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| Author | : Natalia Roudakova |
| Publisher | : Cambridge University Press |
| Total Pages | : 279 |
| Release | : 2017-09-28 |
| Genre | : Political Science |
| ISBN | : 1107171121 |
The story of the spectacular unravelling of journalism as a profession in Russia in the last thirty years.
| Author | : Tom Nichols |
| Publisher | : Oxford University Press |
| Total Pages | : 240 |
| Release | : 2017-02-01 |
| Genre | : Political Science |
| ISBN | : 0190469439 |
Technology and increasing levels of education have exposed people to more information than ever before. These societal gains, however, have also helped fuel a surge in narcissistic and misguided intellectual egalitarianism that has crippled informed debates on any number of issues. Today, everyone knows everything: with only a quick trip through WebMD or Wikipedia, average citizens believe themselves to be on an equal intellectual footing with doctors and diplomats. All voices, even the most ridiculous, demand to be taken with equal seriousness, and any claim to the contrary is dismissed as undemocratic elitism. Tom Nichols' The Death of Expertise shows how this rejection of experts has occurred: the openness of the internet, the emergence of a customer satisfaction model in higher education, and the transformation of the news industry into a 24-hour entertainment machine, among other reasons. Paradoxically, the increasingly democratic dissemination of information, rather than producing an educated public, has instead created an army of ill-informed and angry citizens who denounce intellectual achievement. When ordinary citizens believe that no one knows more than anyone else, democratic institutions themselves are in danger of falling either to populism or to technocracy or, in the worst case, a combination of both. An update to the 2017breakout hit, the paperback edition of The Death of Expertise provides a new foreword to cover the alarming exacerbation of these trends in the aftermath of Donald Trump's election. Judging from events on the ground since it first published, The Death of Expertise issues a warning about the stability and survival of modern democracy in the Information Age that is even more important today.
| Author | : Piers Bizony |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 258 |
| Release | : 2011-05-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0802779611 |
On April 12, 1961, Yuri Gagarin became the first person in history to leave the Earth's atmosphere and venture into space. His flight aboard a Russian Vostok rocket lasted only 108 minutes, but at the end of it he had become the most famous man in the world. Back on the ground, his smiling face captured the hearts of millions around the globe. Film stars, politicians and pop stars from Europe to Japan, India to the United States vied with each other to shake his hand. Despite this immense fame, almost nothing is known about Gagarin or the exceptional people behind his dramatic space flight. Starman tells for the first time Gagarin's personal odyssey from peasant to international icon, his subsequent decline as his personal life began to disintegrate under the pressures of fame, and his final disillusionment with the Russian state. President Kennedy's quest to put an American on the Moon was a direct reaction to Gagarin's achievement--yet before that successful moonshot occurred, Gagarin himself was dead, aged just thirty-four, killed in a mysterious air crash. Publicly the Soviet hierarchy mourned; privately their sighs of relief were almost audible, and the KGB report into his death remains secret. Entwined with Gagarin's history is that of the breathtaking and highly secretive Russian space program - its technological daring, its triumphs and disasters. In a gripping account, Jamie Doran and Piers Bizony reveal the astonishing world behind the scenes of the first great space spectacular, and how Gagarin's flight came frighteningly close to destruction.
| Author | : Johan Farkas |
| Publisher | : Routledge |
| Total Pages | : 194 |
| Release | : 2019-08-23 |
| Genre | : Political Science |
| ISBN | : 1000507289 |
Western societies are under siege, as fake news, post-truth and alternative facts are undermining the very core of democracy. This dystopian narrative is currently circulated by intellectuals, journalists and policy makers worldwide. In this book, Johan Farkas and Jannick Schou deliver a comprehensive study of post-truth discourses. They critically map the normative ideas contained in these and present a forceful call for deepening democracy. The dominant narrative of our time is that democracy is in a state of emergency caused by social media, changes to journalism and misinformed masses. This crisis needs to be resolved by reinstating truth at the heart of democracy, even if this means curtailing civic participation and popular sovereignty. Engaging with critical political philosophy, Farkas and Schou argue that these solutions neglect the fact that democracy has never been about truth alone: it is equally about the voice of the democratic people. Post-Truth, Fake News and Democracy delivers a sobering diagnosis of our times. It maps contemporary discourses on truth and democracy, foregrounds their normative foundations and connects these to historical changes within liberal democracies. The book will be of interest to students and scholars studying the current state and future of democracy, as well as to a politically informed readership.
| Author | : David M. Ryfe |
| Publisher | : John Wiley & Sons |
| Total Pages | : 224 |
| Release | : 2016-12-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1509514449 |
The public, James Carey famously wrote, is the god-term of journalism, the term without which the entire enterprise fails to make sense. In the last thirty years, scholars have made great progress in understanding just what this means. In this much-needed new book, leading scholar David Ryfe takes readers on a journey through the literature that explores this most important of relationships. He discusses how and why journalism first emerged in the United States, and why journalism everywhere shares a family resemblance but is nowhere practised in precisely the same way. He goes on to explain why journalists have such difficulty talking about the business aspects of their profession, and explores the boundaries of the field's collective imagination. Ryfe looks at the nature of change in journalism, providing sketches of its possible futures. Ultimately, he argues that the public is a keyword for journalism because it is impossible to understand the practice without it. This rich and insightful guide will prove indispensable for anyone interested in understanding the practice of journalism.
