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London Theatre Record

London Theatre Record
Author:
Publisher:
Total Pages: 874
Release: 1990
Genre: English drama
ISBN:

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London Theatre Record

London Theatre Record
Author: Ian Herbert
Publisher:
Total Pages:
Release: 1981
Genre: Theaters
ISBN:

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London Theatre Record

London Theatre Record
Author:
Publisher:
Total Pages: 882
Release: 1990
Genre: English drama
ISBN:

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The Mousetrap

The Mousetrap
Author: Agatha Christie
Publisher: Samuel French, Inc.
Total Pages: 80
Release: 1982
Genre: Detective and mystery plays
ISBN: 9780573619236

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Melodrama / 5m, 3f / Int. The author comes forth with another hit about a group of strangers stranded in a boarding house during a snow storm, one of whom is a murderer. The suspects include the newly married couple who run the house, and the suspicions that are in their minds nearly wreck their perfect marriage. Others are a spinster with a curious background, an architect who seems better equipped to be a chef, a retired Army major, a strange little man who claims his car has overturned in a drift, and a jurist who makes life miserable for everyone. Into their midst comes a policeman, traveling on skis. He no sooner arrives, than the jurist is killed. Two down, and one to go. To get to the rationale of the murderer's pattern, the policeman probes the background of everyone present, and rattles a lot of skeletons. Another famous Agatha Christie switch finish! Chalk up another superb intrigue for the foremost mystery writer of her time.


Theatre Record

Theatre Record
Author:
Publisher:
Total Pages: 920
Release: 2005
Genre: Theater
ISBN:

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"Celebrating Confusion"

Author: Kenneth Nally
Publisher: Cambridge Scholars Publishing
Total Pages: 350
Release: 2009-01-14
Genre: Performing Arts
ISBN: 1443803650

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Though widely lauded as one of the most creative and challenging forces in Irish theatre Frank McGuinness’s plays have often met with a tempestuous reception. This new work details the significance of key productions of his plays in the context of Ireland’s culture and society. Charting McGuinness’s development as a dramatist from The Factory Girls through to Gates of Gold it combines cultural, political and theatrical analysis to position McGuinness as the most significant Irish playwright of his generation. Textual analysis supports considerations of theatrical performance to show how visual art, stagecraft, sculpture and song are central to our understanding of McGuinness’s theatre. Drawing forth the range of sexual, familial and national identities found in McGuinness’s work this book shows the significance of symbols in theatre that often seeks to confuse the simplicities of absolutes in order to show the complexities of difference. Wide-ranging, theoretically astute and written in a lucid and engaging style, Celebrating Confusion will appeal to all readers who are interested in Irish Theatre and its intersection with the politics and culture of contemporary Ireland.


Theatre Record

Theatre Record
Author:
Publisher:
Total Pages: 820
Release: 2008
Genre: Theater
ISBN:

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Women and Comedy

Women and Comedy
Author: Susan Carlson
Publisher: University of Michigan Press
Total Pages: 416
Release: 1991
Genre: English drama (Comedy)
ISBN: 9780472101870

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Explores the history and nature of women in British dramatic comedy


The Theatre of Rupert Goold

The Theatre of Rupert Goold
Author: Sarah Grochala
Publisher: Bloomsbury Publishing
Total Pages: 193
Release: 2020-11-12
Genre: Performing Arts
ISBN: 1350090743

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Since the late 1990s, Rupert Goold has garnered a reputation as one of the UK's most exciting and provocative theatre directors. His exhilarating, risk-taking productions of both classic texts and new plays have travelled from regional stages to the National Theatre, the West End, Broadway and beyond. Through his artistic directorship of Northampton's Royal & Derngate, the touring theatre company Headlong and London's Almeida Theatre, he has radically transformed, not only the companies themselves, but the landscape of British theatre. This is the first book to survey and analyse the full range of Goold's work to date and is a vital resource for students, scholars and fans of his work. Based on extensive interviews with Goold and some of the playwrights, designers, actors and other creatives who have collaborated with him, The Theatre of Rupert Goold provides an account of Goold's work from the beginnings of his career to the present day, offering a backstage view of the creative processes behind some of his most successful productions including: Paradise Lost, Faustus (Royal & Derngate); Macbeth (Chichester Festival Theatre); The Tempest, Romeo and Juliet (RSC); Six Characters in Search of an Author, ENRON (Headlong); Time and the Conways (National Theatre); Charles III and Ink (Almeida). The Theatre of Rupert Goold is an accessible and fascinating guide to Goold's approach to making theatre, an approach that asks provocative questions of the modern world in the most theatrical ways imaginable.


The Translator on Stage

The Translator on Stage
Author: Geraldine Brodie
Publisher: Bloomsbury Publishing USA
Total Pages: 209
Release: 2017-12-28
Genre: Literary Criticism
ISBN: 1501322109

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In today's theatre, productions of plays that originated in another language are frequently distinguished by two characteristics: the authorship of the English text by a well-known local theatre specialist, and the absence of the term 'translation'-generally in favour of 'adaptation' or 'version'. The Translator on Stage investigates the creative processes that bring translated plays to the mainstream stage, exploring the commissioning, translation and development procedures that end with a performed play. Through a sample of eight plays that span two thousand years and six languages-including Festen, Don Carlos, Hedda Gabler and The UN Inspector-and that were all staged within a three-month period, Geraldine Brodie brings in a wide range of theatre practitioners to discuss their roles in the translation process and the motivations that govern London theatre translation activities. The Translator on Stage is informed by specially conducted interviews with the productions' producers, artistic directors, directors, literary managers, playwrights and specialist translators, including Michael Grandage, Rufus Norris, David Eldridge, Juan Mayorga, David Johnston and Mike Poulton. It sheds new light not only on theatrical translation procedures, but also on the place of translation in society today.