Los Angeles Studio Conversations
Author | : Stephanie Buhmann |
Publisher | : |
Total Pages | : 256 |
Release | : 2019-04 |
Genre | : |
ISBN | : 9783941644052 |
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Author | : Stephanie Buhmann |
Publisher | : |
Total Pages | : 256 |
Release | : 2019-04 |
Genre | : |
ISBN | : 9783941644052 |
Author | : Richard Hertz |
Publisher | : Hol Art Books |
Total Pages | : 532 |
Release | : 2011-09 |
Genre | : Art |
ISBN | : 193610220X |
The Beat and the Buzz is the history of the Los Angeles art world since 1970, as told by thirty-three of its participants, in their own words. This art-world family album captures the intimate, lived experiences of artists, dealers, curators and critics whose personal history is becoming codified as art history. Whether you're in Los Angeles, or not, this book is also about the tensions of making it as an artist, or not. Clarifying but also complicating the many factors of success, the accounts here demonstrate that it's not only who you know but also when you know them, and how they're willing to support you at crucial junctures in your career. Finally, "The Beat and the Buzz" is also just gossip: The entertaining anecdotes of thirty-three interesting people with their own inside tales and humorous asides about one another and about the world they have lived and worked in. As artist John Baldessari proclaims, "It's a page turner."Contributors: Tony Berlant, Alexis Smith, Javier Peres, Elyn Zimmerman, Hal Glicksman, Dorit Cypis, Henry Hopkins, Sarah Gavlak, Elyse Grinstein, Edward Goldman, Emi Fontana, Maynard Monrow, Gianna Carotenuto, Ed Moses, Judith Hoffberg, Daniel Hug, Dagny Corcoran, Clayton Campbell, Kathryn Andrews, James Hayward, Robert Berman, Lyn Kienholz, Tom Lawson, Kim Light, David Askevold, Christine Nichols, Marc Pally, Skip Arnold, Barbara Guggenheim, John O'Brien, Heather Harmon, Cliff Einstein, and Jeff Poe.
Author | : Alan Solomon |
Publisher | : |
Total Pages | : 224 |
Release | : 2019-03-19 |
Genre | : Art |
ISBN | : 9780692082768 |
In 1969 curator, critic and former Jewish Museum director Alan Solomon interviewed Craig Kauffman, Larry Bell, James Turrell and Robert Irwin in conjunction with an exhibition he was organizing. They are the earliest in-depth interviews with each artist. Because of his untimely death they have remained in his archives and are published here for the first time. The interviews provide a rare glimpse into the early careers of these seminal artists, documenting their critical, aesthetic and intellectual concerns at a pivotal moment, allowing readers new insight into an important era of American postwar art. Solomon rose to prominence in the 1960s as a curator at the Jewish Museum in New York, where he organized a series of first solo exhibitions for the likes of Jasper Johns and Robert Rauschenberg. He also curated several major international surveys, including the 1964 Venice Biennale, where Rauschenberg won the Golden Lion. In 1968 Solomon left New York to take up a position at the fledgling University of California campus in Irvine, which was home to a dynamic group of young faculty and students. There he became acquainted with Kauffman, Bell, Turrell and Irwin, who have since been recognized as canonical participants in California Light and Space art of the 1960s. With this volume his engagement with these artists, and their roles in this important art historical episode, has finally been brought to light.
Author | : David Brafman |
Publisher | : Getty Publications |
Total Pages | : 178 |
Release | : 2021-04-13 |
Genre | : Art |
ISBN | : 1606066986 |
This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape. Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era. Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.
