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Chuck D

Chuck D
Author: Chuck D
Publisher:
Total Pages: 448
Release: 2006
Genre: Art
ISBN:

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Lyrics of Chuck D, interspersed with the rapper's reflections.


Lyrics of a Rap Revolutionary

Lyrics of a Rap Revolutionary
Author: Chuck D
Publisher: KingDoMedia
Total Pages: 412
Release:
Genre: Music
ISBN:

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The power is in the mic, and the power has been unleashed in clubs, arenas, stadiums, stages, and parks all over the planet. MC's are able to connect with its audience in a way that the music alone cannot. Hip Hop, via the MC, has undoubtedly become the voice of a new generation. Much attention has been paid to the staggering impact hip hop music and culture has had on the greater American and world cultures; its influence on fashion, television, advertising, and the attitudes of the world’s youth. However, not nearly as much attention has been paid to the social and political impact that the art form and its artists have had. Lyrics of a Rap Revolutionary is designed to transcend rap and venture into the realm of offering commentary and analysis into some of the deeper aspects of life itself. As one of rap’s preeminent political and social groups of all time, front man Chuck D offers direct explanations and interpretations of what his lyrics are about as a tool to help set minds free in this "hustle and flow and get rich or die tryin times." Chuck D — consistently ranked as one of the greatest rappers of all time — will provide insight in the creation of Hip-Hop iconic albums 1988’s “It Takes a Nation of Millions to Hold Us Back” and 1990’s “Fear of a Black Planet”, both recognized among the greatest politically charged albums of all time featuring rap classics such as "Fight the Power," "Don’t Believe The Hype," "Can’t Truss It," and "Welcome to the Terrordome." As Chuck D explains, "We must remain mindful that there’s a road to freedom, and resist the embarrassingly popular trend that ignorance and a ghetto mentality, which is cast upon us, is our only food for thought or food for non-thought. As MC's we must become more responsible and revolutionary in our approach, because we have young people around the globe listening to our every word and watching our every step." Lyrics of a Rap Revolutionary: Times, Rhymes & Mind of Chuck D will clarify, in a way similar to when a person rereads a book ten years after originally reading it, and allow for a deeper understanding and further insight into the thoughts behind classic and controversial Public Enemy lyrics. Admirers proclaimed him the Bob Dylan or Bob Marley of rap. -- Los Angeles Times One of the most politically and socially conscious artists of any generation? -- Spike Lee Chuck D is the greatest voice in Hip Hop history as far as social commentary and rhymes for the upliftment of Black people. Chuck D is in a league of his own. -- Kool Moe Dee


Talkin' 'Bout a Revolution

Talkin' 'Bout a Revolution
Author: Dick Weissman
Publisher: Backbeat Books
Total Pages: 330
Release: 2010-05-01
Genre: Music
ISBN: 1476854521

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(Book). Talkin' 'Bout a Revolution is a comprehensive guide to the relationship between American music and politics. Music expert Dick Weissman opens with the dawn of American history, then moves to the book's key focus: 20th-century music songs by and about Native Americans, African-Americans, women, Spanish-speaking groups, and more. Unprecedented in its approach, the book offers a multidisciplinary discussion that is broad and diverse, and illuminates how social events impact music as well as how music impacts social events. Weissman delves deep, covering everything from current Native American music to "music of hate" racist and neo-Nazi music to the music of the Gulf wars, union songs, patriotic and antiwar songs, and beyond. A powerful tool for professors teaching classes about politics and music and a stimulating, accessible read for all kinds of appreciators, from casual music fans to social science lovers and devout music history buffs.


Women Rapping Revolution

Women Rapping Revolution
Author: Kellie D. Hay
Publisher: University of California Press
Total Pages: 247
Release: 2020-06-09
Genre: Music
ISBN: 0520305329

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Detroit, MIchigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit’s ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.


Muslim Rap, Halal Soaps, and Revolutionary Theater

Muslim Rap, Halal Soaps, and Revolutionary Theater
Author: Karin van Nieuwkerk
Publisher: University of Texas Press
Total Pages: 302
Release: 2011-12-15
Genre: Social Science
ISBN: 0292742592

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From "green" pop and "clean" cinema to halal songs, Islamic soaps, Muslim rap, Islamist fantasy serials, and Suficized music, the performing arts have become popular and potent avenues for Islamic piety movements, politically engaged Islamists, Islamic states, and moderate believers to propagate their religio-ethical beliefs. Muslim Rap, Halal Soaps, and Revolutionary Theater is the first book that explores this vital intersection between artistic production and Islamic discourse in the Muslim world. The contributors to this volume investigate the historical and structural conditions that impede or facilitate the emergence of a "post-Islamist" cultural sphere. They discuss the development of religious sensibilities among audiences, which increasingly include the well-to-do and the educated young, as well as the emergence of a local and global religious market. At the heart of these essays is an examination of the intersection between cultural politics, performing art, and religion, addressing such questions as where, how, and why pop culture and performing arts have been turned into a religious mission, and whether it is possible to develop a new Islamic aesthetic that is balanced with religious sensibilities. As we read about young Muslims and their quest for a "cool Islam" in music, their struggle to quell their stigmatized status, or the collision of morals and the marketplace in the arts, a vivid, varied new perspective on Muslim culture emerges.


