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| Author | : Charles K. Stumpf |
| Publisher | : |
| Total Pages | : 127 |
| Release | : 1971 |
| Genre | : Radio plays, American |
| ISBN | : |
| Author | : Charles K. Stumpf |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1986 |
| Genre | : Radio programs |
| ISBN | : |
| Author | : Jim Cox |
| Publisher | : Scarecrow Press |
| Total Pages | : 322 |
| Release | : 2009-07-17 |
| Genre | : Performing Arts |
| ISBN | : 0810863499 |
The period from 1925 to 1960 was the heyday of the American Radio Soap Opera. In addition to being part of popular culture, the soap opera had important commercial aspects as well that were not only related to their production, but also to the desperate need to sell products or perish. Both sides of this story are traced in this comprehensive compendium. The dictionary section, made up of more than 500 cross-referenced entries, provides brief vignettes of the more popular and also less well-known 'soaps,' among them Back Stage Wife, Our Gal Sunday, Pepper Young's Family and The Guiding Light. Other entries evoke those who brought these programs to life: the actors, announcers, scriptwriters, networks, and even the sponsors. Nor are the basic themes, the stock characters and the gimmick, forgotten. The book's introduction defines the soap opera, examines the span of the radio serial, reviews its origins and its demise, and focuses on the character types that made up its denizens. The chronology outlines the period and the bibliography offers further reading. Together, these elements make a comprehensive reference work that researchers will find invaluable long into the future.
| Author | : Jim Cox |
| Publisher | : McFarland |
| Total Pages | : 240 |
| Release | : 2003-05-21 |
| Genre | : Performing Arts |
| ISBN | : 9780786416318 |
Frank and Anne Hummert brought at least 125 separate series to the airwaves. The production dynasty over which they presided extended far beyond the serialized melodrama that became their trademark. Their genres also included music, mystery, juvenile adventure, quiz, sports, news, comedy and dramatic theater. The Hummerts tried to appeal to everyone's tastes and probably influenced more old time radio listeners than anyone else. By the 1940s the twosome controlled four and a half hours of the national weekday broadcast schedule. This book explores the private lives and professional dealings of broadcasting's most prolific creator-producers. There are five appendices: a list of all broadcast series that were created, adapted, supervised, augmented or influenced by the Hummerts; a list of the most active players among radio producers stemming from the Golden Age and their best-remembered titles; a collection of statements attributed to Frank or Anne that express their philosophy of broadcast programming; a chronology of defining moments in the Hummerts' lives; and three sample programming schedules that give the reader a clear understanding of the Hummerts' involvement in radio producing.
| Author | : Jim Cox |
| Publisher | : Scarecrow Press |
| Total Pages | : 323 |
| Release | : 2005-11-15 |
| Genre | : Performing Arts |
| ISBN | : 0810865238 |
The period from 1925 to 1960 was the heyday of the American Radio Soap Opera. In addition to being part of popular culture, the soap opera had important commercial aspects as well that were not only related to their production, but also to the desperate need to sell products or perish. Both sides of this story are traced in this comprehensive compendium. The dictionary section, made up of more than 500 cross-referenced entries, provides brief vignettes of the more popular and also less well-known 'soaps,' among them Back Stage Wife, Our Gal Sunday, Pepper Young's Family and The Guiding Light. Other entries evoke those who brought these programs to life: the actors, announcers, scriptwriters, networks, and even the sponsors. Nor are the basic themes, the stock characters and the gimmick, forgotten. The book's introduction defines the soap opera, examines the span of the radio serial, reviews its origins and its demise, and focuses on the character types that made up its denizens. The chronology outlines the period and the bibliography offers further reading. Together, these elements make a comprehensive reference work that researchers will find invaluable long into the future.
