Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Los Angeles In The 1930s PDF full book. Access full book title Los Angeles In The 1930s.
| Author | : WPA Writers' Program of the Work Projects Administration in Southern California |
| Publisher | : Univ of California Press |
| Total Pages | : 584 |
| Release | : 2011-04-05 |
| Genre | : History |
| ISBN | : 0520268830 |
Previously published: New York: Hastings House, 1941, under the title Los Angeles: a guide to the city and its environs, as part of the American guide series.
| Author | : David Gebhard |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 1989 |
| Genre | : Architecture |
| ISBN | : |
"Speed, mobility, freedom: these governed the aesthetics of the "city of the future" as it spread its arterials across the Southern California landscape. If ever a city and a decade seemed meant for each other, it was Los Angeles and the streamlined '30s. The gloom of the Depression did little to curb the dynamism of this optimistic, greedy, sprawling metropolis. The Hollywood dream machine mirrored the aspirations of millions of Americans - a single-family home and yard, the independence of a private car on uncluttered streets, and the latest household conveniences. And L.A.'s built environment reflected the dreams, realizing in fact what the film sets offered in fantasy, with imagery ranging from up-to-date recreations of popular period styles to the stripped-classic monumentality of public buildings, and on toward the future in the sleek Moderne of curved corners, fluidly bent neon and metal tubing, and sculpted surfaces of stucco and glass brick ... Attention is focused on the types of architectural imagery used in commercial, public, and residential buildings..."--Page 4 of cover.
| Author | : Steven J. Ross |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 435 |
| Release | : 2017-10-24 |
| Genre | : History |
| ISBN | : 1620405644 |
A 2018 FINALIST FOR THE PULITZER PRIZE “[Hitler in Los Angeles] is part thriller and all chiller, about how close the California Reich came to succeeding” (Los Angeles Times). No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: Plans existed for murdering twenty-four prominent Hollywood figures, such as Al Jolson, Charlie Chaplin, and Louis B. Mayer; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast. U.S. law enforcement agencies were not paying close attention--preferring to monitor Reds rather than Nazis--and only attorney Leon Lewis and his daring ring of spies stood in the way. From 1933 until the end of World War II, Lewis, the man Nazis would come to call “the most dangerous Jew in Los Angeles,” ran a spy operation comprised of military veterans and their wives who infiltrated every Nazi and fascist group in Los Angeles. Often rising to leadership positions, they uncovered and foiled the Nazi's disturbing plans for death and destruction. Featuring a large cast of Nazis, undercover agents, and colorful supporting players, the Los Angeles Times bestselling Hitler in Los Angeles, by acclaimed historian Steven J. Ross, tells the story of Lewis's daring spy network in a time when hate groups had moved from the margins to the mainstream.
| Author | : Greg Hise |
| Publisher | : Univ of California Press |
| Total Pages | : 336 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9780520224148 |
"Eden by Design is a compelling and fascinating description of a possible Los Angeles that never came to be. Greg Hise and William Deverell have resurrected the Olmsted Brothers' 1930 plan for Los Angeles County, and then, in a wonderful introduction, put the plan in context so that to read it now is to see not only what seemed dangerous and possible in 1930 but also how and why one route to the present was chosen over others. In their hands, the plan acts like a ghost of Los Angeles, reminding us about a vanished past, lost possibilities, and the secrets that our present masks."--Richard White, author of The Organic Machine "The Report is not only a vital document in the history of Los Angeles . . . but a lost classic of a neglected golden age of city planning and landscape architecture. . . . It embodies a truly regional perspective; an ecological perspective; a long-range vision; an integration of design with finance and administration; and a truly grand interpretation of public space. It deserves to be known to every serious student of the American planning tradition."--Robert Fishman, author of Bourgeois Utopias: The Rise and Fall of Suburbia "An essential document for understanding the history of the West's largest city. Los Angeles had the opportunity to become an extraordinarily beautiful environment, a Paris in the desert. The editors make clear why, sadly, it did not; but also they hold out hope that portions of this brilliant but neglected plan might still be recovered."--Donald Worster, author of Nature's Economy: A History of Ecological Ideas "A welcome addition to the literature of American urban planning history."--Roger Montgomery, Professor of Architecture Emeritus, University of California, Berkeley
| Author | : Robert M. Fogelson |
| Publisher | : Univ of California Press |
| Total Pages | : 404 |
| Release | : 1993-06-09 |
| Genre | : History |
| ISBN | : 9780520913615 |
Here with a new preface, a new foreword, and an updated bibliography is the definitive history of Los Angeles from its beginnings as an agricultural village of fewer than 2,000 people to its emergence as a metropolis of more than 2 million in 1930—a city whose distinctive structure, character, and culture foreshadowed much of the development of urban America after World War II.