Metal, Rap, and Electro in Post-Revolutionary Tunisia

Metal, Rap, and Electro in Post-Revolutionary Tunisia
Author: Stefano Barone
Publisher: Routledge
Total Pages: 174
Release: 2019-04-23
Genre: Music
ISBN: 1351046098

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Metal, Rap, and Electro in Tunisia is a trip into the music scenes of Tunisia after the Arab Springs. Based on extensive field research, the book explores the social life of heavy metal, rap, and electronic music in a North African country whose mass revolution of 2010/2011 led the way to a troubled and yet unique democracy. What is it like to be part of a music scene in a place affected by poverty and inequality? How do the many conflicted souls of Tunisian Islam shape local metal, rap, and electro? What are the social and cultural stakes for music in a nation constantly represented as a bridge between Europe and the Middle East? How do music scenes articulate the complex political scenario that followed the Tunisian revolution of 2011? Barone answers these questions by offering new theoretical reflections on youth cultures and popular music in a global perspective, and thus pushing the debate on "post-subcultures" and scenes forward. At the same time, the book offers a dense sociological analysis of youth and music in reality - the Tunisian one - whose society, culture, religion, and politics are at stake in a historical transformation.


Encyclopedia of Hip Hop Literature

Encyclopedia of Hip Hop Literature
Author: Tarshia L. Stanley
Publisher: Bloomsbury Publishing USA
Total Pages: 312
Release: 2008-12-30
Genre: Literary Criticism
ISBN: 031334390X

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Hip Hop literature, also known as urban fiction or street lit, is a type of writing evocative of the harsh realities of life in the inner city. Beginning with seminal works by such writers as Donald Goines and Iceberg Slim and culminating in contemporary fiction, autobiography, and poetry, Hip Hop literature is exerting the same kind of influence as Hip Hop music, fashion, and culture. Through more than 180 alphabetically arranged entries, this encyclopedia surveys the world of Hip Hop literature and places it in its social and cultural contexts. Entries cite works for further reading, and a bibliography concludes the volume. Coverage includes authors, genres, and works, as well as on the musical artists, fashion designers, directors, and other figures who make up the context of Hip Hop literature. Entries cite works for further reading, and the encyclopedia concludes with a selected, general bibliography. Students in literature classes will value this guide to an increasingly popular body of literature, while students in social studies classes will welcome its illumination of American cultural diversity.


Public Enemy's It Takes a Nation of Millions to Hold Us Back

Public Enemy's It Takes a Nation of Millions to Hold Us Back
Author: Christopher R. Weingarten
Publisher: Bloomsbury Publishing USA
Total Pages: 161
Release: 2010-04-08
Genre: Music
ISBN: 1441142843

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Christopher R. Weingarten provides a thrilling account of how the Bomb Squad produced such a singular-sounding record: engineering, sampling, scratching, constructing, deconstructing, reconstructing - even occasionally stomping on vinyl that sounded too clean. Using production techniques that have never been duplicated, the Bomb Squad plundered and reconfigured their own compositions to make frenetic splatter collages; they played samples by hand together in a room like a rock band to create a "not quite right" tension; they hand-picked their samples from only the ugliest squawks and sirens. Weingarten treats the samples used on Nation Of Millions as molecules of a greater whole, slivers of music that retain their own secret histories and folk traditions. Can the essence of a hip-hop record be found in the motives, emotions and energies of the artists it samples? Is it likely that something an artist intended 20 years ago would re-emerge anew? This is a compelling and thoroughly researched investigation that tells the story of one of hip-hop's landmark albums.


Translating the Language of the Syrian Revolution (2011/12)

Translating the Language of the Syrian Revolution (2011/12)
Author: Eylaf Bader Eddin
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 294
Release: 2023-11-20
Genre: History
ISBN: 3110767694

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While the Arab revolutions have obviously triggered extensive social and political changes, the far-reaching consequences of the cultural and discursive changes have yet to be adequately considered. For activists, researchers and journalists, the revolution was primarily a revolution in language; a break with the linguistic oppression and the rigidity of the old regimes. This break was accompanied by the emergence of new languages, which made it possible to inform, tell and translate the ongoing events and transformations. This language of the revolution was carried out into the world by competing voices from Syria (by local and foreign researchers, activists, and journalists). The core of this project is to find the various translations of the language of the Syrian revolution (2011 -2012) from Arabic to English to study and analyze. In addition, the discursive and non-discursive dimensions of the revolution are to be seen as another act of translation, including the language of the banners, slogans, graffiti, songs and their representation in English. This research aims, in addition to contextualizing the language of the revolution, to demonstrate how this language was translated into English through three levels of translation. The first explores the context of translations from Arabic into English and examines three English books written about Syria. The second level sees translation as an act of importation into the dominant discourse and is exemplified with three books representing the revolutionary language. The third, and last, level looks at translation from the margin to the center, represented by activist translations from Arabic into English. The research tries to study how translations of the language of the Syrian revolution are reshaped after leaving their originating discourse and entering the English one