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Louis Armstrong - Original Keys for Singers (Songbook)

Louis Armstrong - Original Keys for Singers (Songbook)
Author: Louis Armstrong
Publisher: Hal Leonard Corporation
Total Pages: 175
Release: 2009-11-01
Genre: Music
ISBN: 1458452964

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(Vocal Piano). Features authentic vocal/piano transcriptions of 17 Satchmo classics in their original keys! Includes: Ain't Misbehavin' * Basin Street Blues * Cabaret * Dream a Little Dream of Me * Georgia on My Mind * Hello, Dolly! * Mack the Knife * Makin' Whoopee! * Mame * St. Louis Blues * What a Wonderful World * When the Saints Go Marching In * Zip-A-Dee-Doo-Dah * and more.


Louis Armstrong

Louis Armstrong
Author: Louis Armstrong
Publisher: Hal Leonard Publishing Corporation
Total Pages: 96
Release: 2009
Genre: Music
ISBN: 9781423465874

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(Vocal Piano). Features authentic vocal/piano transcriptions of 17 Satchmo classics in their original keys! Includes: Ain't Misbehavin' * Basin Street Blues * Cabaret * Dream a Little Dream of Me * Georgia on My Mind * Hello, Dolly! * Mack the Knife * Makin' Whoopee! * Mame * St. Louis Blues * What a Wonderful World * When the Saints Go Marching In * Zip-A-Dee-Doo-Dah * and more.


Ella Fitzgerald - Original Keys for Singers (Songbook)

Ella Fitzgerald - Original Keys for Singers (Songbook)
Author: Ella Fitzgerald
Publisher: Hal Leonard Corporation
Total Pages: 202
Release: 2004-09-01
Genre: Music
ISBN: 1458452425

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(Vocal Piano). Arguably the best female jazz singer ever, no one could out-swing or out-scat "The First Lady of Song." This fine book features authentic transcriptions in the original keys of 25 Fitzgerald classics in voice with piano accompaniment format: A-tisket, A-tasket * But Not for Me * Easy to Love * Embraceable You * The Lady Is a Tramp * Misty * Oh, Lady Be Good! * Satin Doll * Stompin' at the Savoy * Take the "A" Train * and more. Includes a biography and discography. A must for every jazz singer's library!


Taylor Swift - Original Keys for Singers

Taylor Swift - Original Keys for Singers
Author: Taylor Swift
Publisher: Hal Leonard Publishing Corporation
Total Pages: 0
Release: 2015
Genre: Country music
ISBN: 9781495012679

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(Vocal Piano). This book features authentic transcriptions in the original keys of a dozen of the biggest hits from country/pop crossover superstar Taylor Swift in voice with piano accompaniment format: Back to December * Blank Space * I Knew You Were Trouble * Love Story * Mean * Our Song * Shake It Off * Teardrops on My Guitar * 22 * We Are Never Ever Getting Back Together * White Horse * You Belong with Me.


Sarah Vaughan - Original Keys for Singers (Songbook)

Sarah Vaughan - Original Keys for Singers (Songbook)
Author: Sarah Vaughan
Publisher: Hal Leonard Corporation
Total Pages: 223
Release: 2004-11-01
Genre: Music
ISBN: 1458481115

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(Vocal Piano). The All Music Guide calls Vaughan "one of the most wondrous voices of the 20th century." This collection gathers 25 of her classics arranged in her original keys so today's singers can try and match her performances. Songs include: Black Coffee * But Not for Me * Cherokee (Indian Love Song) * Darn That Dream * East of the Sun (And West of the Moon) * If You Could See Me Now * It Might As Well Be Spring * Lullaby of Birdland * The Man I Love * My Funny Valentine * The Nearness of You * A Night in Tunisia * Perdido * September Song * Tenderly * and more.


The Very Best of the Rat Pack (Songbook)

The Very Best of the Rat Pack (Songbook)
Author: Dean Martin
Publisher: Hal Leonard Corporation
Total Pages: 168
Release: 2011-05-01
Genre: Music
ISBN: 145843477X

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(Piano/Vocal/Guitar Artist Songbook). Our P/V/G folio matches the compilation of swinging smash hits from Frank Sinatra, Dean Martin and Sammy Davis Jr. Contains 18 tunes from their heyday: Ain't That a Kick in the Head * The Birth of the Blues * Come Fly with Me * Everybody Loves Somebody * I've Got You Under My Skin * Luck Be a Lady * Me and My Shadow * Sam's Song * Volare * Witchcraft * and more, plus a previously unreleased Sinatra recording of "I'm Gonna Live Until I Die." A must for all fans of this golden era!


The American Song Book

The American Song Book
Author: Philip Furia
Publisher: Oxford University Press
Total Pages: 279
Release: 2016
Genre: Music
ISBN: 0199391882

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The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.


Satchmo

Satchmo
Author: Louis Armstrong
Publisher: Da Capo Press
Total Pages: 250
Release: 1986
Genre: Biography & Autobiography
ISBN: 0306802767

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"In all my whole career the Brick House was one of the toughest joints I ever played in. It was the honky-tonk where levee workers would congregate every Saturday night and trade with the gals who'd stroll up and down the floor and the bar. Those guys would drink and fight one another like circle saws. Bottles would come flying over the bandstand like crazy, and there was lots of just plain common shooting and cutting. But somehow all that jive didn't faze me at all, I was so happy to have some place to blow my horn." So says Louis Armstrong, a tough kid who just happened to be a musical genius, about one of the places where he performed and grew up. This raucous, rich tale of his early days in New Orleans concludes with his departure to Chicago at twenty-one to play with his boyhood idol King Oliver, and tells the story of a life that began, mythically, on July 4, 1900, in the city that sowed the seeds of jazz.


Creating the Jazz Solo

Creating the Jazz Solo
Author: Vic Hobson
Publisher: Univ. Press of Mississippi
Total Pages: 288
Release: 2018-11-15
Genre: Biography & Autobiography
ISBN: 1496819799

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Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, "I figure singing and playing is the same," or, "Singing was more into my blood than the trumpet." Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.