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| Author | : James Eugene Klein |
| Publisher | : Xlibris Corporation |
| Total Pages | : 152 |
| Release | : 2013-08-27 |
| Genre | : Religion |
| ISBN | : 1483657353 |
"Never believe anything you are told, by anyone, particularly when they tell you that you must believe it. Always think for yourselves and make your own decisions. Don't let anyone tell you what to think, how to think or what to believe."
| Author | : |
| Publisher | : |
| Total Pages | : 512 |
| Release | : 1888 |
| Genre | : Theosophy |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 540 |
| Release | : 1894-03 |
| Genre | : Theosophy |
| ISBN | : |
| Author | : John M. Ingham |
| Publisher | : University of Texas Press |
| Total Pages | : 229 |
| Release | : 2010-07-22 |
| Genre | : Social Science |
| ISBN | : 0292788665 |
The physical signs of Roman Catholicism pervade the Mexican countryside. Colonial churches and neighborhood chapels, wayside shrines, and mountaintop crosses dot the landscape. Catholicism also permeates the traditional cultures of rural communities, although this ideational influence is less immediately obvious. It is often couched in enigmatic idiom and imagery, and it is further obscured by the vestiges of pagan customs and the anticlerical attitudes of many villagers. These heterodox tendencies have even led some observers to conclude that Catholicism in rural Mexico is little more than a thin veneer on indigenous practice. In Mary, Michael, and Lucifer John M. Ingham attempts to develop a modern semiotic and structuralist interpretation of traditional Mexican culture, an interpretation that accounts for the culture's apparent heterodoxy. Drawing on field research in Tlayacapan, Morelos, a village in the central highlands, he shows that nearly every domain of folk culture is informed with religious meaning. More precisely, the Catholic categories of spirit, nature, and evil compose the basic framework of the villagers' social relations and subjective experiences.
| Author | : Jeffrey Andrew Weinstock |
| Publisher | : Fordham University Press |
| Total Pages | : 219 |
| Release | : 2021-10-05 |
| Genre | : Performing Arts |
| ISBN | : 0823297918 |
Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan’s ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind’s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers’ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the “prince of darkness” merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary’s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O’Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock
| Author | : Ruben van Luijk |
| Publisher | : Oxford University Press |
| Total Pages | : 880 |
| Release | : 2016-05-02 |
| Genre | : Religion |
| ISBN | : 019027512X |
If we are to believe sensationalist media coverage, Satanism is, at its most benign, the purview of people who dress in black, adorn themselves with skull and pentagram paraphernalia, and listen to heavy metal. At its most sinister, its adherents are worshippers of evil incarnate and engage in violent and perverse secret rituals, the details of which mainstream society imagines with a fascination verging on the obscene. Children of Lucifer debunks these facile characterizations by exploring the historical origins of modern Satanism. Ruben van Luijk traces the movement's development from a concept invented by a Christian church eager to demonize its internal and external competitors to a positive (anti-)religious identity embraced by various groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory. This story involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, and culminates in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet it is more than a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes toward Satan proves to be intimately linked to the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process which saw Western culture spontaneously renounce its traditional gods and enter into a self-imposed state of religious indecision. Children of Lucifer makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it. Offering the most comprehensive account of this history yet written, van Luijk proves that, in the case of Satanism, the facts are much more interesting than the fiction.
| Author | : John Jaques |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 1877 |
| Genre | : Catechisms, English |
| ISBN | : |
| Author | : Arnold Huijgen |
| Publisher | : Vandenhoeck & Ruprecht |
| Total Pages | : 288 |
| Release | : 2015-03-11 |
| Genre | : Religion |
| ISBN | : 3647550841 |
At the occasion of the 450th anniversary of the Heidelberg Catechism, an international conference on the spirituality of the Heidelberg Catechism was held at the Theological University Apeldoorn, 21-22 June 2013. This publication offers the plenary papers presented, and a selection of the short papers. While the papers center on the Catechism's spirituality, a wide range of topics is covered, from both historical and theological perspectives. These topics include: the roles of Ursinus and Olevianus, controverse theologians, anabaptist spirituality, comparisons with Calvin's Genevan Catechism and the later Synopsis of Purer Theology. Also, the distinct spirituality of faith, regeneration, the trinity, the law and prayer in the Heidelberg Catechism are scrutinized, besides the idea of mystical union and the art of dying and living. Three contributions reflect on the controversy on the Eucharist which has stamped the Heidelberg Catechism. From a practical-theological perspective, the preaching and teaching of the Catechism are discussed, as well as the mode of gospel presentation and the permanent character of catechetical instruction. So, this volume offers a broad range of scholarly perspectives on the Catechism. Its spirituality is famous for the first question and answer, on the only comfort in life and death: That I am not my own, but belong – body and soul, in life and in death – to my faithful Savior, Jesus Christ.""
| Author | : John Elder Jaques |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 78 |
| Release | : 2024-08-01 |
| Genre | : Fiction |
| ISBN | : 338555005X |
Reprint of the original, first published in 1877.
| Author | : Sean P. Murphy |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 204 |
| Release | : 2003 |
| Genre | : Literary Criticism |
| ISBN | : 9780838639504 |
In A Portrait and Ulysses, Joyce carefully disassembles the totality of civil society Dubliners inhabit to reveal the ways in which the church and state circumscribe citizens' imagination. The colonized, however, do possess power to deform cultural directives and to resist the roles in which colonizers cast them, but this power originates within logics which exclude and divide."--Jacket.