| Author | : Kathryn S. Olmsted |
| Publisher | : The New Press |
| Total Pages | : 338 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 1620970961 |
"In a major reassessment of modern conservatism, historian Kathryn S. Olmsted reexamines the explosive labor disputes in the agricultural fields of Depression-era California, the cauldron that inspired a generation of artists and writers and that triggered the intervention of FDR's New Deal. Right Out of California tells how this brief moment of upheaval terrified business leaders into rethinking their relationship to American politics--a narrative that pits a ruthless generation of growers against a passionate cast of reformers, writers, and revolutionaries. Olmsted reveals how California's businessmen learned the language of populism with the help of allies in the media and entertainment industries, and in the process created a new style of politics: corporate funding of grassroots groups, military-style intelligence gathering against political enemies, professional campaign consultants, and alliances between religious and economic conservatives. The business leaders who battled for the hearts and minds of Depression-era California, moreover, would go on to create the organizations that launched the careers of Richard Nixon and Ronald Reagan. A riveting history in its own right, Right Out of California is also a vital chapter in our nation's political transformation whose echoes are still felt today"--
| Author | : Christine Bold |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 268 |
| Release | : 1999 |
| Genre | : History |
| ISBN | : 9781578061952 |
In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when the federal government was extending its reach into citizens' daily lives. The 400 guidebooks the teams produced have been widely celebrated as icons of American democracy and diversity. Clumped together, they manifest a lofty role for the project and a heavy responsibility for its teams of writers. The guides assumed the authority of conceptualizing the national identity. In The WPA Guides: Mapping America Christine Bold closely examines this publicized view of the guides and reveals its flaws. Her research in archival materials reveals the negotiations and conflicts between the central editors in Washington and the local people in the states. Race, region, and gender are taken as important categories within which difference and conflict appear. She looks at the guidebook for each of five distinctively different locations -- Idaho, New York City, North Carolina, Missouri, and U.S. One and the Oregon Trail--to assess the editorial plotting of such issues as gender, race, ethnicity, and class. As regionalists jostled with federal officialdom, the faultlines of the project gaped open. Spotlighting the controversies between federal and state bureaucracies, Bold concludes that the image of America that the WPA fostered is closer to fabrication than to actuality. Christine Bold is director of the Centre for Cultural Studies and an associate professor of English at the University of Guelph in Guelph, Ontario.
| Author | : Dahlia Schweitzer |
| Publisher | : Rutgers University Press |
| Total Pages | : 195 |
| Release | : 2019-03 |
| Genre | : History |
| ISBN | : 081359636X |
L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930's through the present day. This book explores the metamorphosis of the solitary detective figure and the many facets of the genre itself.
| Author | : María de las Carreras |
| Publisher | : Indiana University Press |
| Total Pages | : 252 |
| Release | : 2019-05-01 |
| Genre | : Performing Arts |
| ISBN | : 2960029674 |
In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.
| Author | : Ehrhard Bahr |
| Publisher | : Univ of California Press |
| Total Pages | : 384 |
| Release | : 2008-08-08 |
| Genre | : Art |
| ISBN | : 0520257952 |
In the 1930s and '40s, LA became a cultural sanctuary for a distinguished group of German artists and intellectuals - including Thomas Mann, Theodor W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg - who were fleeing Nazi Germany. This book is the first to examine their work and lives.
