Lucio Pardo oral history (interview code: 41700)
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Total Pages | : 0 |
Release | : 1998 |
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Total Pages | : 0 |
Release | : 1998 |
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Total Pages | : 0 |
Release | : 1995 |
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Author | : John E. Cooney |
Publisher | : Simon & Schuster |
Total Pages | : 456 |
Release | : 1982 |
Genre | : Biography & Autobiography |
ISBN | : |
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Author | : Samuel Devons |
Publisher | : |
Total Pages | : 379 |
Release | : 1969 |
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Author | : R. W. Davies |
Publisher | : OUP Oxford |
Total Pages | : 500 |
Release | : 2004-04-08 |
Genre | : Medical |
ISBN | : 0191585831 |
Nerve cells - neurons - are arguably the most complex of all cells. From the action of these cells comes movement, thought and consciousness. It is a challenging task to understand what molecules direct the various diverse aspects of their function. This has produced an ever-increasing amount of molecular information about neurons, and only in Molecular Biology of the Neuron can a large part of this information be found in one source. In this book, a non-specialist can learn about the molecules that control information flow in the brain or the progress of brain disease in an approachable format, while the expert has access to a wealth of detailed information from a wide range of topics impacting on his or her field of endeavour. The text is designed to achieve a balance of accessibility and broad coverage with up-to-date molecular detail. In the six years since the first edition of Molecular Biology of the Neuron there has been an explosion in the molecular information about neurons that has been discovered, and this information is incorporated into this second edition. Entirely new chapters have been introduced where recent advances have made a new aspect of neuronal function more comprehensible at the molecular level. Written by leading researchers in the field, the book provides an essential overview of the molecular structure and function of neurons, and will be an invaluable tool to students and researchers alike.
Author | : Keith Allen |
Publisher | : |
Total Pages | : 265 |
Release | : 1989 |
Genre | : Evolution |
ISBN | : 9781852931490 |
Author | : Augusta de Wit |
Publisher | : |
Total Pages | : 346 |
Release | : 1905 |
Genre | : Java (Indonesia) |
ISBN | : |
Author | : Henry Brougham Guppy |
Publisher | : London : S. Sonneschein, Lowrey |
Total Pages | : 424 |
Release | : 1887 |
Genre | : Geology |
ISBN | : |
Author | : John Claudius Pitrat |
Publisher | : |
Total Pages | : 262 |
Release | : 1857 |
Genre | : Future punishment |
ISBN | : |
Author | : A. Horsley Hinton |
Publisher | : DAWBARN & WARD, LIMITED |
Total Pages | : 180 |
Release | : 2013 |
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A Handbook of Illustration This may be said to be the primary and normal function of an Illustration. Throughout the pages of this book, and to whatever extent the student may practise the methods herein described, it may be well to keep very clearly in mind the legitimate function of an illustration, namely: to describe, to portray, and to do this chiefly as an auxiliary to written language. To such a kind belongs the rude scratchings of the primæval man, whose limited powers of speech forbade his adequately describing the forms of those creatures whose pursuit meant life, whose disregard would mean death, and of such kind were the hieroglyphics of the East. Nay, who shall say that the very forms of letters themselves are not the outcome of early effort to convey to the eye of another what might otherwise only have been imperfectly communicated through other senses: a means to an end; a servant, a tool, in the hands of him who would wield it. But in the beginning there was a making of drawings and designs which had another purpose. The gourd, or rough clay vessel, was graved and marked with devices and forms suggested by the curves and shapes in Nature, but this was merely for decoration; to please the eye, and not to serve any purpose but to give pleasure. A means to an end in this sense perhaps, but note that the end was in the commencement of it, and went no further after completion; it gave pleasure to the beholder and no more, and nothing more was intended or asked. Thus was Art born—not to teach, nor to explain, nor to illustrate.