Author | : Michael Ondaatje |
Publisher | : A&C Black |
Total Pages | : 552 |
Release | : 2012-12-03 |
Genre | : Biography & Autobiography |
ISBN | : 1408840839 |
During the filming of his celebrated novel THE ENGLISH PATIENT, Michael Ondaatje became increasingly fascinated as he watched the veteran editor Walter Murch at work. THE CONVERSATIONS, which grew out of discussions between the two men, is about the craft of filmmaking and deals with every aspect of film, from the first stage of script writing to the final stage of the sound mix. Walter Murch emerged during the 1960s at the centre of a renaissance of American filmmakers which included the directors Francis Coppola, George Lucas and Fred Zinneman. He worked on a whole raft of great films including the three GODFATHER films, JULIA, AMERICAN GRAFFITI, APOCALYPSE NOW, THE UNBEARABLE LIGHTNESS OF BEING and many others. Articulate, intellectual, humorous and passionate about his craft and its devices, Murch brings his vast experience and penetrating insights to bear as he explains how films are made, how they work, how they go wrong and how they can be saved. His experience on APOCALYPSE NOW - both originally and more recently when the film was completely re-cut - and his work with Anthony Minghella on THE ENGLISH PATIENT provide illuminating highlights.
Author | : Tacita Dean |
Publisher | : Getty Publications |
Total Pages | : 368 |
Release | : 2021-11-16 |
Genre | : Art |
ISBN | : 160606777X |
Available for a limited time, this artist’s book by renowned visual artist Tacita Dean explores her chance encounters with objects in the archives of the Getty Research Institute. As the Getty Research Institute artist in residence in 2014–15, Tacita Dean was asked to define a subject and identify a path of research. What she proposed instead was a project titled “The Importance of Objective Chance as a Tool of Research.” Her idea was to allow chance to be her guide. Dean researched randomly, picking out boxes from the collections without knowing their contents, meandering through objects and images from sources as varied as medieval alchemy books to twentieth-century artist letters. Monet Hates Me features reproductions of fifty artworks she created from Getty’s archival holdings along with enlightening texts that expand on her method of research and illustrate her encounters with the archives.
Author | : George Stevens, Jr. |
Publisher | : Vintage |
Total Pages | : 734 |
Release | : 2009-05-27 |
Genre | : Performing Arts |
ISBN | : 0307518124 |
ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.
Author | : Peter J. McCusker |
Publisher | : iUniverse |
Total Pages | : 338 |
Release | : 2003-12 |
Genre | : Language Arts & Disciplines |
ISBN | : 0595299393 |
Conversation: Striving, Surviving, and Thriving presents a psychological-evolutionary rationale for everyday discourse and a method for analyzing conversations. As an evolved form of direct action, conversation empowers humans to relentlessly seek good physical and mental states by discovering life-enhancing messages and relationships. Properly analyzed conversations disclose our innermost desires and concerns, and promote self-enriching insights. Conversation: Striving, Surviving, and Thriving answers such questions as: What can I do to make my conversations more satisfying? What is conversational style? How is it that some people are chatty and others reticent? Where does conversational content come from? Why am I more likely to telephone my mother than my father? What are the similarities and differences between man-talk and woman-talk? Are some people simply not worth the conversational effort? Why is gossip enticing? Do I talk with the same persons about the same things? Incisive and eminently useful, Conversation: Striving, Surviving, and Thriving illuminates the hopes and dreams encoded in everyday banter, enabling us to more effectively talk our way to feeling good.
Author | : Eva Hesse |
Publisher | : Other Distribution |
Total Pages | : 0 |
Release | : 2013 |
Genre | : |
ISBN | : 9780300196658 |
In 1964 the industrialist Friedrich Arnhard Scheidt invited Eva Hesse (1936-1970) and her husband, Tom Doyle, to a residency in Kettwig an der Ruhr, Germany. The following fifteen months marked a significant transformation in Hesse's practice. The artist's studio space was located in an abandoned textile factory that contained machine parts, tools, and materials that served as inspiration for her complex, linear mechanical drawings and paintings. In 1965 Hesse expanded on this theme and began using objects found in the factory and papier-mâché to produce a series of fourteen vibrantly colored reliefs that venture into three-dimensional space with such materials as wood, metal, and cord protruding from the picture plane. With dynamic new scholarship and previously unpublished illustrations, Eva Hesse 1965 highlights key drawings, paintings, and reliefs from this pivotal time and demonstrates how the artist was able to rethink her approach to color, materials, and dimensional space and begin moving toward sculpture, preparing herself for the momentous strides that she would take upon her return to New York.
Author | : Stephanie Buhmann |
Publisher | : |
Total Pages | : 316 |
Release | : 2018-04 |
Genre | : |
ISBN | : 9783941644038 |