanalysis and students of dreams.
| Author | : Lois Palken Rudnick |
| Publisher | : UNM Press |
| Total Pages | : 401 |
| Release | : 1987-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0826325874 |
She was "the most peculiar common denominator that society, literature, art and radical revolutionaries ever found in New York and Europe." So claimed a Chicago newspaper reporter in the 1920s of Mabel Dodge Luhan, who attracted leading literary and intellectual figures to her circle for over four decades. Not only was she mistress of a grand salon, an American Madame de Stael, she was also a leading symbol of the New Woman: sexually emancipated, self-determining, and in control of her destiny. In many ways, her life is the story of America's emergence from the Victorian age. Lois Rudnick has written a unique and definitive biography that examines all aspects of Mabel Dodge Luhan's real and imagined lives, drawing on fictional portraits of Mabel, including those by D. H. Lawrence, Carl Van Vechten, and Gertrude Stein, as well as on Mabel's own voluminous memoirs, letters, and fiction. Rudnick not only assesses Mabel as muse to men of genius but also considers her seriously as a writer, activist, and spirit of the age. This biography will appeal not just to cultural historians but to any woman who has loved and lived with men who are artists and rebels. Both as a liberated woman and as a legend, Mabel Dodge Luhan embodies the cultural forces that shaped modern America.
