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Court and Humour in the French Renaissance

Court and Humour in the French Renaissance
Author: Sarah Alyn Stacey
Publisher: Peter Lang
Total Pages: 276
Release: 2009
Genre: History
ISBN: 9783039105595

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This collection of essays by thirteen renowned specialists in the fields of French Renaissance literature and history is a fitting tribute to the scholarship of Pauline Smith, Emeritus Professor in French at the University of Hull and Research Associate of the Centre for Medieval and Renaissance Studies, Trinity College, Dublin. The essays, which focus on areas of research to which Professor Smith has herself given - and continues to give - particular attention, are organised into two frequently converging strands: court and humour. The contributors engage with political and cultural issues at the heart of the construction and aesthetic expression of the French Renaissance, whilst also offering insights into the broader European context. The collection as a whole challenges and revises a number of established views and identifies paths for future research.


M. Accii Plauti Comœdiæ

M. Accii Plauti Comœdiæ
Author: Titus Maccius Plautus
Publisher:
Total Pages: 520
Release: 1829
Genre: Latin drama
ISBN:

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Language and Rhythm in Plautus

Language and Rhythm in Plautus
Author: Benjamin Fortson
Publisher: Walter de Gruyter
Total Pages: 314
Release: 2008-12-10
Genre: Literary Criticism
ISBN: 3110210029

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The plays of Plautus have long been recognized as a unique mine of information about the spoken Latin of the 3rd and 2nd centuries BC. But detailed and up-to-date linguistic treatments of the Plautine meters and other phenomena in his plays have hitherto been lacking. This book seeks to remedy that gap by presenting a series of case-studies to glean information about the synchronic grammar of Plautine Latin, in particular the rhythmic organization of Latin speech and the effects of syntactic processes on Latin prosodic phonology. Some of the topics, such as enjambement and the aphaeresis of “est”, have never before received such treatment, while others, such as Meyer’s and Luchs’s laws, split resolutions, and iambic shortening, are provided a firmer linguistic footing, and fuller discussion of allied issues, than hitherto. Topics in Italic syntax (such as the syntactic structure of adpositional phrases and their history) and in Indo-European morphophonology (such as the prosodic status of finite verbs) are dealt with as well, as is an investigation into the effects of pragmatics on the rhythmic organization of phrases. The book will be of interest to classicists, comparative philologists, and general linguists.