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London Rock

London Rock
Author: Alec Byrne
Publisher: Virgin Books Limited
Total Pages: 254
Release: 2017-11-27
Genre: Photographers
ISBN: 9780753550007

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Up close, back stage, tiny gigs, pre-famous - Led Zep to Bowie as you've never seen them. Released to coincide with an exhibition at Proud Central, London (8th December - 28 January), this huge rock treasure chest contains over 250 previously unpublished premium images from the epicentre of London's exploding music scene, from the mid-sixties to the early seventies. Lavishly produced to create a fitting showcase for Alec's extraordinarily rich, until now hidden, private collection, London Rock is a stunning experience.


Rock 'n' Roll London

Rock 'n' Roll London
Author: Max Wooldridge
Publisher: Macmillan
Total Pages: 200
Release: 2002-11-09
Genre: Music
ISBN: 9780312304423

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London's rock 'n' roll history is in many ways the world's rock 'n' roll history. It has given birth to some of the most influential rock bands ever -- The Beatles, The Who, The Rolling Stones, Pink Floyd, Elton John, The Sex Pistols -- and many popular movements -- psychedelia, mod, punk, ska, and Brit-pop. This meticulously researched and entertaining guide explores London's long and occasionally sordid rock history from the 1950s to the present day, providing the casual traveler with a neighborhood-by-neighborhood look at the venues, clubs, pubs, people, studios, stores, and events that rocked the world. Where was David Bowie brought up? Where did the Beatles play their last gig? Where did Keith Moon spend his last night? Each chapter/neighborhood is accompanied by locator maps and detailed street directions, and is filled to the brim with stunning photographs, ephemera, and rock trivia.


London, Reign Over Me

London, Reign Over Me
Author: Stephen Tow
Publisher: Rowman & Littlefield
Total Pages: 225
Release: 2020-02-15
Genre: Music
ISBN: 1538127180

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It all started in London. More than fifty years ago, a generation of teens created something that would change the face of music forever. London, Reign Over Me immerses us in the backroom clubs, basement record shops, and late-night faint radio signals of 1960s Britain, where young hopefuls like Peter Frampton, Dave Davies, and Mick Jagger built off American blues and jazz to form a whole new sound. Author Stephen Tow weaves together original interviews with over ninety musicians and movers-and-shakers of the time to uncover the uniquely British story of classic rock’s birth. Capturing the stark contrast of bursting artistic energy with the blitzkrieg landscape leftover from World War II, London, Reign Over Me reveals why classic rock ‘n’ roll could only have been born in London. A new sound from a new generation, this music helped spark the most important cultural transformation of the twentieth century. Key interviews include: •Jon Anderson (Yes) •Ian Anderson (Jethro Tull) •Rod Argent (The Zombies) •Chris Barber (Chris Barber Jazz Band) •Joe Boyd (Producer/manager) •Arthur Brown (Crazy World of Arthur Brown) •David Cousins (The Strawbs) •Dave Davies (The Kinks) •Spencer Davis (Spencer Davis Group) •Judy Dyble (Fairport Convention) •Ramblin’ Jack Elliott (Solo folk/blues artist) •Peter Frampton (Humble Pie, solo artist) •Roger Glover (Deep Purple) •Steve Howe (Yes) •Neil Innes (Bonzo Dog Band; Monty Python) •Kenney Jones (The Small Faces; The Who) •Greg Lake (King Crimson; Emerson, Lake & Palmer) •Manfred Mann (Manfred Mann) •Terry Marshall (Marshall Amplification) •Dave Mason (Traffic) •Phil May (The Pretty Things) •John Mayall (The Bluesbreakers) •Jim McCarty (The Yardbirds) •Ian McLagan (The Small Faces) •Jacqui McShee (The Pentangle) •Peter Noone (Herman’s Hermits) •Carl Palmer (Atomic Rooster; Emerson, Lake & Palmer) •Jan Roberts (Eel Pie Island Documentary Project) •Paul Rodgers (Free) •Peggy Seeger (Solo folk artist) •Hylda Sims (Club owner) •Keith Skues (DJ: Radio Caroline, Radio London, Radio One) •Jeremy Spencer (Fleetwood Mac) •John Steel (The Animals) •Al Stewart (Solo folk artist) •Dick Taylor (The Pretty Things) •Ray Thomas (The Moody Blues) •Richard Thompson (Fairport Convention) •Rick Wakeman (The Strawbs, Yes) •Barrie Wentzell (Photographer: Melody Maker)


Rock Music Landmarks Of London

Rock Music Landmarks Of London
Author: Graham Vickers
Publisher: Omnibus Press
Total Pages: 96
Release: 2010-05-17
Genre: Music
ISBN: 0857123092

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Take a look at the drinking dive under a teashop where the original Rolling Stones were recruited, visit the places where skiffle was born, The Beatles played their last gig, and Paula Yates died. Rock Music Landmarks Of London is both a practical guidebook and an entertaining catalogue of stories featuring the rock stars who made parts of London famous simply by being there. All these London rock landmarks have their own stories, every one is on the London Tube system, each has a full address and a reference photograph.