| Author | : Dina Fainberg |
| Publisher | : JHU Press |
| Total Pages | : 373 |
| Release | : 2021-01-19 |
| Genre | : History |
| ISBN | : 1421438453 |
Foreign correspondents played a crucial role in promoting the ideas and values of the Cold War. As they brought the foreign world to their Soviet and American readers, these journalists projected their own ideologies onto their reporting. In an age of mutual acrimony and closed borders, journalists were among the few individuals who crossed the Iron Curtain. Their reporting strongly influenced the ways that policy makers, pundits, and ordinary people came to understand the American or the Soviet "other." In Cold War Correspondents, Dina Fainberg examines how Soviet and American journalists covered the rival superpower and how two distinctive sets of truth systems, professional practices, and political cultures shaped international reporting. Fainberg explores private and public interactions among multiple groups that shaped coverage of the Cold War adversary, including journalists and their sources, editors, news media executives, government officials, diplomats, American pundits, Soviet censors, and audiences on both sides. Foreign correspondents, Fainberg argues, were keen analytical observers who aspired to understand their host country and probe its depths. At the same time, they were fundamentally shaped by their cultural and institutional backgrounds—to the point that their views of the rival superpower were refracted through values of their own culture. International reporting grounded and personalized the differences between the two nations, describing the other side in readily recognizable, self-referential terms. Fundamentally, Fainberg demonstrates, Americans and Soviets during the Cold War came to understand themselves through the creation of images of each other. Drawing on interviews with veteran journalists and Soviet dissidents, Cold War Correspondents also uses previously unexamined Soviet and US government records, newspaper and news agency archives, rare Soviet cartoons, and individual correspondents' personal papers, letters, diaries, books, and articles. Striking black-and-white photos depict foreign correspondents in action. Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.
| Author | : Katerina Tsetsura |
| Publisher | : Taylor & Francis |
| Total Pages | : 104 |
| Release | : 2017-01-12 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1351743953 |
This book is about media transparency and good-faith attempts of honesty by both the sources and the gate-keepers of news and other information that the mass media present as being unbiased. Specifically, this book provides a theoretical framework for understanding media transparency and its antithesis--media opacity--by analyzing extensive empirical data that the authors have collected from more than 60 countries throughout the world. The practice of purposeful media opacity, which exists to greater or lesser extents worldwide, is a powerful hidden influencer of the ostensibly impartial media gate-keepers whose publicly perceived role is to present news and other information based on these gate-keepers’ perception of this information’s truthfulness. Empirical data that the authors have collected globally illustrate the extent of media opacity practices worldwide and note its pervasiveness in specific regions and countries. The authors examine, from multiple perspectives, the complex question of whether media opacity should be categorically condemned as being universally inappropriate and unethical or whether it should be accepted—or at least tolerated—in some situations and environments.
| Author | : James O'Keefe |
| Publisher | : Macmillan + ORM |
| Total Pages | : 313 |
| Release | : 2018-01-16 |
| Genre | : Political Science |
| ISBN | : 1250154650 |
The one real difference between the American press and the Soviet state newspaper Pravda was that the Russian people knew they were being lied to. To expose the lies our media tell us today, controversial journalist James O’Keefe created Project Veritas, an independent news organization whose reporters go where traditional journalists dare not. Their investigative work–equal parts James Bond, Mike Wallace, and Saul Alinsky—has had a consistent and powerful impact on its targets. In American Pravda, the reader is invited to go undercover with these intrepid journalists as they infiltrate political campaigns, unmask dishonest officials and expose voter fraud. A rollicking adventure story on one level, the book also serves as a treatise on modern media, arguing that establishment journalists have a vested interest in keeping the powerful comfortable and the people misinformed. The book not only contests the false narratives frequently put forth by corporate media, it documents the consequences of telling the truth in a world that does not necessarily want to hear it. O’Keefe’s enemies attack with lawsuits, smear campaigns, political prosecutions, and false charges in an effort to shut down Project Veritas. For O’Keefe, every one of these attacks is a sign of success. American Pravda puts the myths and misconceptions surrounding O’Keefe’s activities to rest and will make you rethink every word you hear and read in the so-called mainstream press.
| Author | : Robert Samet |
| Publisher | : University of Chicago Press |
| Total Pages | : 257 |
| Release | : 2019-07-08 |
| Genre | : Social Science |
| ISBN | : 022663387X |
Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chávez, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President Nicolás Maduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
| Author | : Martin Marinos |
| Publisher | : University of Illinois Press |
| Total Pages | : 240 |
| Release | : 2023-11-21 |
| Genre | : Social Science |
| ISBN | : 0252055128 |
Linking neoliberalism with the Right’s global rise Bulgaria’s media-driven pivot to right-wing populism parallels political developments taking place around the world. Martin Marinos applies a critical political economy approach to place Bulgarian right-wing populism within the structural transformation of the country’s media institutions. As Marinos shows, media concentration under Western giants like Westdeutsche Allgemeine Zeitung and News Corporation have led to a neoliberal turn of commercialization, concentration, and tabloidization across media. The Right have used the anticommunism and racism bred by this environment to not only undermine traditional media but position their own outlets to boost new political entities like the nationalist party Ataka. Marinos’s ethnographic observations and interviews with local journalists, politicians, and media experts add on-the-ground detail to his account. He also examines several related issues, including the performative appeal of populist media and the money behind it. A timely and innovative analysis, Free to Hate reveals where structural changes in media intersect with right-wing populism.