| Author | : Jim Cox |
| Publisher | : McFarland |
| Total Pages | : 225 |
| Release | : 2015-09-16 |
| Genre | : Performing Arts |
| ISBN | : 0786462396 |
Until the late 1940s, most Americans relied heavily upon radio, the only means of mass communication they knew, for information and entertainment. But with the 1950s came television sets and prosperity enabled more people to afford them. Radio began a decline. This work examines what could be called the final decade of AM network radio and the many factors that contributed to its decline. The first chapter is an overview of AM radio in the 1950s. The second chapter covers 1950 through 1953, when radio was still a popular medium but faced a need to make changes in its programming. Bill Paley and David Sarnoff strongly promoted radio in those years and the networks attempted to increase the ratings of their programs. Chapter three covers 1954 through 1956, three years in which radio experienced losses of its primary audience and some of its most popular shows (because of the pullout of advertisers), and an effort was made by the networks to keep their programs going and to convince audiences the medium was not on its way out. Chapter four, 1957 through 1960, chronicles the "end" of AM radio in homes, the cancellation of almost all remaining programs, network affiliates' going independent, and the rise in popularity of "drive time" radio. Chapter five covers 1961 to the present and summarizes the major changes that have taken place.
| Author | : Christopher H. Sterling |
| Publisher | : Routledge |
| Total Pages | : 2383 |
| Release | : 2010-04-12 |
| Genre | : Performing Arts |
| ISBN | : 1135176833 |
The average American listens to the radio three hours a day. In light of recent technological developments such as internet radio, some argue that the medium is facing a crisis, while others claim we are at the dawn of a new radio revolution. The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. It brings together the best and most important entries from the three-volume Museum of Broadcast Communications Encyclopedia of Radio, edited by Christopher Sterling. Comprised of more than 300 entries spanning the invention of radio to the Internet, The Concise Encyclopedia of American Radio addresses personalities, music genres, regulations, technology, programming and stations, the "golden age" of radio and other topics relating to radio broadcasting throughout its history. The entries are updated throughout and the volume includes nine new entries on topics ranging from podcasting to the decline of radio. The Concise Encyclopedia of American Radio include suggestions for further reading as complements to most of the articles, biographical details for all person-entries, production credits for programs, and a comprehensive index.
| Author | : Gerard Jones |
| Publisher | : Macmillan |
| Total Pages | : 324 |
| Release | : 1993-03-15 |
| Genre | : Performing Arts |
| ISBN | : 9780312088101 |
Gerard Jone's Honey, I'm Home! has been widely acclaimed as the premier primer on America's Morality Plays-the TV situation comedies that have chained us to our Barcaloungers ever since Lucy first bawled her way into our hearts. Recalling the best and worst the sitcoms have had to offer, Jones recreates their atmosphere and their times with wisdom and style; paralleling the memory-lane trip is his shrewd and provocative assessment of the sitcom's influence on modern society. From Farther Knows Best to Married...with Children, from the empty calories of The Brady Bunch to the social commentary of All in the Family, Honey, I'm Home! is a connoisseur's guide to the sitcom world-where everybody knows your name, and any problem can be solved in twenty-two minutes, plus commercials.
| Author | : Christopher H. Sterling |
| Publisher | : Routledge |
| Total Pages | : 2848 |
| Release | : 2004-03 |
| Genre | : Reference |
| ISBN | : 1135456496 |
Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.
| Author | : Ron Lackmann |
| Publisher | : McFarland |
| Total Pages | : 190 |
| Release | : 2015-01-09 |
| Genre | : Performing Arts |
| ISBN | : 0786483822 |
American actress Mercedes McCambridge is an Academy Award-winning star of radio, television, film, and the stage, active in all four entertainment mediums between 1936 and 1991. Publicly, she was active in politics, a lecturer at several colleges, and an important activist in the fight against alcoholism; privately, she suffered from divorces, miscarriages, suicide attempts, the death of her only child, and a hard-won battle with her own alcoholism. From roles on such radio shows as Lights Out! at 19 to her starring role in Neil Simon's play Lost in Yonkers at 75, this biography both reveals her personal life and career and gives insight into an important period of show business history. Part I is a full biography from McCambridge's birth in Illinois in 1916 to her 1998 appearance at the Academy Awards. Part II gives McCambridge's radio, television, film, and theatre performances, each entry listing the name of the show, name of the character, dates, other performers, directors, and an indication of which were sustained short- or long-running roles and which single performances on a radio or television series. Research is drawn from books, periodicals, and personal interviews with McCambridge's peers.