Rock 'n' Roll London

Rock 'n' Roll London
Author: Tony Barrell
Publisher: London Series
Total Pages: 160
Release: 2019-05
Genre: Rock music
ISBN: 9781788840163

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London teemed with top-rated singers and musicians during the '60s and '70s, whether they were squatting, playing gigs or investing in multi-million pound mansions. Follow McCartney and co. to the quiet flat on Green Street that was their refuge before the Beatlemaniacs sought them out. Wind back time to when Loog Oldham locked Mick and Keith in their flat and demanded they compose a song. From the zany to the tragic - it was in St Mary Abbot's Hospital, Kensington where Jimi Hendrix was pronounced dead - this is a guidebook like no other, a pilgrimage dedicated to the rock 'n' roll greats. AUTHOR: Tony Barrell been a writer and journalist for more than 30 years. From 1998 to 2007 he was Chief Sub-Editor on The Sunday Times Magazine, during which time he wrote many major articles for the newspaper and interviewed many celebrities. Tony is the author of The Beatles on the Roof, the first book about The Beatles' rooftop performance in Savile Row, London, in January 1969. He has also written Born to Drum: The Truth About the World's Greatest Drummers, a book featuring interviews with 40 professional drummers, including Phil Collins (Genesis), Nick Mason (Pink Floyd), Clem Burke (Blondie) and Debbi Peterson (The Bangles). SELLING POINTS: * Discover the London landmarks associated with some of the biggest names in musical history * The culmination of detailed research into where the greats stayed, rehearsed, recorded and died * Forms part of a wider series that explores the UK capital Also in the series: Vinyl London ISBN 9781788840156 200 colour images


Bob Dylan in London

Bob Dylan in London
Author: K G Miles
Publisher: McNidder & Grace
Total Pages: 131
Release: 2021-02-04
Genre: Biography & Autobiography
ISBN: 0857162152

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'A must have for Dylan enthusiasts, lovers of London, and anyone with even a passing interest in the history of music. I devoured it in two sittings - and I loved it!' Conor McPherson, playwright, Girl from the North Country This is both a guide and history on the impact of London on Dylan, and the lasting legacy of Bob Dylan on the London music scene. Bob Dylan in London celebrates this journey, and allows readers to experience his London and follow in his footsteps to places such as the King and Queen pub (the first venue that Dylan performed at in London), the Savoy hotel and Camden Town. This book explores the key London places and times that helped to create one of the greatest of all popular musicians, Bob Dylan.


Rock Star/Movie Star

Rock Star/Movie Star
Author: Landon Palmer
Publisher: Oxford University Press
Total Pages: 288
Release: 2020-06-30
Genre: Music
ISBN: 0190888423

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During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.


Brixton Rock

Brixton Rock
Author: Alex Wheatle
Publisher: Hachette UK
Total Pages: 260
Release: 2014-11-30
Genre: Fiction
ISBN: 1910050601

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"Pacey; witty; his characters are real and recognisable" LINTON KWESI JOHNSON "Alex Wheatle writes from a place of honesty and passion with the full knowledge and understanding that change can only happen through words and actions" STEVE McQUEEN, director of Small Axe South London in the 1980s. Brenton Brown is a 16-year-old mixed-heritage boy who has lived in a children's home all his life. He has never met his mother and is haunted by her loss. The best thing happens: Brenton is reunited with his mother, Cynthia. And then the worst: he falls in love with his beautiful half-sister, Juliet. At the same time, Brenton meets his nemesis in the shape of Terry Flynn, a killer who scars him for life. Brenton must seek revenge. All this leads to an explosive climax as Brenton struggles to hold on to his sanity. Brixton Rock is the powerfully explosive debut of one of the UK's finest writers, with pitch-perfect descriptions of South London street life.


The Rock Canon

The Rock Canon
Author: CarysWyn Jones
Publisher: Routledge
Total Pages: 198
Release: 2017-07-05
Genre: Music
ISBN: 135154084X

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Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.